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Wittgenstein

One World (UK) (2002)

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  1. The Nature of Appearance in Kant’s Transcendentalism: A Seman- tico-Cognitive Analysis.Sergey L. Katrechko - 2018 - Kantian Journal 37 (3):41-55.
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  • (2 other versions)The Semantic Structures of Philosophy: The Cosmopoetic Forms.Joško Žanić - 2006 - Filozofska Istrazivanja 26 (1):63-89.
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  • (2 other versions)The semantic structures of philosophy: Posing the problem.Joško Žanić - 2005 - Filozofska Istrazivanja 25 (4):923-943.
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  • Saving Critical Realism.Rom Harré - 2009 - Journal for the Theory of Social Behaviour 39 (2):129-143.
    Critical Realism aims to be both philosophically sophisticated and morally forward looking. Unfortunately the accepted form that this point of view has taken is flawed in both these aims. However, close attention to realist formats in science and the constraints that are required to give a social psychological application of them makes possible a revision of the Critical Realist scheme strengthening its scientific claim and removing certain moral ambiguities in its applications. What follows is a schematic outline for an alternative (...)
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  • Wittgenstein's “Most Fruitful Ideas” and Sraffa.Mauro Luiz Engelmann - 2012 - Philosophical Investigations 36 (2):155-178.
    In the preface of the Philosophical Investigations, Wittgenstein says that his “most fruitful ideas” are due to the stimulus of Sraffa's criticism, but Sraffa is not mentioned anywhere else in the book. It remains a puzzle in the literature how and why Sraffa influenced Wittgenstein. This paper presents a solution to this puzzle. Sraffa's criticism led Wittgenstein away from the calculus conception of language of the Big Typescript (arguably, an adaptation of the calculus of the Tractatus), and towards the “anthropological (...)
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  • (1 other version)¿ Es Wittgenstein un fundacionalista?S. Carlos Alberto Cardona - 2011 - Ideas Y Valores 60 (146).
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  • Doing Philosophy in Style: A New Look at the Analytic/Continental Divide.N. N. Trakakis - 2012 - Philosophy Compass 7 (12):919-942.
    Questions of style are often deemed of marginal importance in philosophy, as well as in metaphilosophical debates concerning the analytic/Continental divide. I take issue with this common tendency by showing how style – suitably conceived not merely as a way of writing, but as a form of expression intimately linked to a form of life – occupies a central role in philosophy. After providing an analysis of the concept of style, I take a fresh look at the analytic/Continental division by (...)
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