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Nietzsche's voice

Ithaca, N.Y.: Cornell University Press (1990)

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  1. Nietzsche's aesthetics.Andrew Huddleston - 2020 - Philosophy Compass 15 (11):1-10.
    We find numerous discussions of art and aesthetics stretching from Nietzsche's first book The Birth of Tragedy to his final books of 1888. In what follows, I seek to give an overview of Nietzsche's views. I proceed in a roughly chronological fashion, but try to group key themes together insofar as possible.
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  • Ressentiment.Andrew Huddleston - 2021 - Ethics 131 (4):670-696.
    Nietzsche famously discusses a psychological condition he calls ressentiment, a condition involving toxic, vengeful anger. I offer a free-standing theory in philosophical psychology of the familiar...
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  • Metaphysical and Historical Claims in The Birth of Tragedy.Katherine Harloe - 2008 - In Manuel Dries (ed.), Nietzsche on Time and History. Walter de Gruyter. pp. 275.
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  • How Not to Affirm One's Life: Nietzsche and the Paradoxical Task of Life Affirmation.Allison Merrick - 2016 - History of Philosophy Quarterly 33 (1):63-78.
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  • VIII-Nietzsche,Amor FatiandThe Gay Science.Tom Stern - 2013 - Proceedings of the Aristotelian Society 113 (2pt2):145-162.
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  • The Human Chameleon: Zelig, Nietzsche and the Banality of Evil.Nidesh Lawtoo - 2021 - Film-Philosophy 25 (3):272-295.
    This article revisits the case of Woody Allen’s mockumentary Zelig via Friedrich Nietzsche’s diagnostic of mimicry in The Gay Science. It argues that the case of the “human chameleon” remains contemporary for both philosophical and political reasons. On the philosophical side, I argue that the case of Zelig challenges an autonomous conception of the subject based on rational self-sufficiency by proposing a relational conception of the subject open to mimetic influences that will have to await the discovery of mirror neurons (...)
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  • Nietzsche on Tragedy: First and Last Thoughts.Aaron Ridley - 2019 - The Monist 102 (3):316-330.
    Nietzsche is often said to have started out as a Schopenhauerian metaphysician of some kind before leaving Schopenhauer behind him, and, by the end of his sane life, metaphysics too. His first and last thoughts about tragedy, however, sit uneasily with this narrative. The late thoughts are simply too close to the early ones for the story to accommodate them—not for their Schopenhauerianism, but for the strongly metaphysical flavour that they appear to share. The argument of the present paper is (...)
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  • Nietzsche’s autonomy ideal.Daniel Clifford - unknown
    The aim of this thesis will be to give an elucidation of Nietzsche’s ideal of the post-moral autonomous individual: to give a picture of what Nietzsche takes such an individual to look like, and to show how this picture relates to some of Nietzsche’s most fundamental philosophical concerns. Overall, my argument will be that autonomy, or rather the degree of autonomy that a person possesses, is a function of the power of that person in relation to the other people and (...)
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  • Nietzsche, Mithras, and “Complete Heathendom”.Morgan Rempel - 2010 - Comparative and Continental Philosophy 2 (1):27-43.
    This paper examines several passages in which Nietzsche considers burgeoning Christianity’s relationship to the secretive “mystery cults” that flourished alongside the official state religions of ancient Rome. The purpose of this paper is four-fold. i) To shed light on an unexplored aspect of Nietzsche’s philosophy. ii) To explore the intellectual reality behind some of his specific charges concerning Pauline Christianity’s indebtedness to the ancient Mithras cult. iii) To assess the validity of several of Nietzsche’s accusations in this area in light (...)
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  • Being in others: Empathy from a psychoanalytical perspective.Sarah Richmond - 2004 - European Journal of Philosophy 12 (2):244–264.
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  • Nietzsche’s Illustration of the Art of Exegesis.Christopher Janaway - 2002 - European Journal of Philosophy 5 (3):251-268.
    The paper argues on the basis of internal textual evidence that Nietzsche's statement that Essay 3 of On the Genealogy of Morality illustrates an aphorism has hitherto been misinterpreted. The aphorism in question is Section 1 of Essay 3 (which was in fact inserted a late stage of publication); the remainder of Essay 3 is the commentary on it. Those interpreters who have taken the short epigram concerning 'wisdom as a woman' to be the aphorism on which Essay 3 is (...)
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