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  1. Public Charades, or How the Enactivist Can Tell Apart Pretense from Non-pretense.Marco Facchin & Zuzanna Rucińska - forthcoming - Erkenntnis:1-23.
    Enactive approaches to cognition argue that cognition, including pretense, comes about through the dynamical interaction of agent and environment. Applied to cognition, these approaches cast cognition as an activity an agent _performs_ interacting in specific ways with her environment. This view is now under significant pressure: in a series of recent publications, Peter Langland-Hassan has proposed a number of arguments which purportedly should lead us to conclude that enactive approaches are unable to account for pretense without paying a way too (...)
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  • Praxeological Enactivism vs. Radical Enactivism: Reply to Hutto.Martin Weichold & Zuzanna Rucińska - 2022 - Phenomenology and the Cognitive Sciences 21 (5):1177-1182.
    In his recent paper “Getting Real About Pretense: A Radical Enactivist Proposal”, Daniel Hutto raises several objections against our so-called praxeological enactivist account of pretense (Weichold & Rucińska 2022). He argues that one should, instead, adopt his radical enactivist explanation of pretend play. In this short reply, we defend our praxeological enactivist account against his objections, and argue that it has crucial advantages over his radical enactivist alternative.
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  • Pretense: the context of possibilities.Monika Dunin-Kozicka & Arkadiusz Gut - 2022 - Phenomenology and the Cognitive Sciences 21 (5):1107-1130.
    In this paper, we deal with the issue of how it is possible for pretending children to engage in exploratory performances and entertain alternative states of affairs. We question the approach according to which pretenders must be capable of counterfactual reasoning. Instead, we follow an alternative action-based framework on cognition and thus pretense, which argues for a much more profound role of the context of play than the questioned Counterfactual Thinking Approach to Pretense (CTAP). First, we motivate this shift in (...)
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  • Alternative Object Use in Adults and Children: Embodied Cognitive Bases of Creativity.Alla Gubenko & Claude Houssemand - 2022 - Frontiers in Psychology 13.
    Why does one need creativity? On a personal level, improvisation with available resources is needed for online coping with unforeseen environmental stimuli when existing knowledge and apparent action strategies do not work. On a cultural level, the exploitation of existing cultural means and norms for the deliberate production of novel and valuable artifacts is a basis for cultural and technological development and extension of human action possibilities across various domains. It is less clear, however, how creativity develops and how exactly (...)
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