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  1. L'immagine.Roberto Casati - unknown
    I defend a cognitive theory of pictures, according to which the central paradigm of our concept of a picture is the representational picture, i.e., the one which induces recognitional abilities in the perceiver. I show how to classify different pictorial styles in terms of their distance from the paradigm, and I criticize alternative accounts.
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  • Pleasure and its Modifications: Stephan Witasek and the Aesthetics of the Grazer Schule.Barry Smith - 1996 - Axiomathes 7 (1-2):203-232.
    The most obvious varieties of mental phenomena directed to non- existent objects occur in our experiences of works of art. The task of applying the Meinongian ontology of the non-existent to the working out of a theory of aesthetic phenomena was however carried out not by Meinong by his disciple Stephan Witasek in his Grundzüge der allgemeinen Ästhetik of 1904. Witasek shows in detail how our feelings undergo certain sorts of structural modifications when they are directed towards what does not (...)
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