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  1. Individuals, Existence, and Existential Commitment in Visual Reasoning.Jens Lemanski - 2024 - Open Philosophy 7 (1):1-25.
    This article examines the evolution of the concept of existence in modern visual representation and reasoning, highlighting important milestones. In the late eighteenth century, during the so-called golden age of visual reasoning, nominalism reigned supreme and there was limited scope for existential import or individuals in logic diagrams. By the late nineteenth century, a form of realism had taken hold, whose existential commitments continue to dominate many areas in logic and visual reasoning to this day. Physical, metaphysical, epistemological, and linguistic (...)
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  • Lewis Carroll's visual logic.Francine F. Abeles - 2007 - History and Philosophy of Logic 28 (1):1-17.
    John Venn and Charles L. Dodgson (Lewis Carroll) created systems of logic diagrams capable of representing classes (sets) and their relations in the form of propositions. Each is a proof method for syllogisms, and Carroll's is a sound and complete system. For a large number of sets, Carroll diagrams are easier to draw because of their self-similarity and algorithmic construction. This regularity makes it easier to locate and thereby to erase cells corresponding with classes destroyed by the premises of an (...)
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  • Lewis Carroll's Formal Logic.Francine Abeles - 2005 - History and Philosophy of Logic 26 (1):33-46.
    Charles L. Dodgson's reputation as a significant figure in nineteenth-century logic was firmly established when the philosopher and historian of philosophy William Warren Bartley, III published Dodgson's ?lost? book of logic, Part II of Symbolic Logic, in 1977. Bartley's commentary and annotations confirm that Dodgson was a superb technical innovator. In this paper, I closely examine Dodgson's methods and their evolution in the two parts of Symbolic Logic to clarify and justify Bartley's claims. Then, using more recent publications and unpublished (...)
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  • Logic Diagrams, Sacred Geometry and Neural Networks.Jens Lemanski - 2019 - Logica Universalis 13 (4):495-513.
    In early modernity, one can find many spatial logic diagrams whose geometric forms share a family resemblance with religious art and symbols. The family resemblance these diagrams bear in form is often based on a vesica piscis or on a cross: Both logic diagrams and spiritual symbols focus on the intersection or conjunction of two or more entities, e.g. subject and predicate, on the one hand, or god and man, on the other. This paper deals with the development and function (...)
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