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Pornographic Subordination: How Pornography Silences Women

In Claudia Card (ed.), Feminist Ethics and Politics. University Press of Kansas (1999)

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  1. Feminist philosophy of language.Jennifer Saul - 2008 - Stanford Encyclopedia of Philosophy.
    Much of feminist philosophy of language so far can be described as critical—critical either of language itself or of philosophy of language, and calling for change on the basis of these criticisms. Those making these criticisms suggest that the changes are needed for the sake of feminist goals — either to better allow for feminist work to be done or, more frequently, to bring an end to certain key ways that women are disadvantaged. In this entry, I examine these criticisms. (...)
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  • Perlocutionary Silencing: A Linguistic Harm That Prevents Discursive Influence.David C. Spewak Jr - 2023 - Hypatia 38 (1):86-104.
    Various philosophers discuss perlocutionary silencing, but none defend an account of perlocutionary silencing. This gap may exist because perlocutionary success depends on extralinguistic effects, whereas silencing interrupts speech, leaving theorists to rely on extemporary accounts when they discuss perlocutionary silencing. Consequently, scholars assume perlocutionary silencing occurs but neglect to explain how perlocutionary silencing harms speakers as speakers. In relation to that shortcoming, I defend a novel account of perlocutionary silencing. I argue that speakers experience perlocutionary silencing when they are illegitimately (...)
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  • The Unique Depictive Damage of Gombrichian Schemata in Cartoons.Mary Gregg - 2023 - Philosophia 51 (3):1309-1331.
    According to Ernst Gombrich, cartoons provide us the chance to “study the use of symbols in a circumscribed context [and] find out what role the image may play in the household of our mind” (Gombrich 1973, 190). This paper looks at some underexplored implications and outcomes of Ernst Gombrich’s conceptual schemata when such a schemata is applied to cartoons. While we might easily avoid defamatory reference when picking out a subject in writing or speech, cartoon depictions, especially those unaccompanied by (...)
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