The majority of studies of post-communism – habitually grouped under the heading of 'transitology' – understand the transition ultimately as a political and cultural convergence of the ex-communist societies with Western Europe. Even those critical approaches that regard the post-communist transition as a relatively unique phenomenon (as in the approaches of path dependency and neo-classical sociology) tend to conflate normative prescriptions with empirical descriptions and to move within an overall framework of what Michael Kennedy has aptly called 'transition culture'. This (...) article argues instead that the transition's nature can only be fully grasped if a case-specific and historical-contextual approach is taken. In theoretical terms, a three-step movement to grasp diversity in Central and Eastern Europe is proposed: (1) the acknowledgement of the plurality of modernizing agency and its creativity; (2) the acknowledgement of multi-interpretability and difference as primary elements of modernity; and (3) a sensitivity to the resulting institutional variety in societal constellations. In substantive terms, it is argued that diversity is a distinctive mark of Europe that is bound to persist in an enlarged Europe, despite the spirit of assimilation in the accession process. (shrink)

During the last few decades, the concept of primitive accumulation (ursprüngliche Akkumulation) introduced by Karl Marx and expanded by Rosa Luxemburg has been revived and improved. Accordingly, scholars have used this framework not to characterize a past moment in the history of capitalism, but to grasp the continuous process of coupling and uncoupling geographical and social spheres in the capital accumulation in different fields: financialization, the care economy, green grabbing, the sharing economy, real estate bubbles, data mining, etc. Despite the (...) quality and productivity of these debates, they are still focused on authors and phenomena observed in the Global North, ignoring a long tradition of similar discussions developed especially in Latin America. The article seeks to decentre these debates by taking seriously into account approaches which address primitive accumulation from the perspective of (post)colonial and (post)slave societies. It coins the concept entangled accumulation to emphasize the interdependencies between practices of exploitation and expropriation, wage and slave labour, state power and illegal violence, and capitalist and non-capitalist economies, which have shaped capital accumulation throughout history. (shrink)

This study investigates the relationships between religious fundamentalism, collective identity, and individuality. The questions addressed in this research are: Who is joining fundamentalist student organizations? Why and how are they doing so? And, how do these organizations maintain their collective identity in the face of ever-growing individualism? To gain an adequate understanding of the fundamentalist characteristics of such organizations, we first explored the existing theoretical literature. Then, we performed a qualitative case study of two student organizations at the University of (...) Guilan: the Basij and Welayat Lovers. Our findings indicate that although these organizations strongly tend to define and impose a unified collective identity on their members, some important social trends, such as the expansion of secularist higher education and rising levels of students' knowledge, skills, and their reinforced individuality, leave little room for the growth of a fundamentalist collective identity. (shrink)

This article is an edited version of the response paper offered at the conclusion of the symposium, Modern Sensibilities. It ties together themes from the symposium papers, as well as ideas prompted by Mieke Bal’s exhibition, Emma & Edvard: Love in the Time of Loneliness, and her accompanying book, Emma and Edvard Looking Sideways: Loneliness and the Cinematic. It focuses on the anachronistic entanglements among Flaubert’s “Emma,” Munch’s motifs, Mieke Bal and Michelle Williams Gamaker’s Madame B, the Munch Museum’s architecture (...) and exhibition scenography, and the exhibition viewer. (shrink)

In this review essay, I consider a number of possible versions of a contemporary socialist balance-sheet, by way of the three very different recent accounts provided by Alain Badiou, Peter Beilharz, and Goran Therborn. Exploring these broad, colliding understandings of the socialist past, present, and future, I seek to evaluate the responses to some of those large and pressing socialist questions: Who owned the 20th century? What was 1968? What is the meaning of the period since? What remains of Marxism (...) and of socialism? What are the situation and tasks of social theory today? (shrink)

In this article, the nature of Ethiopian modernity will be explored through the usage of concepts like coloniality, entangled modernities and uneven histories that are borrowed from decolonial and postcolonial perspectives. Through such an analysis, the Ethiopian discourse on modernity will be presented as a conception of social progress that developed in a dialectical relationship with liberal, Marxist, indigenous and religiously inspired conceptions of modernity. It will be argued that resisting the attempts to romanticize the past as a foundation of (...) cultural revival and also the attempt to confine the discussion of Ethiopian modernity to the introduction of western modernization, Ethiopian modernity should be alternatively conceptualized as a discourse that is co-constituted in an active confrontation with alternative visions of progress. The article argues that the diagnosis of the multiple and interconnected discourses that shaped the Ethiopian discourse on modernity serves as a foundation of an Ethiopian critical theory. Such a theory creatively synthesizes cultural values, hosts an inclusive political culture that furnishes the culture of public criticism and introduces a world of knowledge production that overcomes Eurocentrism. (shrink)

Introduction to the Special Issue: A Matter of Interactions—Religion and Architectural Modernism, 1945–70.

