I offer an approach to Dreyer's film Ordet as a contribution to the phenomenology of a certain kind of religious experience. The experience in question is one of a moment that disrupts the chronological flow of time and that, in the lived experience of it, is charged with eternal significance. I propose that the notoriously divisive ending of Ordet reflects an aim to provide the film's viewers with an experience of this very sort. l draw throughout on some central ideas (...) in Kierkegaard’s work, especially his category of ‘the moment’. (shrink)

The paper explores the manners in which suffering, both natural and moral suffering, is understood and defeated in the lives of different ‘knights of faith,’ who emerge in ‘conversation’ with the book of Job. I begin with Maimonides’ Job who emerges as a ‘knight of wisdom’; it is through wisdom that his suffering is defeated, dissolving into mere pain. I proceed with Kierkegaard’s Job, who emerges as a ‘knight of loving trust,’ who defeats suffering by seeing it as a divine (...) gift, and by obediently and lovingly accepting it as such. Through his loving trust, suffering transforms into blessedness and joy, without diminishing or disappearing, a transformation referred to as a ‘miracle’ by Kierkegaard. I end with my own Hasidic-inspired Job, whom I portray as a ‘knight of protest,’ who defeats what he takes to be divine abuse by protesting against it, forgiving God while refusing to be reconciled with Him. I argue that it is by paying attention to these diverse Jobs that the complex nature of faith can be elucidated. Moreover, I argue that all three Jobs, despite their differences, may be embraced, both from a philosophically descriptive perspective as well as from a religiously committed one. (shrink)

The purpose of the paper is to explore the presumed link between love and self-sacrifice by exploring the presuppositions through which it is established in Kierkegaard’s thought, and to briefly present a different perspective on those presuppositions. The paper has three parts. I begin with an exploration of the roles of self-sacrifice and the double-danger in Kierkegaard’s thinking about Christian love. In the second part, I focus on the role of the “anxiety of instrumentality”, i.e., the (poor) lover’s anxiety that (...) if s/he benefits from loving then his/her love is impure, in Kierkegaard’s thinking about love and about the paradigmatic role of the despised martyr within it. I end with the Maimonidean conception of love, which allows no space for the poor spouse predicament, presenting the detached prophet/sage as the perfect lover. Unlike the Kierkegaardian paradigm, which links love with giving-up, this paradigm links love with giving, and with pleasure, joy, and happiness, thereby rendering sacrifice and suffering impossible when truly loving. Bringing these paradigms to bear on one another, I conclude that if we wish to reject both the despised martyr and the detached prophet/sage as paradigms of perfect loving then we are to give up the ideal that underlies both paradigms, namely, that it is only in “willing love alone” that we love purely. (shrink)

In his self-published periodical The Moment, Søren Kierkegaard warns his reader against the possibility of “useless suffering”. Not only that, he urges the reader to make use of her suffering. Taking this caution as a point of departure, I investigate the pseudonymous Johannes Climacus’ deliberations on ethico-religious suffering in the Postscript. I demonstrate that Climacus construes suffering as useful, and with that outlines an economy of suffering that Kierkegaard delineates across his pseudonymous and non-pseudonymous work. The paradigmatic expression of this (...) is the use the subject makes of her suffering in “the moment”, in which suffering is defined according to its relation with the eternal. Suffering is thus a key element of the individual subject’s self-development: The subject is transformed, and transforms herself, in suffering. Finally, I argue that this economy of suffering produces a notion of the subject as actively involved in securing the contribution her suffering can make to her self-transformation. I criticize this notion, showing it renders problematic any ethical or ethico-religious account of the response of the subject to the suffering of the other: The subject is not first and foremost attuned to the other’s suffering, rather she is attuned to the possibility of her own transformation. Suffering becomes in this way both a key exegetical tool for understanding Kierkegaard’s view of the subject and, more significantly, a way to problematize Kierkegaard’s ethical account of the subject’s response to others’ suffering. (shrink)

Journal of Religious Ethics, Volume 49, Issue 2, Page 412-430, June 2021.

