Order:
See also
Hans Maes
University of Kent
  1.  24
    The Aesthetics and Ethics of Sexiness.Hans Maes - 2017 - In David Goldblatt, Stephanie Partridge & Lee Brown (eds.), Aesthetics: A Reader in Philosophy (4th ed.). London:
    All too often women are considered sexy in accordance with an externally dictated and unduly narrow conception of sexiness – one that excludes large portions of the female population from being considered sexy. In response to this, some feminists have suggested that we should give up on sexiness altogether. Since the agency, subjectivity, and autonomy of a woman being judged sexy is generally ignored, they argue, we have, in effect, an equation of sexiness with objecthood. In a recent essay entitled (...)
    Download  
     
    Export citation  
     
    My bibliography  
  2.  19
    Falling in Lust: Sexiness, Feminism, and Pornography.Hans Maes - 2017 - In Mari Mikkola (ed.), Beyond Speech. Oxford:
    Caffeine makes you sexy! This absurd slogan can be seen in the shop windows of a popular Brussels coffee chain – its bold pink lettering indicating how they are mainly targeting female customers. It is one of the silliest examples of something that is both very common and very worrisome nowadays, namely, the constant call on women to look ‘hot’ and conform to the standards of sexiness as they are projected in the media, entertainment industry, and advertising. But what exactly (...)
    Download  
     
    Export citation  
     
    My bibliography  
  3.  17
    Different Kinds and Aspects of Bullshit.Hans Maes & Katrien Schaubroeck - 2006 - In Hardcastle Reisch (ed.), Bullshit and Philosophy. Open Court.
    In this paper, we aim to show that there is a particular kind of bullshit that is not dealt with in Harry Frankfurt’s and G.A. Cohen’s critiques of bullshit. We also point out the evaluative complexity of bullshit. Frankfurt and Cohen both stress its negative and possibly destructive aspects, but one might wonder whether bullshit need always and necessarily be reprehensible. We will argue that there are positive or at least neutral aspects to some kinds of bullshit.
    Download  
    Translate
     
     
    Export citation  
     
    My bibliography  
  4. Art or Porn: Clear Division or False Dilemma?Hans Maes - 2011 - Philosophy and Literature 35 (1):51-64.
    Jerrold Levinson conveniently summarizes the main argument of his essay "Erotic Art and Pornographic Pictures" in the following way:Erotic art consists of images centrally aimed at a certain sort of reception R1.Pornography consists of images centrally aimed at a certain sort of reception R2.R1 essentially involves attention to form/vehicle/medium/manner, and so entails treating images as in part opaque.R2 essentially excludes attention to form/vehicle/medium/manner, and so entails treating images as wholly transparent.R1 and R2 are incompatible.Hence, nothing can be both erotic art (...)
    Download  
     
    Export citation  
     
    My bibliography   1 citation  
  5.  5
    Wat is een afbeelding?Hans Maes - 2011 - Esthetica: Tijdschrift Voor Kunst En Filosofie 3.
    This paper addresses what is arguably ?? one of the most fundamental questions in the debate on depiction, What is a Picture? It offers a critical discussion of traditional theories of pictorial representation, such as the Resemblance Theory, Conventionalism, and the Illusion Theory; it introduces and analyses the crucial notions of ‘seeing as’ and ‘seeing in’, and concludes by presenting some of the most recent accounts of depiction defended by Kendall Walton, Dominic Lopes, Robert Hopkins, and John Hyman.
    Download  
    Translate
     
     
    Export citation  
     
    My bibliography  
  6. Art and Pornography.Hans Maes - 2009 - Journal of Aesthetic Education 43 (3):pp. 107-116.
    This paper provides an in-depth review of Jerrold Levinson’s most recent work in aesthetics, focusing especially on his account of the incompatibility of art and pornography. The author argues that this account does not fit well with Levinson’s own intentional-historical definition of art and his Wollheimian account of depiction.
    Download  
     
    Export citation  
     
    My bibliography   1 citation  
  7.  22
    Truly, Madly, Deeply.Hans Maes - 2017 - The Philosophers' Magazine 78:53-57.
    Download  
     
    Export citation  
     
    My bibliography  
  8.  77
    Modesty, Asymmetry, and Hypocrisy.Hans Maes - 2004 - Journal of Value Inquiry 38 (4):485-497.
    Numerous philosophers have tried to define modesty, but none of them succeeds in articulating the necessary and sufficient conditions for this virtue. Moreover, all existing accounts ignore the striking self-other asymmetry that is at the heart of modesty. Drawing on the analogy with the practice of giving presents, I clarify and further investigate this self-other asymmetry. In the process, I show why Bernard Williams is right in pointing out the notorious truth that a modest person does not act under the (...)
    Download  
     
    Export citation  
     
    My bibliography   1 citation  
  9.  67
    Elephants, Microscopes and Free Beauty: Reply to Davies.Hans Maes - 2009 - Philosophical Quarterly 59 (235):332-336.
    According to Stephen Davies, there is no such thing as free beauty. Using actual and imaginary examples, he tries to show that our aesthetic evaluations of objects inevitably pay heed to the kinds to which they belong or in which we judge them to belong. His examples are not as compelling as he thinks, however. Furthermore, nature looked at through a microscope (or a telescope) provides us with a particular class of counter-examples which have not been dealt with by Davies (...)
    Download  
     
    Export citation  
     
    My bibliography  
  10.  32
    Challenging Partial Intentionalism.Hans Maes - 2008 - Journal of Visual Arts Practice 7 (1):85-94.
    Paisley Livingston claims that an artist’s intentions are successfully realized and hence determinate of the meaning of a work if and only if they are compatible and “mesh” with the linguistic and conventional meanings of the text or artefact taken in its target or intended context. I argue that this specific standard of success is not without its difficulties. First, I show how an artist’s intention can sometimes be constitutive of a work’s meaning even if there is no significant meshing (...)
    Download  
    Translate
     
     
    Export citation  
     
    My bibliography  
  11.  3
    Bescheidenheid, trots en ijdelheid.Hans Maes - 2005 - 6021 Budel, Netherlands: Damon.
    Soms is het ongepast om jezelf te beoordelen vanuit een extern gezichtspunt en soms is het zelfs onmogelijk om dat te doen. Het standpunt van anderen kan dus op twee manieren ontoegankelijk zijn, doch dit betekent niet dat het vanzelf ook als onbelangrijk wordt ervaren. Integendeel, het niet in te nemen standpunt van anderen bepaalt vaak in hoge mate de wijze waarop wij tegen onszelf aankijken. Onze zelfwaardering blijkt zodoende op een onophefbare manier afhankelijk van anderen. -/- Deze algemene stelling (...)
    Download  
    Translate
     
     
    Export citation  
     
    My bibliography