Two hundred years after its publication, The Phenomenology of Spirit (PhS) remains an enigmatic and challenging text, subject to a variety of interpretations. In this paper I seek to open up an additional interpretative space by emphasizing the influence of Hegel’s study of the Bible at the Tübingen Stift (1790–1793) on PhS. In a letter written to Schelling in 1795, Hegel had wondered what it might mean to »draw near to God.« It is the hypothesis of this paper that answering (...) that question was at least part of Hegel’s intent for PhS. (shrink)

Hegel uses the term Einsicht (‘insight’) throughout several key subsections of Chapter Six of the Phenomenology of Spirit (notably in ‘Faith and Pure Insight’ and ‘The Struggle of the Enlightenment with Superstition’). Nowhere else in his work does the term enjoy such a sustained treatment. Commentators generally accept Hegel’s use of the term in the Phenomenology as simply referring to the type of counter-religious reasoning found in the French Enlightenment. I show how Hegel derives the term, through the lens of (...) Kant’s essay, ‘What Does It Mean to Orient Oneself in Thinking?’ from the Pantheismusstreit, the philosophical debate between Mendelssohn and Jacobi about knowledge of God. The Aufklärung provenance of Einsicht shows how a deep complicity between faith and reason, in the form of immediate knowing, leads beyond the Terror to a happier outcome in the Morality section. Finally, passing reference to Einsicht in the Vorbegriff of the Encyclopaedia Logic confirms its role in the ethical and political vocation of Hegel’s Science. (shrink)

Kojève’s lectures on Phenomenology of Spirit generated two ideas – otherness is something threatening that must be overcome and one’s relationships with others are inexorably violent – that fundamentally shaped the way many exponents of early French phenomenology regarded intersubjectivity. This essay shows how Beauvoir’s appropriation of Hegel in The Ethics of Ambiguity offers a perspective on intersubjectivity that defies the other-conquering Cartesian hero implied by Kojève and celebrated in Sartre’s Being and Nothingness. Beauvoir appreciates the degree to which Hegel (...) makes subjectivity indebted to otherness. Like Hegel, she defines oppression as the failure to recognise the otherness of the other. Beauvoir shares Hegel’s optimism that individuals can sublate their naïve solipsism. She associates reciprocal recognition between subjects with ethical freedom, which she distinguishes from Sartre’s concept of freedom. From the analysis of ethical freedom it is concluded that both conflict and friendship are side-effects of the essential bond between subjects and their mutual need for one another. The Hegel-inspired hopefulness at the core of The Ethics of Ambiguity is further demonstrated by Beauvoir’s rejection of the absurd in favour of ambiguity, her positive rendering of failure, her appeal to outrageousness, and focus on the joy of existence. (shrink)

L’apport de la Certitude Sensible à l’ensemble du programme de Phénoménologie de l’Esprit est constitué par la preuve de l’inévitabilité de distinguer. L’Introduction présente la distinction entre conscience et l’objet , dont la légitimité et la structure auto-réflexive se déroulent par l’éxécution de Phénoménologie de l’Esprit. Le premier pas, qui est élémentaire, se réalise dans la Certitude Sensible. Suivant la formule programmatique du « immediat » la Certitude Sensible exige la dissolution de le distinction entre conscience et objet et même (...) de la structure de distinction soi-même. Il est montré pourquoi cette exigence ne peut pas être satisfait. Au contraire, les distinctions qui font une différencecelles qui séparent deux côtés différentes l’un de l’autre – sont inevitables. (shrink)

It probably comes as a surprise to no one that Hegel's political philosophy is difficult to interpret. But his political thought clearly poses problems which the rest of his work does not, and these problems arise from apparent political ambivalence on his part towards the French Revolution, towards monarchy, towards the doctrine of popular sovereignty, towards public opinion and press freedom - well, there is scarcely a reader of Hegel who could not add some additional topic to this already lengthy (...) list. For instance, Hegel sometimes noted how crucial it is for a state to be decisive; every state needs a reservoir of decisiveness, supplied preferably by a monarch, who ‘has become the personality of the state,’ who ‘cuts short the weighing of the pros and cons between which it lets itself oscillate perpetually now this way and now that, and by saying “I will” make its decision and so inaugurates all activity and actuality.’. (shrink)

