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  1. The Blush: Literary and Psychological Perspectives.W. Ray Crozier - 2016 - Journal for the Theory of Social Behaviour 46 (4):502-516.
    Literary analysis of the blush in Austen's novels identifies three themes, namely the potential ambiguity of a blush, its association with modesty, and its erotic and gendered nature, issues that scarcely figure in current psychological explanations of the phenomenon. I examine these themes and compare them with current psychological accounts which assign a central place to embarrassment and, more specifically, emphasise either unwanted social attention, exposure of the self, or the blush's signalling function. Analysis of Austen's work suggests that greater (...)
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  • Who is Embarrassed by What?John Sabini, Michael Siepmann, Julia Stein & Marcia Meyerowitz - 2000 - Cognition and Emotion 14 (2):213-240.
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  • Social Functions of Emotions at Four Levels of Analysis.Dacher Keltner & Jonathan Haidt - 1999 - Cognition and Emotion 13 (5):505-521.
    In this paper we integrate claims and findings concerning the social functions of emotions at the individual, dyadic, group, and cultural levels of analysis. Across levels of analysis theorists assume that emotions solve problems important to social relationships in the context of ongoing interactions. Theorists diverge, however, in their assumptions about the origins, defining characteristics, and consequences of emotions, and in their preferred forms of data. We illustrate the differences and compatibilities among these levels of analysis for the specific case (...)
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  • Embarrassment: A window on the self.Mary K. Babcock - 1988 - Journal for the Theory of Social Behaviour 18 (4):459–483.
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  • Proximate and Ultimate Perspectives on Romantic Love.Adam Bode & Geoff Kushnick - 2021 - Frontiers in Psychology 12:573123.
    Romantic love is a phenomenon of immense interest to the general public as well as to scholars in several disciplines. It is known to be present in almost all human societies and has been studied from a number of perspectives. In this integrative review, we bring together what is known about romantic love using Tinbergen’s “four questions” framework originating from evolutionary biology. Under the first question, related to mechanisms, we show that it is caused by social, psychological mate choice, genetic, (...)
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  • Reflections on a catalytic companion Kenneth J. Gergen.Kenneth J. Gergen - 1990 - Journal for the Theory of Social Behaviour 20 (4):305–321.
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  • Embarrassment: Actual vs. typical cases, classical vs. prototypical representations.W. Gerrod Parrott & Stefanie F. Smith - 1991 - Cognition and Emotion 5 (5-6):467-488.
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  • Self-consciousness, exposure, and the blush.W. Ray Crozier - 2004 - Journal for the Theory of Social Behaviour 34 (1):1–17.
    Little is known about the circumstances that give rise to blushing and there have been no systematic attempts to classify and analyze the types of situations where it occurs. The study reported here analyzes a sample of recollections of occasions and a selection of literary episodes. The two sources of evidence yield somewhat different patterns but prominent themes in both are being the centre of attention, whether this is positive, neutral or negative, and the disclosure, or threat of exposure, of (...)
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