This article elucidates some connections and divergences between S.N. Eisenstadt’s work on multiple modernities and critical reflections on ‘African modernity’ presented by Africanist scholars. It argues that there is more cross-over between these discussions than is commonly thought when both are seen as parallel responses to the shortcomings of post-war modernization theory. Eisenstadt’s work can inform debates in African Studies concerning the effective power of tradition in postcolonial African societies, and on African interpretations of the ‘cultural programme’ of modernity. The (...) article also discusses some weaknesses in Eisenstadt’s theorizing which arise from an extension of the multiple modernities framework to African societies, namely, an underappreciation of the various modalities of colonial imperialism and racialization, as well as the institutional constraints placed on postcolonial societal elites. It claims that these can be offset via a dialogue with the work of scholars in African Studies. Moreover, it is argued that the paradigm of multiple modernities can more satisfactorily shed light on African trajectories of modernity via the retrieval of tenets of Eisenstadt’s ‘heterodox’ modernization theory and work on post-traditionality, outlined in the 1960s and the 1970s, which include specific reflections on African societies. (shrink)

In its etymology and in popular discourse, the term ‘avant-garde’ is commonly associated with a future temporality, while in art-historical discourse, it represents a tradition of modernist innovation, periodised as ‘historical avant-garde’ and ‘neo-avant-garde’. Since this historical periodisation was first established in the 1950s, the avant-garde’s futurity has been repeatedly disputed, bringing the very notion of an avant-garde into question. This thesis takes as its starting point the predicament of ‘an avant-garde after the avant-garde’ as a means to investigate the (...) philosophico-political implications of a historical temporality marked by ‘afterness’. Writing in critical dialogue with scholarship that has articulated the avant-garde as a notion of historical time, the thesis modifies the parameters of this scholarship by foregrounding the category of historicism, and by reformulating the avant-garde as a notion that both resists and inhabits historical periodisation. As a study at the disciplinary intersection of comparative literature and critical theory, 'Ahead of its Time' proceeds via close readings of selected theories of the avant-garde (German literary scholar Peter Bürger’s foundational Theory of the Avant-Garde in the 1970s; British art theorist John Roberts’ formulation of a ‘suspensive avant-garde’ in the twenty-first century; and the intellectual debates of the Italian circle Neoavanguardia in the 1960s), while also mobilising the critical resources available in the thought of Walter Benjamin. Through a non-linear, comparativist critical analysis that discusses these theories in, and as, a Benjaminian constellation, the thesis proposes the avant-garde as a relational, indexical category that is constitutively split between historical continuity and historical rupture. In this manner, 'Ahead of its Time' revisits the broader question of mediation between universality and particularity, and by recasting it in temporal terms, it advocates a chronopolitics of singularity, whereby the avant-garde’s split between continuity and rupture also reveals the ethically-necessary relationship between self-determination and contingency. (shrink)

This article offers a reassessment of the relationship among nationalism, globalization and glocalization. Conventionally, globalization is viewed as a historically recent challenge to the nation. It is argued that globalization, in contrast, is a long-term historical process. The emergence and perseverance of the nation is linked to outcomes of global processes, such as the experience of globality. Two conceptual links among the nation-form, historical globalization and cultural glocalization, are presented to demonstrate the salience of this perspective. First, globalization’s dialectic of (...) homogeneity and heterogeneity influences the nation in a two-fold manner: whereas cultural and institutional isomorphism causes the homogenization of national symbols and institutions, cultural glocalization preserves the specificity of individual national identities. Second, transnational nationalism has played an important role in shaping the nation through the construction of various categories of ‘aliens’ and the subsequent pressure put onto cultural groups to adjust their identities vis-à-vis the nation-state. (shrink)

