Whether Edmund Husserl is a realist or idealist or metaphysically neutral is still often debated among his commentators. Instead of making an over-generalized claim about Husserl’s thought, this study only focuses on intentionality theory to know toward which Husserl is metaphysically committed in that theory. This study, therefore, aims to metaphysically reconstruct Husserl’s theory of intentionality and then prove that the theory is realist, not idealist nor metaphysically neutral. By using the textual analysis method, this study finds four important points (...) in Husserl’s works regarding intentionality theory. Firstly, in the Husserlian framework of intentionality, consciousness always intends its objects through the mediation of a certain meaning. Secondly, objects toward which consciousness is directed are transcendent and independent from consciousness. Thirdly, a single object can be intended by consciousness through different meanings according to the perspective that determines the intention. Therefore, fourthly, Husserl’s theory of intentionality can be categorized as one version of perspectival realism. (shrink)

A questão dos universais permanece tema na filosofia tanto na ontologia como na epistemologia. Em Husserl, há universais particulares, o ‘X’ noemático, o idêntico, e universais stricto sensu, nomes universais atemporais. Neste artigo, apresento o tema conforme analisado por Husserl em Ideias I. Na primeira seção, descrevo a trajetória até os universais destacando o paralelismo entre noese e noema. Na segunda seção, traço o reflexo para a filosofia da linguagem também afetada pela correspondência noético-noemática. Na terceira e última seção, mostro (...) como a investigação sobre os universais move-se apenas na esfera noemática, e concluo defendendo a possibilidade de partindo do ‘X’ noemático alcançar o universal em sentido estrito. (shrink)

Although there have been efforts to integrate Semantic Web technologies and artificial agents related AI research approaches, they remain relatively isolated from each other. Herein, we introduce a new ontology framework designed to support the knowledge representation of artificial agents’ actions within the context of the actions of other autonomous agents and inspired by standard cognitive architectures. The framework consists of four parts: 1) an event ontology for information pertaining to actions and events; 2) an epistemic ontology containing facts about (...) knowledge, beliefs, perceptions and communication; 3) an ontology concerning future intentions, desires, and aversions; and, finally, 4) a deontic ontology for modeling obligations and prohibitions which limit agents’ actions. The architecture of the ontology framework is inspired by deontic cognitive event calculus as well as epistemic and deontic logic. We also describe a case study in which the proposed DCEO ontology supports autonomous vehicle navigation. (shrink)

It is often supposed one can draw a distinction, among the assumptions on which an inference rests, between certain background assumptions and certain more salient, or foregrounded, assumptions. Yet what may such a fore-v-background structure, or such structures, consist it? In particular, how do they relate to consciousness? According to a ‘Boring View’, such structures can be captured by specifying, for the various assumptions of the inference, whether they are phenomenally conscious, or access conscious, or else how easily available they (...) are to such consciousness. According to an ‘Interesting View’, there are fore-v-background structures over and above such classifications. The chapter gestures at reasons for thinking that an Interesting View at least merits exploration. The paper discusses some recent contributions to such a view in analytical philosophy; some remarks in Husserl on what he dubbed the horizonal dimension of acts of consciousness; and psychological work on the role of gist or schema representations in perception and memory. It is proposed that background assumptions can figure in consciousness by being as it were condensed into a consciously, though inattentively, entertained notion of their overall thematic gist, where this thematic gist gives the drift of a possible elucidation of how or why such-and-such salient grounds mean that so-and-so conclusion holds. (shrink)

The problem of universals remains a philosophical theme not only in ontology but also in epistemology. In Husserl, there are particular universals, the noematic ‘X’, the identical, and universals stricto sensu, atemporal universal names. In this paper, I present the theme as it is analyzed by Husserl in Ideas I. In the first section, I describe the trajectory to the universals highlighting the parallelism between noese and noema. In the second section, I draw the reflection of this problem on the (...) philosophy of language which is also affected by the noeticnoematic correspondence. In the third and last section, I show how the investigation about the universals moves in the noematic sphere, and conclude defending the possibility of reaching the universal strict sense departing from the noematic ‘X’. (shrink)

Whether Husserl is a conceptualist has been heatedly debated among contemporary Husserl scholars. The present article intends to join the debate by asking the question of how, in the Husserlian context, intuitive acts fulfill signitive ones. On the one hand, those who take Husserl to be a conceptualist hold the content-identity theory, arguing that intuitive act and signitive act have the same content, so that the former can fulfill the latter. On the other hand, the non-conceptualists defend the object-identity theory (...) and claim that it is the identity of object of intuitive and signitive act that makes fulfillment possible. On the basis of a careful reading of the sixth investigation of Husserl’s Logical Investigations, the article proposes a dynamic content-identity theory, in which the identity of content does not mean that intuitive act and signitive act have the identical content accidentally, but rather, in the dynamic fulfillment process, the intuitive act obtains the content that overflows into it from the signitive act, so that the two acts have the identical content. And this article shows how the dynamic content-identity theory places Husserl in the conceptualist camp while avoiding certain difficulties of either plain content-identity theory or object-identity theory. (shrink)

