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  1. Hume's double standard of taste.James Shelley - 1994 - Journal of Aesthetics and Art Criticism 52 (4):437-445.
    I attempt to make sense of Hume's enigmatic characterization of the standard of taste as "a rule, by which the various sentiments of men may be reconciled; at least, a decision, afforded, confirming one sentiment, and condemning another." In particular, I take up the questions (a) how the standard could be both a rule and a decision, (b) why it is at least a decision if not a rule, and (c) why, if a rule, it may reconcile various sentiments rather (...)
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  • Educating Sentiment: Hume's Contribution to the Philosophy of the Curriculum Regarding the Teaching of Art.Dorit Barchana-Lorand - 2015 - Journal of Philosophy of Education 49 (1):107-128.
    From the perspective of art education, the worst-case philosophical scenario is the hedonist-subjectivist account of art. If we measure art by the pleasure we gain from it, it may seem senseless to attempt teaching the reception of art. David Hume's ‘Of the Standard of Taste’ provides an argument for the art-education enthusiast, explaining that—even on a subjectivist account—art education crystallises our own preferences. While I refer to a historical debate and provide a close reading of an 18th-century essay, my goal (...)
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  • De la Unanimidad sentimental a la interacción discursiva: Una interpretación de sobre la Norma Del gusto de David Hume.Laura Quintana - 2006 - Ideas Y Valores 55 (130):53-75.
    Este artículo pretende mostrar que en su ensayo Sobre la norma del gusto David Hume va más allá de una explicación causal y de una fundamentación universalista del gusto, para sugerir una concepción contextual y dialógica del consenso en asuntos estéticos. Así, en contraste con la mayoría de los int..
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