This thesis aims to throw an illuminating light on the as yet neglected concept of nothing in Kant’s system, a concept which is taken into consideration, by Kant, in accordance with the guiding thread of the categories of the understanding. My main argument is that Kant has a fourfold division of nothing and each has a transcendental function in his system. This function is basically a limiting one; setting up negative determinations without which Kant’s system would have never been constituted (...) as it is now. It is shown in the thesis that the concept of nothing is divided basically into four: first, nothing as ens rationis that limits and thereby protects knowledge, secondly nothing as nihil privativum that defines the boundaries of phenomenal reality, thirdly nothing as ens imaginarium that makes possible the unity of experience and finally, nothing as nihil negativum that draws the lines of logical thinking. All make, in the last resort and by being the concepts of the opposite, experience possible. The thesis consists of four chapters. The first chapter is an exposition of all four divisions of nothing, the second is the display specifically of the concepts of ens rationis and nihil negativum, and the third is of the concepts of ens imaginarium and nihil privativum. The auxiliary argument of the thesis is that while Hegel makes a strong charge of externality against and thereby severely criticizes the Kantian concept of the thing-in-itself, - the concept of which I propose to be contained under the concept of ens rationis- Kant has equally convincing arguments against such a charge. This is the topic of the fourth and final chapter which has an implicit aim of creating the image of a powerful critical Hegel but on the other hand an equally enduring and war-like Kant. Kant is presented as a philosopher who has powerful responses to institute a balance between himself and his opponent. When Kant’s differing concepts of nothing are taken into account, Hegel’s attack of externality, it is maintained, appears not to have taken into account the full measure of the resources of the Kantian position. Even when it is said that the attack is against one specific concept of the thing-in-itself alone, Kant still seems to have enough resources for toleration and defence indeed. (shrink)

Several commentators have argued that Hegel's account of ‘self-consciousness’ in Chapter IV of the Phenomenology of Spirit can be read as an ‘immanent critique’ of Fichte's idealism. If this is correct, it raises the question of whether Hegel's account of ‘recognition’ in Chapter IV can be interpreted as a critique of Fichte's conception of recognition as expounded in the Foundations of Natural Right. A satisfactory answer to this question will have to provide a plausible interpretation of the ‘life and death (...) struggle’ as an immanent critique of Fichte's account of recognition. This paper aims to provide such an interpretation. The first part of the paper provides a discussion of Fichte's account of recognition that emphasizes its ‘epistemic’ concerns. The second part argues that Hegel's account of the ‘life and death struggle’ can be read plausibly as an immanent critique of Fichte's account of recognition. (shrink)

In this paper, I consider Charles Taylor's classic article ‘The Opening Arguments of thePhenomenology’, in which Taylor presents an account of the Consciousness chapter of thePhenomenologyas a transcendental argument. I set Taylor's discussion in context and present its main themes. I then consider a recent objection to Taylor's approach put forward by Stephen Houlgate: namely, that to see Hegel as using transcendental arguments would be to violate Hegel's requirement that his method in thePhenomenologyneeds to bepresuppositionless. I concede that Houlgate's criticism (...) of Taylor has some force, but argue that nonetheless Taylor can suggest instead that although Hegel is not offering transcendentalargumentshere, he can plausibly be read as making transcendentalclaims, so that perhaps Houlgate and Taylor are not so far apart after all, notwithstanding this disagreement. (shrink)

While it has long been commonplace to advert to thePhenomenology of Spirit's peculiar prosaic form, there has been no sustained, thematic attempt to understand the relationship between that form—as a continuous, quasi-fictional narrative—and the work's philosophical content. I argue that some of what has been felt to be outlandish about the form may be better accounted for by reading it as connected to purposeful literary decisions, decisions in turn exhibiting philosophical claims about the new mode of modern self-understanding that the (...) argument is concerned with advancing. Extending Allen Speight's suggestions that Hegel sees literature as closely connected to his theory of agency, I argue that thePhenomenology's narrative should be understood as itself specifically and deliberately novelesque. I focus on three points that help clarify the book's form as not simply in keeping with, but as expressing aspects of its content: (1) the narrative structure of consciousness (as a unified, unfolding activity through which Hegel explores the notion of actuality), (2) the theatricalizing counterpoint between the ‘in itself’ and ‘for itself’ (as a dramatic device that Hegel connects to the social underpinnings of consciousness), and (3) the role of confession and forgiveness in the argument (as a theme that Schlegel had singled out as essential to the novel, and that Hegel repurposes both to criticize and to overcome Romanticism). I do not say that thePhenomenologyis itself a novel, but that construing some of its formal features and gestures as evoking the genre of the novel can help us to see more of what is philosophically at stake in them, and therefore in the work as a whole. (shrink)