_ Source: _Volume 48, Issue 2, pp 209 - 232 In _Specters of Marx_, Derrida suggests that the most fundamental condition of phenomenality lies in the ambiguous status of the noema, defined as an intentional and non-real component of _Erlebnis_, neither “in” the world nor “in” consciousness. This “irreality” of the noematic correlate is conceived by Derrida as the origin of sense and experience. Already in his _Of Grammatology_, Derrida maintained that the difference between the appearing and the appearance, between (...) the world and the lived experience, is the condition of all other differences. Unfortunately, Derrida limits himself to a few self-evident remarks, without further elaborating.The aim of this paper is twofold: on the one hand, to contextualize Derrida’s interpretation of the noema from a theoretical and historical perspective; on the other hand, to show its effects on the early moments of Derrida’s philosophy. The result will shed light on a neglected issue in the relationship between deconstruction and phenomenology. (shrink)

In 2014, Morten Tønnessen and the editors of Biosemiotics officially launched the Biosemiotic Glossary Project in the effort to: solidify and detail established terminology being used in the field of Biosemiotics for the benefit of newcomers and outsiders; and to by involving the entire biosemiotics community, to contribute innovatively in the theoretical development of biosemiotic theory and vocabulary via the discussions that result. Biosemiotics, in its concern with explaining the emergence of, and the relations between, both biological ‘end-directedness’ and semiotic (...) ‘about-ness’, would seem a fertile field for re-conceptualizing the notion of intentionality. The present project is part of a systematic attempt to survey and to document the current thinking about this concept in our field. (shrink)

This paper argues for a Husserlian account of phenomenal intentionality. Experience is intentional insofar as it presents a mind-independent, objective world. Its doing so is a matter of the way it hangs together, its having a certain structure. But in order for the intentionality in question to be properly understood as phenomenal intentionality, this structure must inhere in experience as a phenomenal feature. Husserl’s concept of horizon designates this intentionality-bestowing experiential structure, while his concept of motivation designates the unique phenomenal (...) character of this structure as it is experientially lived through. The way experience hangs together is itself a phenomenal feature of experience. (shrink)

Alva Noë’s strategy to solve the puzzle of perceptual presence entirely relies on the principle of presence as access. Unaccessed or unattended parts or details of objects are perceptually present insofar as they are accessible, and they are accessible insofar as one possesses sensorimotor skills that can secure their access. In this paper, I consider several arguments that can be opposed to this claim and that are chiefly related to the modal status of action, i.e. the fact that the action (...) that would secure access to the absent aspects is a possibility, something that can be done. The main difficulty Noë’s account must face is –as several situations demonstrate– that the action that should be performed for the absent aspects to be actually accessed does not have to be itself available for these aspects to be perceptually present. What matters for the absent aspects to be present is not their de facto accessibility, but their de jure accessibility. To overcome those difficulties, I propose to rely on a ternary model of the role of action possibilities in perceptual awareness. This model builds on Husserl’s analysis of the role of perceptual circumstances in perception and connection between sense registering and horizontal intentionality. (shrink)

