Bachtin's concept of personality is considered in light of Kierkegaard's philosophy of human existence. Unlike Kierkegaard, who sees the aesthetic concept of the person moving over into an ethical one, Bachtin takes art to be the highest form of the realization of individuality that brings together the opposing tendencies within the ethical sphere (between what is and what must be).

Der Beitrag thematisiert vor allem unterschiedliche philosophische Auffasungen der Andersheit und versucht, sie aus einer hermeneutischen Perspektive zu hinterfragen. Dabei wird vor allem die konzeptuelle Radikalität der assymetrischen Beziehungen kritisiert, indem der hermeneutische Ansatz nicht als bloße Aneignungs- strategie des Anderen oder Fremden aufgefasst wird, sondern als offener Prozess der Verständigung, in dem die Heterogenität der Verständigungs- akteure zwar einer ständiger Veränderung unterzogen, jedoch immer auch gewahrt wird. Davon ausgehend wird auch die kulturphilosophische, aber auch gesellschaftliche und politische Relevanz der (...) Opposition zwischen Kulturpessimismus und Kulturoptimismus in Frage gestellt. (shrink)

This article offers an interpretation of Georg Simmel’s philosophy of culture as a theory that can be applied to a critical view of the cultural and political economy situation of our time. This interpretation allows us to somewhat re-actualize the legacy of the German philosopher in the context of contemporary critical thought. The interpretation was created on the basis of the analysis of two Simmel’s key concepts, namely: “tragedy of culture” and “conflict of culture”, as well as their relationship. In (...) addition, the basis for such reading was Simmel’s understanding of the subject, which denies the absolute sovereignty and asserts his appearance only under the influence of cultural objects. This is complemented by the interpretation of the “tragedy of culture” as a theory that debunks the “sovereign subject” as discussed by Dina and Michael Weinstein in Postmodern Simmel. Interpretation of Simmel’s theory of culture as critical towards its object includes an analysis of various phenomena inherent in modern culture from the standpoint of this theory. First, such a phenomenon is the capitalist system, which, due to its self-regulation, is an absolutely alienated object and a stimulator of the quantitative distribution of cultural objects. Secondly, the imperious relationship of cultural objects and the level of influence of some objects on the development and distribution of others allows us to look at how certain cultural phenomena transform culture as a whole. The third point is the relativization of reality and values and the role of the phenomenon of money in this process. Finally, it is the transformation of the role of subjects in the process of creating cultural objects. This transformation arises as the effect of placing the “tragedy” and “conflict” of culture in the same plane of contemporaneity, as a result of which the impulse to reproduce an objective culture can no longer be provided by a subjective impulse; but there is no decline in the rate of growth of an objective culture, and therefore, the key objects of culture are taken the function of this impulse.Manuscript received 10.08.2020. (shrink)

Investigating the neo-Kantian origins of structuralism and culturalism, this article analyses the development of Cassirer's thought by following his intellectual progression from knowledge to culture, and from culture to praxis. The article is in two parts. In the first part, the author presents an analysis of Cassirer's relational conception of knowledge. In the second part, the critique of knowledge is superseded by a critique of culture. The author analyses Cassirer's anthropological philosophy of symbolic forms and critically compares it to Simmel's (...) vitalist theory of culture. The article ends with a plea for a practical sociology inspired by Cassirer's return to Kant's practical philosophy. (shrink)

Die Simmel-Cassirer-Kontroverse behandelt den grundlegenden technikphilosophischen Gegensatz zwischen Kulturpessimismus und Kulturoptimismus. Diesen virtuellen Dialog beider Denker arbeitet Oliver Honer neu auf und entwickelt in einem aufsteigenden Reflexionsgang die Simmel'sche Rede von der »kulturellen Logik der Objekte« zum Begriff. Damit modelliert er das Verhältnis agierender Individuen zu ihren jeweiligen Möglichkeitsräumen und zeigt deren prekären Subjektstatus in diesen Räumen auf. Die dabei freigelegten Verhältnisse eröffnen angesichts technisch induzierter Eigenlogiken neue Wege einer dialektischen Kulturkritik.

The starting point for the research project pointed out in this article is the assumption that not only ideas, religion and ideologies but also technical connoted consumer goods could be characterized by socio-cultural qualities. The term “socio-cultural” implies cultural potential in the understanding of contextualization in a world of meaning on the one hand and the social potential of integration in posttraditional communities, i. e. small lifeworlds on the other hand. The article argues from a sociological perspective viewing not firstly (...) from the society point of view but consequently from that an individual, characterized by natural artificiality. (shrink)