Taking its point of departure in the conceptual debate about modernities in the plural, this article presents a heuristic framework based on an interpretative approach to modernity. The article draws on theories of multiple modernities, successive modernities and poststructuralist approaches to modern subjectivity formation. In combining conceptual tools from these strands of social theory, we argue that the emergence of multiple modernities should be understood as a historical result of idiosyncratic social constructions combining global social imaginaries with religious and other (...) cultural traditions. In the second part of the article we illustrate this argument with three short excursions into the history of Islamic reform in the 19th and 20th centuries. In this way we interpret the modern history of Muslim societies as based on cultural conflicts between different forms of social order and individual identities similar to those present in European history. Contrary to the European experience, however, religious traditions gradually assumed an important role in defining ‘authentic’ Muslim modernities, leading to a relatively hegemonic role of so-called Islamic modernities toward the end of the 20th century. (shrink)

This article discusses Eurocentric history, its focus on the Renaissance and modernity, which continues also in recent global history perspectives. Goody’s argument regarding renaissances in the plural situates Europe in the wider field of Eurasia and deeper in time, going back to the Bronze Age, characterized by plough agriculture, the use of animal traction and urban cultures. Goody’s perspective includes viewing renascences as accelerations and leaps in the circulation of information. Since it is always the trope of the modern that (...) marks Eurocentric claims, unpacking modernity is central to scrutinizing this construction. Goody shows that Europe is a late-comer rather than a forerunner to major strands of modernity. A wider question this account poses is: if Renaissance in the singular produces modernity in the singular, do renaissances in the plural produce modernities in the plural? (shrink)

This article argues that combining elements of the sociological theories of Johann Arnason and Peter Wagner can contribute to an understanding of the causes of the ‘new Cold War’ on the European continent. Comparisons of today’s confrontation between Russia and the West with the original Cold War are largely misleading since the Soviet model of modernity represented a radical alternative to its liberal western version. Unlike the original Cold War, the current ideological confrontation is not connected with a clash of (...) different forms of modernity. Today’s Russia lacks a clear civilizational identity and does not follow an alternative project of modernity. The recent ‘conservative turn’ in Russian politics largely draws on a specific interpretation of European modernity. (shrink)

This article advances a non-reductionist theorization of Europe as ‘multiplicity’. As an object and category of political reality, Europe is made (and re-made) within specific spatio-temporal configurations. For this reason, the first section argues that Europe should be approached as an instance of ‘historical ontology’. This counters a reductionist tendency to ‘fix’ Europe with definitive political and cultural characteristics or historical trajectories. The second and third sections of the article interrogate a few of the ontological ‘lines of flight’ taken by (...) contemporary Europe. The article discusses Europe’s multiplicity through its fields, imaginaries and ways of being in the world. Such a preliminary sketch of European multiplicity is not meant to be exhaustive. Rather, it suggests a new ethos in the study of European politics that privileges historicism, practice, and Europe’s recursive relationship to the world/globe. (shrink)

Existing theoretical interpretations contend that modernization is a global but diverse and multidimensional process. Yet, a systematic analysis of multiple forms of modernity and modernization ‘is the major challenge to current social and political theory’ (Wagner). The paper aims at revealing limitations of current theoretical interpretations of modernization and demonstrating systematically essential features of modernity. I describe the crucial criteria of modernization and suggest an integrated approach within which the most influential theories are simultaneously applied as coherent explanations. Such a (...) synergic application allows identifying concomitant dimensions of modernity and modernization. The proposed approach significantly differs from a prevailing theoretical discourse on modernity and modernization. It demonstrates universal features of modernization along with civilization variability and uniqueness of cultural programs, antinomic emancipation trends, permanence of change and innovations, increase of efficiency, competitiveness and the quality of life. All these dimensions relate to a set of consistent interpretations of a complex multi-effects phenomenon, which minimizes the existing conceptual contradictions. The elaborated model supports the notion of modernization as a continuous transition to novel forms of social order which respond to emerging challenges and global competition while an invariant criterion of modernization is the boost in the capabilities of people to make their choices. (shrink)

This article discusses Eurocentric history, its focus on the Renaissance and modernity, which continues also in recent global history perspectives. Goody’s argument regarding renaissances in the plural situates Europe in the wider field of Eurasia and deeper in time, going back to the Bronze Age, characterized by plough agriculture, the use of animal traction and urban cultures. Goody’s perspective includes viewing renascences as accelerations and leaps in the circulation of information. Since it is always the trope of the modern that (...) marks Eurocentric claims, unpacking modernity is central to scrutinizing this construction. Goody shows that Europe is a late-comer rather than a forerunner to major strands of modernity. A wider question this account poses is: if Renaissance in the singular produces modernity in the singular, do renaissances in the plural produce modernities in the plural? (shrink)