The central theme of my dissertation is Husserl’s phenomenological analysis of how we experience images. The aim of my dissertation is twofold: 1) to offer a contribution to the understanding of Husserl’s theory of image consciousness, aesthetic consciousness and art, and 2) to find out whether Husserl’s theory of the experience of images is applicable to modern and contemporary art, particularly to strongly site-specific art, unaided ready-mades, and contemporary films and theatre plays in which actors play themselves. Husserl’s commentators and (...) followers interested in his theory of the experience of images have mostly focused on the concept of “phantasy” [Phantasie] or “imagination.” Accordingly, the main interest is in the notion of the “image object” [Bildobjekt] and in the question of how something absent can appear in an image. In my dissertation, the central concept is “image consciousness” [Bildbewusstsein] which is a unique kind of experience: it involves both perception and imaging. I want to show that Husserl’s early theory of depictive image consciousness and his later theory of the experience of images can both be subsumed under the term “image consciousness”. I want to point out that Husserl’s revision of his earlier theory of image consciousness results in the distinction between depictive and non-depictive image consciousness, and that revision did not amount to an abandoning of the theory of “image consciousness.” In addition, Husserl divides depictive consciousness into positing and non-positing depictive consciousness. In my dissertation, I take the theory of image consciousness as the basis for explaining the experience of images, including the experience of visual works of art. In Husserl’s definition of art: “Without an image, there is no fine art”. The theory of image consciousness also plays an important role in explaining aesthetic consciousness since the focus is on “the How of the image object’s depicting”. My aim is to accentuate the subject in image consciousness, rather than the image object. I want to show that whether the subject is involved in image consciousness or not makes the difference if we have a two-fold or three-fold experience of seeing-in. In this way, I can also compare Husserl and Wollheim’s theories of seeing-in: a comparison that has received minimal attention in the literature of pictorial experience until now. In addition, I aim to show that according to Husserl’s theory, the image subject is involved only in depictive image consciousness. Moreover, I try to show that it is more difficult to define the image subject than the image object for the subject cannot be equated with the referent. Lastly, I will point out that Husserl mentions the possibility that it is the appearance of the subject rather than the image object appearance that we are focused on in aesthetic consciousness. Another topic that has received minimal attention until now is Husserl’s idea that depiction is involved in the experience of theatrical performance. The latter is primarily used by Husserl as an example of non-depictive image consciousness. I will examine how depiction can be involved in the experience of a theatre play in the case of actors playing themselves onstage. I will show that, in light of this example, either Husserl’s theory of depiction need to be revised or we cannot say that depiction is involved when an actor plays a real life person. Again, the key issue is how the subject appears. Thus, I will try to apply Husserl’s theory of depiction in explaining our experience of theatrical performances. I will also try to use his theory of aesthetic consciousness in describing the experience of strongly site-specific art and point out what the difficulties are of using the idea of the limited synthetic unity of the aesthetic object in the case of strongly site-specific art which seems to have no prescribed margins that could correspond to the limitedness. In addition, I will show how Husserl’s phenomenology, especially the notion of horizon, can be used to define visual art. I will defend the view that an object of art can be defined as art through an external co-determining horizon – the artworld. My dissertation is divided into four parts. In the first part, I give an overview of the development of Husserl’s philosophy from the period 1989 – 1920s with a special focus on the development of the theory of image consciousness. In that part, I introduce the notions of depictive and non-depictive image consciousness. In the second part, special focus is on the depictive image consciousness or the theory of depiction. I will first explain the phenomenological approach to the experience of images and what the difference and similarities are between Husserl and Wollheim’s theory of seeing-in. Then I give more detailed description of the three objects or objectivities in image consciousness with the emphases on the image subject. Also, how the objects are related to each other: the necessary conflicts and a resemblance in image consciousness. Lastly, I will analyse Husserl’s claim that depiction might be involved in the experience of theatrical performances and I will show what the difficulties are of applying this idea in the case of a theatre play in which actors play themselves. In the third part, I examine Husserl’s theory of aesthetic consciousness. I will first point out how the notion of “aesthetic object” is equated with that of “work of art” by Husserl. Then I will show the similarities between the aesthetic attitude and phenomenological attitude in general, and how aesthetic consciousness differs from image consciousness according to Husserl. In this vein, I will point out the difficulty of defining whether, following Husserl’s texts, we are directed to image object appearance or the appearance of the image subject in aesthetic consciousness. Lastly, I will analyse Husserl’s idea of the limited synthetic unity of the aesthetic object and whether this theory holds in the case of the experience of strongly site-specific art. In the fourth part, I will give an overview of Husserl’s notes on art and his attempt to define art. The question whether every visual work of art must be an image is also addressed. The fourth part is divided into two sections. Firstly, I will show how some of Husserl’s commentators analyse artworks as analogues to or illustrations for Husserl’s phenomenology: how some works of art are doing phenomenology. Secondly, how Husserl’s phenomenology can be used to analyse our experience of artworks. In this section, I will examine Husserl’s claim that all works of visual art are images. Also, I will show how Husserl’s notion of the external co-determining horizon can be used to define art. Some material used in my dissertation has been published in the following journals: Proceedings of the European Society for Aesthetics, South African Journal of Philosophy, 2013), Kunstiteaduslikke Uurimusi, 2014), Postgraduate Journal of Aesthetics Spring 2014). (shrink)

The aim of this paper is to lay the groundwork for extending the idea of transparent introspection to wishes. First, I elucidate the notion of transparent introspection and highlight its advantages over rival accounts of self-knowledge. Then I pose several problems that seem to obstruct the extension of transparent introspection to wishes. In order to overcome these problems, I call into question the standard propositional attitude analysis of non-doxastic attitudes. My considerations lead to a non-orthodox account of attitudes in general (...) and wishes in particular in light of which the problems presented in Sect. 2 disappear. (shrink)