Discussions of forgiveness within Christian theology have tended to focus on the conditions in which forgiveness may be a moral or divine imperative for believers. With regard to Søren Kierkegaard’s theological ethics, this article explicates a radical perspective. For the Kierkegaardian Christian lover, no definitive relational break with the other (however objectionable) can occur. As Kierkegaard emphasizes in Works of Love, in a discourse which bears this sentiment as its title, “love abides.” Indeed, I illustrate how in three consecutive discourses (...) in Works of Love—“VI: Love Abideth,” “VII: Mercy, a Work of Love,” and “VIII: The Victory of the Reconciliation in Love”—Kierkegaard’s ethical vision is grounded in Christian love’s immutability. For Kierkegaard, if Christian love is present, then forgiveness is redundant, and unforgiveness is impossible. (shrink)

ABSTRACTThis paper presents a Kierkegaardian critique of Roy A. Rappaport’s classic treatment of religious rituals. It discusses Rappaport’s claim that public and outward acceptance of a religious ritual is sufficient for successfully enacting it – even where such acceptance is devoid of any personal commitment on the participants’ part. To interrogate Rappaport, the paper develops Jonathan Lear’s reading of Kierkegaard and builds on the Danish theologian’s remarks on the Christian sacraments to argue that, pace Rappaport, personal engagement is necessary to (...) the successful enactment of religious rituals. In this sense, I will show with Kierkegaard how inner belief is a necessary pre-requisite for the performance of any religious ritual whereas in Rappaport’s view it is ritual action itself which creates a posteriori the possibility for personal religious faith. (shrink)

Recent readings of Kierkegaard's Works of Love have admirably shown how his apparent reservations about romantic love can be deflected on his own terms by imbuing them with some of the moral rigor of neighbor‐love. This paper argues however that these readings must be complemented by the reverse argument, which would show how some of the qualities of romantic loves are in fact preserved in neighbor‐love. By drawing on his dialectics of sensate love, psychical love, spiritual love, and self‐love, I (...) show how Kierkegaard believes neighbor‐love should be impartial and yet exhibit some of the character of preferential romantic loves. (shrink)

This essay argues that there are concrete emotion regulation practices described, but not developed, in Kierkegaard’s Christian Discourses. These practices—such as attentiveness to emotion, attentional deployment, and cognitive reappraisal—help the reader to regulate her emotions, to get rid of negative, unwanted emotions such as worry, and to cultivate and nourish positive emotions such as faith, gratitude, and trust. An examination of the Discourses also expose Kierkegaard’s understanding of the emotions; his view is akin to a perceptual theory of the emotions (...) that closely connects emotions and concerns. In particular, this analysis unearths two main regulatory strategies located in the Discourses, strategies that closely resemble present-day psychological accounts of emotion regulation. I conclude that contemporary research reinforces Kierkegaard’s philosophical analysis of emotions and emotion-regulation strategies. Drawing on this research provides the most persuasive interpretation of Kierkegaard’s understanding of the emotions and emotion-regulation strategies. Additionally, present-day research clarifies the otherwise elusive, opaque strategies he describes. Finally, my analysis demonstrates that Kierkegaard’s work can uniquely contribute to the present-day psychological research by emphasizing the need for diachronic regulation strategies, while the contemporary literature overwhelmingly focuses on synchronic strategies. (shrink)

This paper provides an account of Kierkegaard’s central criticism of the Danish Hegelians. Contrary to recent scholarship, it is argued that this criticism has a substantive theoretical basis and is not merely personal or ad hominem in nature. In particular, Kierkegaard is seen as criticizing the Hegelians for endorsing an unacceptable form of intellectual elitism, one that gives them pride of place in the realm of religion by dint of their philosophical knowledge. A problem arises, however, because this criticism threatens (...) to apply to Kierkegaard himself. It is shown that Kierkegaard manages to escape this problem by virtue of the humorous aspect of his work. (shrink)

Works of art can be difficult in several ways. One important way is by making us face up to unsettling truths. Such works typically receive praise. I maintain, however, that sometimes they deserve moral censure. The crux of my argument is that, just as we have a right to know the truth in certain contexts, so too we have a right not to know it. Provided our ignorance does not harm or seriously endanger others, the decision about whether to know (...) the truth ought to be left to us. Within this limit, therefore, difficult art is morally problematic if it intentionally targets those who have chosen not to know. To illustrate the problem, I discuss the literary writings of Søren Kierkegaard, which aim to deceive readers into seeing unpleasant truths about themselves that they seek to ignore. (shrink)

In this essay, I first describe Kierkegaard’s understanding of free and responsible selfhood. I then describe one of Kierkegaard’s unique contributions to freedom and responsibility – his perceptual theory of the emotions. Kierkegaard understands emotions as perceptions that are related to beliefs and concerns, and thus the self can—to some extent—freely participate in the cultivation of various emotions. In other words, one of the ways that self takes responsibility for itself is by taking responsibility for its emotions. In the final (...) section, I turn to Kierkegaard’s understanding of social comparison and the role that the “crowd” plays in shaping the self’s beliefs, desires, and emotions. Kierkegaard is clear that envy and social comparison are detrimental to becoming a self, yet envy and social comparison are pervasive social practices. I conclude that Kierkegaard understands both the value and the difficulty of cultivating social courage: the crowd is untruth due to the difficulty of holding fast to one’s values when confronted by crowd. (shrink)