Given that it seems uncontroversial that Socrates displays considerable contempt towards rhetoric in theGorgias,the title of this paper might strike one as an oxymoron. Indeed, a reading of the text has more than once encouraged scholars to posit an Opposition between the elenctic procedures championed by Socrates and the rhetorical procedures of his interlocutors. At least three features have been highlighted that seem to indicate this contrast:1.the Socratic interest in short questions and answers versus his interlocutors’ use of long speeches(makrologia);2.the (...) Socratic interest in truth regardless of the opinion of the many, the latter seeming an important concern of the rhetorician;3.the supposed Socratic appeal to the intellectual powers of the interlocutor, which is usually contrasted with the appeal to the emotions which is distinctive of rhetoric. (shrink)

Against a background of anxious evocation of Dionysiac rites, Euripides'Heraclesstages the extreme degradation of the tragic hero who, as a consequence of the hatred of a divinity, loses his heroic traits and above all his human ones in the exercise of brutal violence. By comparing Heracles in the grip of madness to a furious bull assailing its prey, the tragedian clearly shows the inexorability of the divine will and its arbitrariness, and emphasizes madness itself through images traditionally associated with the (...) bull. However, the reference to monstrosity and animals does not only involve Heracles, but also concerns the representation of Lyssa, the demon of madness sent by Hera to induce Heracles to slaughter his own family. This representation of Lyssa includes the monstrous and disturbing Gorgon and the dog, set alongside the metaphor of hunting, which in turn highlight the link between the demon and the Erinyes, those other bringers of madness. (shrink)

Starting with the reference to “Plato’s dictum” that Freud added in the second last page of the first edition of The Interpretation of Dreams, the author explains the convergences between the conception of dreams expounded by Plato in the Republic and Freud’s fundamental insights. The analysis of bibliographic sources used by Freud, and of his interests, allow than to suppose not only that Freud omitted to acknowledge the Plato’s theoretical genealogy of “the Via Regia to the unconscious”, but also the (...) possibility that the Republic constituted a tacit source of inspiration for the composition of The Interpretations of dreams. -/- Muovendo dal richiamo al «detto di Platone» inserito nella penultima pagina della prima edizione de "L’interpretazione dei sogni" di Freud (1899), vengono preliminarmente esposte le convergenze tra la concezione del sogno di Platone esposta ne "La Repubblica" e le intuizioni poste alla base dell’edificio freudiano. Alla luce delle fonti testuali citate e utilizzate da Freud, e dei suoi interessi, viene poi avanzata l’ipotesi che egli non soltanto abbia omesso di riconoscere la genealogia teoretica platonica della «via regia che porta alla conoscenza dell’inconscio» (p. 282), ma che l’antico dialogo abbia potuto rappresentare una fonte tacita di ispirazione per la composizione de "L’interpretazione dei sogni". (shrink)

In this article, I analyze the role of Heracles' famous body in the representation of madness and its aftermath in Euripides' Heracles. Unlike studies of Trachiniae, interpretations of Heracles have neglected the hero's body in Euripides. This reading examines the eruption of that body midway through the tragedy as a part of Heracles that is daemonic and strange, but also integral to his identity. Central to my reading is the figure of the symptom, through which madness materializes onstage. Symptoms were (...) contested sites of interpretation in the late fifth century, supporting both conventional narratives about human suffering and new stories advanced by contemporary medicine and ethics. In exploring the imaginative possibilities of these new stories, I do not privilege a “secular” over a “divine” reading. Rather I aim to offer a model of interaction between medicine and tragedy that sees the cross-breeding of worldviews as productive of innovative drama. (shrink)

Madness and emotion could be said to share, to a certain extent, their definition as kinds of human response to influences from their environment. The connection between madness and emotion is stressed in modern psychological observations establishing strong links between the causation of madness and human emotionality. Despite the fact that similar insights were absent from Greek medical theorists, or indeed from other contemporary writers, this would come as no surprise to either Sophokles or Euripides. Both tragedians handled their material (...) in such a way as to demonstrate how the strong pressures of familial or social influences can lead to mental disturbance. While it is most probably Sophokles who, for the first time, turns to the influence of internal forces in the process of madness, the lack of subject matter in his surviving plays allows us little scope for further comparison. On the other hand, Euripides seems to have dedicated more of his portrayals to madness. These portrayals offer an almost unique opportunity to examine the introduction, not only in drama but perhaps in the whole of Greek literature, of the emotions as contributing factors in madness. (shrink)