While classical phenomenology, as represented by Edmund Husserl’s work, resists certain forms of representationalism about perception, I argue that in its theory of horizons, it posits representations in the sense of content-bearing vehicles. As part of a phenomenological theory, this means that on the Husserlian view such representations are part of the phenomenal character of perceptual experience. I believe that, although the intuitions supporting this idea are correct, it is a mistake to maintain that there are such representations defining the (...) phenomenal character of low-level perception. What these representations are called on to explain, i.e., the phenomenal character of perceiving objects in their full presence, can be more parsimoniously explained by appealing to certain affective states or affect schemas that shape the intentional directedness of low-level perceptual experience and define its phenomenal character in a non-representational way. This revision of the Husserlian view, it is shown, also helps us understand the normative character of perception. (shrink)

The aim of this article is to examine Edmund Husserl’s theory of aesthetic consciousness and the possibility to apply it to site-specific art. The central focus will be on the idea of the limited synthetic unity of the aesthetic object that is introduced by Husserl in order to differentiate positional and aesthetic attitude towards the object. I claim that strongly site-specific art, which is a work of art about a place and in the place, challenges the view that the synthetic (...) unity of the aesthetic object is limited. Moreover, following Husserl’s theory, it becomes questionable whether strongly site-specific art is art at all. I try to answer these objections by explaining how the artist prescribes the appearances and boundaries of a strongly site-specific object of art, thereby satisfying the demand for the limitedness of the synthetic unity of the aesthetic object. (shrink)

A central topic in discussions about qualia concerns their purported transparency. According to transparency theorists, an experience is transparent in the sense that the subject having the experience is aware of nothing but the intended object of the experience. In this paper this notion is criticized for failing to account for the dynamical aspects of perception. A key assumption in the paper is that perceptual content has a certain temporal depth, in the sense that each act of perception can present (...) an object as extended in time and that objects can be perceived as persisting through time. An object that is seen as persisting through time is often seen as constant and unchanging, even though the presentation of it is changing. In this paper it is argued that in order to account for these cases of perceptual constancy, we must distinguish between the awareness of having perceived that an object has a property at a certain point in time, and perceptually intending that it has that property at that point in time. Consequently, we must in at least some instances be aware of something more than the object of the experience. But precisely this distinction is rejected by the transparency theory. (shrink)

Pike’s phenomenology of mystical experiences articulates sharply where theological content may enter the structure of Christian mystics’ experiences (as characterized in their own words). Here we look to Buddhist (and other) accounts of pure or nibbanic consciousness attained in experiences of deep meditation. A contemporary modal model of inner awareness is considered whereby a form of pure consciousness underlies and embraces further content in various forms of consciousness, including mystical experiences in different traditions and experiences of full union (with God).

The paper sketches the place of dynamic semantics within a broader picture of developments in philosophical and linguistic theories of meaning. Some basic concepts of dynamic semantics are illustrated by means of a detailed analysis of anaphoric definite and indefinite descriptions, which are treated as contextually dependent quantificational expressions. It is shown how a dynamic view sheds new light on the contextual nature of interpretation, on the difference between monologue and dialogue, and on the interplay between direct and indirect information.

Phenomenology is the study of structures of consciousness as experienced from the first-person point of view. The central structure of an experience is its intentionality, its being directed toward something, as it is an experience of or about some object. An experience is directed toward an object by virtue of its content or meaning (which represents the object) together with appropriate enabling conditions.

The presentation of the formal conception of noemata is the main aim of the article. In the first section, three informal approaches to noemata are discussed. The goal of this chapter is specifying main controversies and their sources concerned with different ways of the understanding of noemata. In the second section, basic assumptions determining the proposed way of understanding noemata are presented. The third section is devoted to the formal set-theoretic construction needed for the formal comprehension of noemata. In the (...) fourth section, definitions of noemata and their various kinds, as well as definitions of other phenomenological notions are formulated. In the last section, possibilities of further developing the proposed formal conception are indicated. (shrink)

Husserl is well known for his critique of the “mathematizing tendencies” of modern science, and is particularly emphatic that mathematics and phenomenology are distinct and in some sense incompatible. But Husserl himself uses mathematical methods in phenomenology. In the first half of the paper I give a detailed analysis of this tension, showing how those Husserlian doctrines which seem to speak against application of mathematics to phenomenology do not in fact do so. In the second half of the paper I (...) focus on a particular example of Husserl’s “mathematized phenomenology”: his use of concepts from what is today called dynamical systems theory. (shrink)

This essay is a critical examination of how Edmund Husserl, in his appropriation of Franz Brentano’s concept of intentionality into his phenomenology, deals with the very issues that shaped Brentano’s theory of intentionality. These issues concern the proper criterion for distinguishing mental from physical phenomena and the right explanation for the independence of the intentionality of mental phenomena from the existence or non-existence of their objects. Husserl disagrees with Brentano’s views that intentionality is the distinguishing feature of all mental phenomena (...) and that the mental status of intentional objects is what explains the said independence. The crucial concept in Husserl’s theory of intentionality is the noema of consciousness, which functions in the same way as Gottlob Frege’s sense in his theory of semantics. This essay argues that Husserl’s alternative solutions to the problems of Brentano run in conflict either with the desired rigor of his phenomenology or with the actual workings of language. (shrink)

