A Rejoinder to the Least Charitable Interpretation of Meursault's Narrative Self-Portrait as Anti-Social Passive-Aggressive Reactive Self-Destructive. Not worth your time. Perhaps the worst thing I have written yet.

The character of Charlie Chaplin in his movies is the personification of forgetfulness but not forgiveness ------ Someone who is not susceptible to bad conscience: (Nietzsche: the sting of conscience teaches one to sting). He carries no guilt, no regret, and is a mechanism of historical forgetfulness (like a happy beast which grazes free from past and future) ------ He undergoes misfortunes and occasional fortunes and comes out the same mechanism of historical forgetfulness he used to be ------ He is (...) virtuoso in terms of accepting the external reality and its misfortunes and is delighted alright as long as a minimally descent condition of life obtains but is vigilant and agile otherwise in the face of danger and unjust irregularities. Agility means he is always on the verge of trusting and mistrusting the external environmental factors. He is suffering from borderline personality disorder. (shrink)

A Cultural Criticism --- Clearly there can be nothing more praiseworthy than conferring virtues on things. Then the most celebrated strand of ecstasy of communication can be identified as the factor responsible for conferring an extra virtue to an already virtuous. This is problematic because, according to Nietzsche, one virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to. Excessive communication is the antipode of authenticity. Because where there is (...) reinforcement there is lack. (For instance: talking much about oneself can also be a means to conceal oneself). (shrink)