The problem of identity is one of the milestones of philosophical thinking. It is a complex question, a prism with multiple vertices. In this paper I will focus on two key-concepts related to identity, namely, death and community. Death stands as end of life, but as a possibility of it. The ghost "appears", then, in a privileged position for the dialogue and the understanding of this phenomenon. Moreover, as social beings, neither individuals can be separated from the community in which (...) they are registered; nor it is possible to distance the ghosts and functions historically fulfilled in this respect. Throughout the text I will discuss the functions that have been and those that would be of ghosts; understanding ghosts as a referring dialogic and therapeutic constitution of identity. El problema de la identidad constituye uno de los hitos fundamentales de pensamiento filosófico. Es una cuestión compleja, un prisma con múltiples vértices. El presente artículo se centrará en dos hitos fundamentales relacionados con la identidad, a saber: muerte y comunidad. La muerte se sitúa como fin de la vida, pero como posibilidad de la misma. "Aparece", entonces, el fantasma en una posición privilegiada para el diálogo y la comprensión de este fenómeno. Además, en tanto seres sociales los individuos no pueden ser separados de la comunidad en la que se inscriben. Tampoco es posible distanciar a los fantasmas y las funciones cumplidas históricamente en este aspecto. A lo largo del texto se examinarán cuáles han sido y pueden ser estas funciones a cumplir por los fantasmas entendidos como referente dialógico y terapéutico de la constitución de la identidad. (shrink)

This article maps the complex and changing interrelation of madness (μανία) and truth (ἀλήθεια) in the erotic speeches of thePhaedrus. I try to show that μανία is not merely a secondary aspect but rather a fundamental element within the structure binding together the sequence of speeches. I will show how what starts as an apparently simple binary opposition between μανία andἀλήθεια in Lysias’ speech and Socrates’ first speech suffers an important modification at the beginning of the palinode, and is finally (...) turned upside down in the radical reappraisal caused by the focus on erotic μανία. The result is a different understanding of μανία, as well as a reassessment of the status and cognitive reliability of day-to-day human perspective. (shrink)

Until now psychoanalytic literature has paid little attention to the psychoanalytic consulting room or the arrangement of couch and armchair and their likely effect on the psychoanalytic process. In this qualitative study, the answers of 20 former analysands reporting about their analyses in a guided interview were interpreted. It was found that room and psychoanalytic process interact very closely with one another. In the course of the analysis analysands define room implicitly in five different ways unaware of their doing so. (...) Room is defined as 1 the complete room in which the couch and armchair stand. Subjectively, the analysand is in the analyst’s room and is assigned a place on the couch for his own use. Analysis consists mainly on the analysand’s adapting to the analytic procedure. 2 the couch setting. Subjectively, the analysand is in his own room. Psychoanalysis consists mainly of regressive dyadic interactions between analysand and analyst. The analysand idealizes the room and is unaware of any irritating element. 3 the couch. Subjectively, the analysand is in his own room, concentrating on the confrontation with himself during the analytic work. The analyst accompanies the process mainly protectively by having the consulting room ready. 4 the complete room with all its details as the basis of the analysand’s own concept of a room. The analysand has an increasingly critical view of the consulting room, the analyst and all the details of the analytic process. He now becomes fully aware of all the elements belonging to room and process. He conceptualises his own idea of the perfect room. His often vehement criticism of all the elements of the room is central to the analytic work at this stage. 5 the complete consulting room including the couch setting. After the end of his analysis, the analysand returns to his old consulting room and discovers, mainly unconsciously, that his former consulting room has become foreign to him. He is no longer in his own room and soberly looks at an unattractive room in which he once experienced all the decisive periods of his life. The analysand goes through these five phases respectively. The process is not reversible. On account of the interaction stated between room perception and psychoanalytic process this room theory can serve as a means of efficacy research in order to evaluate the depth of the psychoanalytic process and the qualitative personality changes within it. (shrink)