This paper argues that transcendental phenomenology (here represented by Edmund Husserl) can accommodate the main thesis of semantic externalism, namely, that intentional content is not simply a matter of what is ‘in the head,’ but depends on how the world is. I first introduce the semantic problem as an issue of how linguistic tokens or mental states can have ‘content’—that is, how they can set up conditions of satisfaction or be responsive to norms such that they can succeed or fail (...) at referring. The standard representationalist view—which thinks of the problem in first-person terms—is contrasted with Brandom’s pragmatic inferentialist approach, which adopts a third-person stance. The rest of the paper defends a phenomenological version of the representationalist position (seeking to preserve its first-person stance) but offers a conception of representation that does not identify it with an entity ‘in the head.’ The standard view of Husserl as a Cartesian internalist is undermined by rejecting its fundamental assumption—that Husserl’s concept of the ‘noema’ is a mental entity—and by defending a concept of ‘phenomenological immanence’ that has a normative, rather than a psychological, structure. Finally, it is argued that phenomenological immanence cannot be identified with ‘consciousness’ in Husserl’s sense, though consciousness is a necessary condition for it. (shrink)

Gottlob Frege and Edmund Husserl are two seemingly different philosophers in their methodology. Both have significantly influenced Western philosophy in that their contributions established fields within philosophy that are of intensive study today. Still, their differences in methodology have, in certain instances, yielded similar or distinct results. Their results ranged from the distinction of sense and reference, objectivity, and the theory of mathematics: specifically, their definition of number. Frege and Husserl have such striking similarities in their theory of sense and (...) reference and related notions that from their apparent correspondence, Frege seems to have acknowledged the coincidences in their theories (Frege & Kluge, 1972) (Hill & Rosado Haddock Intro, 4, & 30-33). That is not to say there are exact parallels between Frege and Husserl and their results, as I will acknowledge their similarities and differences within scale. So, I intend to demonstrate their respective theories and results descriptively to show their likenesses while still recognizing their divergences in scope and methodology. Indirectly, I would also hope to illustrate the ties, in terms of subject matter, of these two philosophers who are historically considered at odds with one another; be it personally, in their schools of philosophy, or methodologically (Hartimo 47-53). (shrink)

This paper argues that accepting an ordinary approach to truthmakers and rejecting something I call “the metaphysical knowledge assumption” allows us to account for inquiry in terms of truthmaking. §1 introduces inquiry and the potential place of truthmakers in inquiry. §2 presents the relevant ordinary notion of truthmakers. §3 presents and motivates MKA. This assumption, I argue, makes a truthmaker-focused account of inquiry whose objects are not the fundamental nature of things impossible and thus should be rejected. The ordinary picture, (...) which understands truthmakers not exclusively in terms of the objects of fundamental reality or of semantics, but in terms of the relevant, intentional objects of inquiry, gives us an attractive, general, truthmaker-based view of inquiry. (shrink)

In this paper, we describe causal powers realism as a conjunction of four claims: causal powers are not reducible to counterfactuals; they are empirically-discoverable; they manifest effects in conjunction with partners; and their manifestations empower further manifestations. We describe four challenges to extended mind theory and for each show how an ontology of causal powers realism either avoids or dissolves the problem. We close by suggesting that causal powers realism isn’t a competitor with extended mind theory but rather a new (...) way to understand what it means for minds to be extended. (shrink)

Responding to the myth of a purely sensuous “given”, we turn to phenomenology, to the structure of consciousness in an everyday perception of an everyday object. We first consider Brentano’s model of an act of consciousness: featuring the presentation of an object “intentionally” contained “in” the act, joined by the presentation of that object-presentation in “inner consciousness”. We then dig into Husserl’s intricate “semantic” theory of intentionality: featuring “noematic” meaning within a “horizon” of implicated meaning regarding the object of perceptual (...) consciousness. Brentanian inner consciousness morphs into “inner time consciousness” for Husserl, where noematic sense shapes more basic sensory elements of temporal experience. Drawing on these Brentanian and Husserlian analyses, we develop an enhanced account of how an object is “given” in perceptual acquaintance or “intuition”: by virtue of a structure of meaning entertained in the experience. This account we develop further in a “modal” model of the structure of consciousness in everyday perception: distinguishing fundamental factors of phenomenal intentional experience, including inner awareness, phenomenality, and spatiotemporal awareness. Within this model, we specify how the external object of perception is “constituted” in consciousness by virtue of ideal meaning, all within the real world wherein an intentional relation of acquaintance links the perceptual experience with its object. What is “given” in a familiar type of perceptual acquaintance turns out to be quite complex, embracing: the object perceived, the visual experience, its subject, the spatiotemporal context including consciousness and object, and the manifold of meaning shaping the “constitution” of the given object. Where we refer to historical figures, including Husserl, the aim is theoretical rather than exegetical, seeking to develop a contemporary theory of “the given” with roots in classical philosophical views. The resulting theory develops in a series of explorations of increasing complexity in the phenomenology and attendant ontology of “the given”. (shrink)

