This article seeks a new way to conceptualise the ‘classic’ work in the history of science, and suggests that the use of publishing history might help avoid the antagonism which surrounded the literary canon wars. It concentrates on the widely acknowledged concept that the key to the classic work is the fact of its being read over a prolonged period of time. Continued reading implies that a work is able to remain relevant to later generations of readers, and, although some (...) of this depends upon the openness of the original text, much more depends on the actions of subsequent publishers and editors in repackaging the work for later audiences.This is illustrated through an examination of the long publishing history of William Paley’s Natural theology. Over the course of the century, Natural theology was read as a work of gentlemanly natural theology, as a work which could be used in a formal or informal education in science, and as a work of Christian apologetic. These transformations occurred because of the actions of the later publishers and editors who had to make the work suit the current interests of the literary marketplace. Comparisons are made to Constitution of man, Vestiges of the natural history of creation and Origin of species.Author Keywords: Classic; Canon; Publishing history; Natural theology; William Paley. (shrink)

Published within weeks of Charles Darwin's Origin of Species, Isabelle Duncan's Pre-Adamite Man is the first full-length treatment of preadamism by an evangelical. Intended as a reconciliation of Genesis and geology, Duncan's work gained immediacy when it was published shortly after the September 1859 revelations that men had walked among the mammoths. Written in the tradition of evangelical ‘Christian philosophy’, Pre-Adamite Man deploys innovative biblical hermeneutics and recent trends in geology to set out both a biblical preadamite theory, and an (...) unorthodox angelology. Duncan responded to contemporary secular interpretations of geology by pushing evangelical concordist strategies to new frontiers, filling out an acceptance of an ancient earth with new biblically informed catastrophist proposals and extensions of salvation history, while simultaneously retaining a firm commitment to plenary inspiration. The product is a highly readable book that operates both as an accessible treatment of geology and a theological discourse. Running through six printings between 1860 and 1866, the book was reviewed by many of the period's leading journals and created a minor controversy among evangelicals. This study both brings to life this previously neglected episode in scriptural geology, and adds to recent work on Victorian popular science writing. (shrink)

This essay traces the divergent readings of William Paley’s 1802 Natural Theology from its initial publication to the recent controversies over intelligent design. It argues that the misinterpretation of the Natural Theology as a scientific argument about the origins of complex life—which Darwin’s Origin of Species refutes—did not develop all at once. Rather this reading evolved gradually, drawing from a variety of uses and appropriations during the course of the nineteenth and twentieth centuries. This study demonstrates the fluidity of “science” (...) and “religion” during these centuries, and highlights the role that genres of science popularization play in altering the meaning of those categories. (shrink)

ABSTRACT In what ways can the study of science and popular culture in the American context contribute to ongoing debates on popularization and popular science? This essay suggests that, for several reasons, attention to the antebellum era offers the most significant opportunity to realize more sophisticated understandings of science in American popular culture. First, it enables us to take advantage of comparative opportunities, both by benefiting from the advanced state of historiography for Victorian popular science and by engaging with a (...) generation of historiographic innovations by scholars in U.S. history, American studies, literature, and art history. Second, the emergence of popular science in the context of the republican ethos of the antebellum period provides an important vantage point from which to assess the extent to which the general issue of “popular science” and its cognates is historically variable and multiple in terms of the politics of knowledge. Third, the ramifications of the development of popular science for relations between science and the public well into the twentieth century cannot be understood until we gain a more clearly developed sense of the emergent period. (shrink)

In The Variation of Animals and Plants under Domestication, published in 1868, Darwin used the metaphor of the architect to argue in favor of natural autonomy and to clarify the role of chance in his theory of adaptive change by variation and natural selection. In this article, I trace the history of this important heuristic instrument in Darwin's writings and letters and suggest that this metaphor was important to Darwin because it helps him to explain the role of chance, and (...) gives an argument in favor of the free will. (shrink)

Drawing upon Karl Giberson and Mariano Artigas’ joint book The Oracles of Science, I discuss the limits of an emphasis on so-called philosophical bridges in the relationship between science and religion. Epistemological and metaphysical analyses of the claims by scientists and religious people are indeed necessary to avoid illegitimate extrapolations; but a clear separation between scientific and religious statements is problematic. Following Ludwig Fleck’s characterisation of the esoteric and the exoteric circles of science, I argue that popularization of science is (...) always embedded in scientific cultures and ideological agendas and that one cannot expect a clear demarcation criterion between pure science and pure popularization. I also consider Lyda Walsh’s rhetorical analysis of the scientists as prophets to understand the oracles’ public portrayal of science in pseudo-religious terms. (shrink)

In response to Willem Drees's What Are the Humanities For?, this article compares the ways in which, historically, the humanities and natural sciences have established their relevance and social legitimacy. Initially, from the period of the scientific revolution, the sciences had usually sought to justify themselves in terms of the moral and religious goals characteristic of the humanities. During the nineteenth century, however, considerations of practical utility came to displace the more traditional forms of justification. These new criteria have made (...) it increasingly difficult for humanities disciplines to establish their legitimacy. This situation is related to patterns of secularization and also has implications for science-religion relations. Along with the secularization of the humanities, their increasing pluralization has also weakened their capacity to present a united front. The humanities are perhaps not as coherent as Drees suggests, although a rhetoric of coherence might well be crucial for establishing their contemporary relevance. (shrink)