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  1. La inocencia del origen: Continuum materno, parto y libertad.María José Binetti - 2018 - Journal of Philosophical Criticism 1 (1):5-30.
    La conciencia falogocéntrica se funda en el a priori incondicional de carácter ético-metafísico que sostiene la criminalización universal del ser como efecto de una culpa o caída original. Nacer supone para esta conciencia un pecado y la realidad material representa para ella un lugar de exilio, extrañeza y alienación. Sin embargo, cuando uno retrocede sobre la protohistoria de la conciencia humana, sorprende la determinación de integridad y sacralidad que el pensamiento primitivo le atribuye a lo real. Para la conciencia primitiva, (...)
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  • Feminist perspectives on the body.Kathleen Lennon - 2010 - Stanford Encyclopedia of Philosophy.
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  • “It Happens, But I’m Not There”: On the Phenomenology of Childbirth.Dylan Trigg - 2021 - Human Studies 44 (4):615-633.
    Phenomenologically grounded research on pregnancy is a thriving area of activity in feminist studies and related disciplines. But what has been largely omitted in this area of research is the experience of childbirth itself. This paper proposes a phenomenological analysis of childbirth inspired by the work of Merleau-Ponty. The paper proceeds from the conviction that the concept of anonymity can play a critical role in explicating the affective structure of childbirth. This is evident in at least two respects. First, the (...)
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  • ‘I’m not your mother’: British social realism, neoliberalism and the maternal subject in Sally Wainwright's Happy Valley (BBC1, 2014–2016). [REVIEW]Sue Thornham - 2019 - Feminist Theory 20 (3):299-319.
    This article examines Sally Wainwright's Happy Valley (BBC1, 2014–2016) in the context of recent feminist attempts to theorise the idea of a maternal subject. Happy Valley, a police series set in an economically disadvantaged community in West Yorkshire, has been seen as expanding the genre of British social realism, in its focus on strong Northern women, by giving it ‘a female voice’ (Gorton, 2016: 73). I argue that its challenge is more substantial. Both the tradition of British social realism on (...)
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