According to Husserl’s phenomenology, the intentional horizon is a general structure of experience. However, its characterisation beyond perceptual experience has not been explored yet. This paper aims, first, to fill this gap by arguing that there is a viable notion of cognitive horizon that presents features that are analogous to features of the perceptual horizon. Secondly, it proposes to characterise a specific structure of the cognitive horizon—that which presents possibilities for action—as a cognitive affordance. Cognitive affordances present cognitive elements as (...) opportunities for mental action (i.e., a problem affording trying to solve it, a thought affording calculating, an idea affording reflection). Thirdly, it argues that postulating cognitive affordances helps to unfold a rational dimension of thinking by conceiving of them as motivating reasons for action, something that in turn provides an argument for the experienced character of cognitive affordances. (shrink)

ABSTRACTMerleau-Ponty’s Phenomenology of Perception begins with a critique of the philosophical notion of sensation. Even though it is often generally said to be aimed at traditional psychology or empiricism, Merleau-Ponty’s critique is without question also applicable to Husserl’s notion of sensation. The first half of this paper will offer an interpretation of Husserl’s conception of sensation as the stuff of perception and the pregivennesses for all of the Ego’s operations. And then it will attempt to show how Merleau-Ponty’s critique in (...) the Phenomenology of Perception can precisely be viewed as aiming at Husserl. In the end, we should be able to see that Merleau-Ponty’s critique is still relevant today, especially in regard to some recent attempts to put Husserl into the camp of non-representationalism in contemporary philosophy of mind. (shrink)

The Philosophical Underpinnings of Social Constructionist Discourse Analysis Although discourse analysis emerges as a multi-faceted research method reflecting various schools of thought, disciplines and approaches, it is possible to pinpoint some meta-theoretical issues or fundamental assumptions common for most of them. This article aims to investigate different philosophical aspects and theoretical foundations that inform discourse analysis, such as the interplay between epistemological and ontological dimensions or the definition of language itself. Because space does not allow an in-depth discussion of all (...) the theoretical orientations collectively contributing to the development of social constructionist discourse analysis, this paper focuses on poststructuralist, constructivist, and social realist positions, and also attempts to trace the roots of social constructionism in linguistic philosophy, phenomenology, and hermeneutics. Hopefully, this article will provide the opportunity to develop meta-theoretical reflections on discourse analysis, thus striking the balance between the philosophy, methodology and practice. (shrink)

This paper primarily disputes Dreyfus’s account of Heidegger’s critique of Husserl’s theory of intentionality. Specifically, it raises objections to the three central claims of such an account; namely: that Searle’s theory of intentional action can be used as a stand-in for Husserl’s; that Heidegger rejects the primordiality of the intentionality of consciousness; and that Heidegger distinguishes between conscious and unconscious types of intentional actions and he privileges the latter over the former. I show the first to be unwarranted owing to (...) a lack of fundamental parallelisms between Searle’s and Husserl’s theories of intentionality. I show the second to be mistaken for failing to take into account Heidegger’s strategic handling of the concept of consciousness and for contradicting Heidegger’s concept of care as the essential meaning of Dasein’s being-in-the-world. Lastly, I show the third to be highly problematic for lacking in textual evidence and explanatory power. (shrink)

The subject of the present work is noema and its structure in various stages of the objectivating process. Despite its great importance, this issue has never been adequately explained, neither by Husserl nor by his followers. The main objective is to provide the theory that would describe the structure of noema and its function without simplifying the case or appealing to non-phenomenological data. This has been achieved by way of analysis divided into four sections. The first provides an overview of (...) noema. The second section is devoted to analysis of the process of objectivation, i.e., how an active awareness of the object in a logical sense is constituted by a series of passive experiences. The third section refers to a noema as found at different stages of objectivation. It explains how the increasing level of activity, which turns out to be a noetic function, causes changes to the structure of a noema. The last section summarises the results and stresses the advantages of the developed theory in comparison with other interpretations, especially those offered by Drummond, Smith and McIntyre. (shrink)

This paper explores the emergence of the distinctions between the transcendental and the psychological and, correlatively, between phenomenology and psychology that emerge in The Idea of Phenomenology. It is argued that this first attempt to draw these distinctions reveals that the conception of transcendental phenomenology remains infected by elements of the earlier conception of descriptive psychology and that only later does Husserl move to a more adequate—but perhaps not yet fully purified—conception of the transcendental.

