Throughout the sixteenth century, learned physicians across Europe performed a diverse array of “trials” of phenomena and published reports about them. This essay traces the phrase “periculum facere” (“to make a trial”) and related terms through natural history investigations, drug testing, chymical analysis, and anatomical discoveries. Physicians used ancient precedents, their learned expertise, and pedagogical authority to anchor the epistemic status of their trials and incorporated the historical narratives of their trial-making within arguments to factual and causal knowledge, even philosophical (...) scientia. Developed from engagement with things, ancient texts, other healers, and students, this lively tradition of contrived, first-person empirical trials flourished in some academic institutions, especially the University of Padua. The frequency and visibility of sixteenth-century medical trials, especially in the education of hundreds of students annually, is essential evidence for understanding how experimentation came to be widespread in early modern Europe. (shrink)

Many physicians, anatomists and natural philosophers engaged in attempts to map the seat of the soul during the so-called Scientific Revolution of the European seventeenth century. The history of these efforts needs to be told in light of the puzzlement bred by today's strides in the neurological sciences. The accounts discussed here, most centrally by Nicolaus Steno, Claude Perrault and Thomas Willis, betray the acknowledgement that a gap remained between observable form, on the one hand, and motor and sensory functions, (...) on the other. Observation yielded information about form, but did not guarantee a constant correlation with presumed function, while the mechanisms of sense and movement did not fit in with accounts of action and cognition whose purpose was to place the connection between active body and willful, conscious soul onto a descriptive rather than metaphysical plane. Teleology was now no longer a helpful tool in the disciplines of anatomy and physiology; the consequences of this are still with us. (shrink)

ABSTRACT Accepting the claim that the living have some moral duties with regard to dead bodies, this paper explores those duties and how they bear on the popular travelling exhibition Bodyworlds. I argue that the concept of informed consent presupposes substantial duties to the dead, namely duties that reckon with the meaning of the act in question. An attitude of respect and not regarding human remains as mere raw material are non‐alienable substantial duties. I found the ethos of Bodyworlds premature (...) but full of promises such as public attitudes to organ donations. At the practical level I conclude that Bodyworlds should use only willed donations or unclaimed bodies for which dignified funerals are not available. In the case of live donations, Bodyworlds has a duty to participate in the medical care of needy donors. However, secrecy with regard to the sources of cadavers seems to be the most troublesome aspect of Bodyworlds. (shrink)

Western culture has a few traditions of representing the human body – among them mortuary art (gisants), the freak show, the culture of the relics, renaissance art and pre-modern and modern anatomy. A historical analysis in the spirit of Norbert Elias is offered with regard to body – person relationship in anatomy. Modern anatomy is characterized by separating the story of the person from the story of the body, a strategy that is incompatible with the bio-psycho-social paradigm of clinical medicine. (...) The paper discusses different aspects of the above traditions and how they might bear on this conflict and on contemporary bioethics and bedside practice. (shrink)

This article is an investigation into the ways in which anatomico-medical bodies are produced through means of public mediation and spectacle technologies. The examples of `RealVideo surgery' (surgical operations broadcast live over the Web) and the early modern anatomy theaters, provide two instances where `the body' enframed by science is mediated via technology. Referencing the genealogical work of Michel Foucault, and through an analysis of the anatomy theaters and RealVideo surgery, this article attempts to show how such institutionally framed and (...) legitimizing science practices do not simply produce `the body', but are rather involved in multiply articulating different types of technoscientific bodies. At issue in such instances are the ways in which practices and habits of reading, decoding and recognizing bodies are being reconfigured in the utilization of such technologies as the Internet and Web, and the possible modes of critical analysis which may develop from within such instances. (shrink)