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Black aesthetics

Philosophy Compass 5 (1):1-15 (2010)

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  1. Oppression, Privilege, & Aesthetics: The Use of the Aesthetic in Theories of Race, Gender, and Sexuality, and the Role of Race, Gender, and Sexuality in Philosophical Aesthetics.Robin James - 2013 - Philosophy Compass 8 (2):101-116.
    Gender, race, and sexuality are not just identities; they are also systems of social organization – i.e., systems of privilege and oppression. This article addresses two main ways privilege and oppression (e.g., racism, misogyny, heteronormativity) are relevant topics in and for philosophical aesthetics: (i) the role of the aesthetic in privilege and oppression, and (ii) the role of philosophical aesthetics, as a discipline and a body of texts, in constructing and naturalizing relations of privilege and oppression (i.e., white heteropatriarchy). The (...)
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  • Existential Aesthetics.Hans Maes - 2022 - Journal of Aesthetics and Art Criticism 80.
    The aim of what I propose to call “existential aesthetics” is to investigate the various ways in which art and certain kinds of aesthetic practice or aesthetic experience can be of existential importance to people. Section I provides a definition of existential aesthetics, while Section II delineates this emerging field from cognate areas of research. Sections III and IV explore various subcategories and examples of existential aesthetics. Section V seeks to identify important avenues for future research and Section VI presents (...)
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  • The Aesthetics of Electronic Dance Music, Part I: History, Genre, Scenes, Identity, Blackness.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):415-425.
    Electronic dance music has much about it to interest philosophers. In this article, I explore facets of dance music cultures, using the issue of authenticity as a framing question. The problem of sorting real or authentic dance music from mainstream or commercial clubbing can be treated as a matter of history and genre-definition; as a matter of defining scenes or subcultures; and as a matter of blackness. In each case, electronic dance music, and critical discourse surrounding it, offers fresh illumination (...)
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  • Hegels Being-Fluid in Corregidora, Blues, and (Post-)Black Aesthetics.Mandy-Suzanne Wong - 2012 - Evental Aesthetics 1 (1):85-120.
    This article offers Hegelian readings, based on his theory of fluid identity, of the blues and African-American identity. All identities, even Hegels, should be denied fixed definitions, in favor of fluid ones that allow for change and the sublation of otherness.
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  • Aesthetics After Hegel (Volume 1, Number 1, 2012).Evental Aesthetics - 2012 - Evental Aesthetics 1 (1):1-138.
    This issue is dedicated to thinking about art and current aesthetic perspectives through Hegelianism.
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