This paper defends an interpretation of Husserl''s theory of language, specifically as it appears in the Logical Investigations, as an example of a larger body of theories dubbed ''language as calculus''. Although this particular interpretation has been previously defended by other authors, such as Hintikka and Kusch, this paper proposes to contribute to the discussion by arguing that what makes this interpretation plausible are Husserl''s distinction between the notions of meaning-intention and meaning-fulfillment, his view that meaning is instantiated through meaning-intending (...) acts of transcendental consciousness, and his view that the content of meaning-intending acts is ideal meaning simpliciter. As well, the paper argues that the phenomenological method of reduction itself presupposes the notion that reality as such can be reached by subtracting the influence of the language of the natural attitude and its ontological commitments and it, thus, presupposes the conception of language as a reinterpretable calculus. (shrink)

This essay explores an ideal notion of form (mathematical structure) that embraces logical, phenomenological, and ontological form. Husserl envisioned a correlation among forms of expression, thought, meaning, and object—positing ideal forms on all these levels. The most puzzling formal entities Husserl discussed were those he called ‘manifolds’. These manifolds, I propose, are forms of complex states of affairs or partial possible worlds representable by forms of theories (compare structuralism). Accordingly, I sketch an intentionality-based semantics correlating these four Husserlian levels of (...) form—thereby integrating logic, phenomenology, and ontology. (shrink)

This paper argues that frege did not significantly influence husserl's departure from psychologism by (1) examining husserl's early logical reflections, Especially those concerning the meaning of the term ""vorstellung"," and (2) determining which parts of husserl's "philosophy of arithmetic", Criticized for its psychologism by frege, Were psychologistic and when husserl rejected them. It concludes that the logical writings show an independent movement toward a non-Psychologistic position and that the psychologism of "philosophy of arithmetic" was abandoned by 1891 apart from any (...) fregean influence. (shrink)

What is Computational Intelligence (CI) and what are its relations with Artificial Intelligence (AI)? A brief survey of the scope of CI journals and books with ``computational intelligence'' in their title shows that at present it is an umbrella for three core technologies (neural, fuzzy and evolutionary), their applications, and selected fashionable pattern recognition methods. At present CI has no comprehensive foundations and is more a bag of tricks than a solid branch of science. The change of focus from methods (...) to challenging problems is advocated, with CI defined as a part of computer and engineering sciences devoted to solution of non-algoritmizable problems. In this view AI is a part of CI focused on problems related to higher cognitive functions, while the rest of the CI community works on problems related to perception and control, or lower cognitive functions. Grand challenges on both sides of this spectrum are addressed. (shrink)

Philosophical interest in the structure of perception is motivated by questions such as these: How does perception function to constrain and justify our empirical theories? How is it possible to perceive an extended process, when at any given moment of our perceiving it only one of its temporal phases is impinging on our senses? What determines the object or objects of perception - those things our experiences are about? The need to answer these and other questions about perception in a (...) satisfactory manner provides adequacy conditions for a theory of perception. (shrink)

Recently, a number of epistemologists have argued that there are no non-conceptual elements in representational content. On their view, the only sort of non-conceptual elements are components of sub-personal organic hardware that, because they enjoy no veridical role, must be construed epistemologically irrelevant. By reviewing a 35-year-old debate initiated by Dagfinn F.

The aim of the article is to define and investigate an interpretative framework for the philosophy of Leopold Blaustein, a student of Twardowski in Lwów and Husserl in Freiburg im Breisgau. The author defends the thesis that it is justified to refer to Blaustein’s philosophy not as phenomenology sensu stricto, but as a phenomenologically-oriented descriptive psychology related but not equivalent to the project expounded by Husserl in the first edition of Logische Untersuchungen as well as in his project of phenomenological (...) psychology. The article traces Blaustein’s critique of Husserl’s phenomenological methods, putting it in the historical context of the discussion with Ingarden. Next, the author juxtaposes Blaustein’s understanding of psychology with Husserl’s project of 1925, which makes it possible to identify not only the differences between the two projects, but also their similarities. The article also raises questions about the scope of descriptive-psychological analyses. (shrink)

ABSTRACTThe aim of this narrow-focused text is to argue against the claim that the appresentation of unperceived features of objects that is implied in perceptual intentionality presupposes a reference to perceptions other subjects could have of these objects. This claim, as it has been defended by Dan Zahavi, rests upon an erroneous supposition about the modal status of the perceptual possibilities to which the perceived object refers, which shall not be interpreted as effectively realizable but as mere de jure possibilities, (...) perceptions that could have been realized in principle, but that are maybe beyond one’s reach considering one’s concrete factual powers and opportunities. Horizontal intentionality is better accounted for in terms of perceptions that one could have had because of one’s embodied character and the always open possibility of occupying another position with respect to the object. This modal ubiquity which is inherent to one’s being-in-space is what supports the field of de jure possibil... (shrink)

_ Source: _Volume 94, Issue 3, pp 391 - 409 The author outlines a provisional phenomenology of problem solving. He begins by reviewing the history of problem-solving psychology, focusing on the Gestalt approach, which emphasizes the influence of prior knowledge and the occurrence of sudden insights. He then describes problem solving as a process unfolding in a field of consciousness against a background of unconscious knowledge, which encodes action patterns, schemata, and affordances. A global feeling of wrongness or tension is (...) resolved by a series of field transitions, which are guided by peripheral experiences of coherence or “rightness.” The author treats the distinction between reproductive thought and productive thought as a difference in field structure. With reproductive thoughts and actions we perform operations to solve a problem in a semi-automatic sequence. In productive thought, by contrast, a kind of parallel search occurs. This may explain the otherwise obscure phenomenology of struggling to break an impasse. (shrink)

Although there has been a great deal said about Husserl’s account of time-consciousness, little attention has been specifically paid to future-consciousness. This article gives an Husserlian account of future-consciousness. It begins by arguing that protention should be understood as a future-directed version of retention and so that future-consciousness should be understood as perception. This account is developed in two ways: the future need not be determinately given in protention and so future-consciousness can be vague; cases when the future turns out (...) to be other than we perceived it to be can be understood as temporal illusions. This account of future-consciousness both illuminates some of Husserl’s more obscure remarks on time-consciousness and provides a means of understanding an often neglected phenomenon of independent philosophical interest: our awareness of the future. (shrink)

A central problem for any truthmaker theory is the problem of negative truths. In this paper, I develop a novel, piecemeal strategy for solving this problem. The strategy puts central focus on a truth-relevant notion of aboutness within a metaphysically modest version of truthmaker theory and uses key conceptual tools gained by taking a deeper look at the best attempts to solve the problem of intentionality. I begin this task by critically discussing past proposed solutions to P-NEG in light of (...) Russell’s debate with Demos. This reveals a central difficulty with addressing the problem, specifically that one cannot be committed to incompatibility facts in one’s account of negation and of the truth of negative truths. I then present an aboutness-based version of truthmaker theory. Utilising what I call the strict and full account of aboutness, I extract aboutness-based theories of truth and falsity. I use this machinery to present a promising new strategy for solving P-NEG which does not have the problems of alternative approaches. Finally, I present and respond to some potential objections. (shrink)

There is a strong consensus among analytic philosophers that Husserl is an internalist and that his internalism must be understood in conjunction with his methodological solipsism. This paper focuses on Husserl's early work the, Logical Investigations , and explores whether such a reading is justified. It shows that Husserl is not a methodological solipsist: He neither believes that meaning can be reduced to the individual, nor does he assign an explanatory role for meaning to the subject. Explanatory priority is assigned (...) to objects which have an intrinsic property independently of any access or attitude we may have to them. Although not a methodological solipsist, there are nonetheless internalist elements to Husserl's thought: He believes that we can think of non-existent objects and his account of indexicals and demonstratives shows that there are two kinds of meaning: one is context independent and internally individuated, the other is partly determined by context and so externally individuated. The paper leaves it open whether this is sufficient to mark Husserl out as an internalist. However, even if he were considered as such, we can be sure of one thing, namely, that his internalism would not be a species of methodological solipsism. (shrink)

The present paper is guided by the belief that Edmund Husserl’s concept of noema can be significantly enriched when considered in light of extreme epistemological instances. These include the phenomena of the absurd and nonsense, but also intentional conflict and cases of consciousness directed to contradictory objects. The paper shows that the noema, when experienced in such a context, exhibits interesting characteristics that are rather difficult to note in other circumstances. The paper consists of five sections. The first interprets and (...) relates concepts from Logical Investigations to those from Ideas I. The second section discloses the noematic ability to assemble senses for which there is no corresponding object. The third section stresses that the noema must, in some instances, be able to comprise two separate structures of senses through which two different objects are meant. In the fourth section, all of these characteristics are shown to be restricted by the concept of nonsense and the laws of meaning-compounding. In this way, the noema is clarified as “possibly thinkable content.” Finally, in Sect. 5, this idea is brought into dialogue with the most significant interpretations of the noema. (shrink)

Husserl has finally begun to be recognized as the precursor of current interest in intentionality — the first to have a general theory of the role of mental representations in the philosophy of language and mind. As the first thinker to put directedness of mental representations at the center of his philosophy, he is also beginning to emerge as the father of current research in cognitive psychology and artificial intelligence.