The sociological debate about globalization has often neglected the place of religion in a global age. This absence is problematic, given the creative role of the world religions in the shaping of the modernization and globalization processes. This article treats globalization as a particular phase of the general process of modernity, and considers religion in terms of four paradoxes. The first (the Nietzsche paradox) argues that, against the received wisdom, fundamentalism is a form of modernization. Although religious fundamentalism may be (...) a reaction to the hybridity brought about by globalization, it is not a traditional reaction. The second (the Parsonian paradox) argues that modernization and globalization constitute religion as a special and separate institutional sphere of society, and hence transform religion into a problem of modernity. Fundamentalism attempts to reverse this pattern and, in the marginal societies of the global system, fundamentalist religion challenges this western version of modernized religion. The third (the McLuhan paradox) is that religious values in a global village expose the incommensurability of cultural systems, but relativism is not easily sustained in practice and globalization paradoxically increases the need for human rights universalism. While nationalism as a framework for cultures conflicts with attempts to develop general systems of rights discourse, it is not evident that the creation of alternative rights systems (such as Confucian codes) appears to be immediately viable. The final (the Montaigne paradox) explores the contradiction between Orientalism as a necessary consequence of the discovery of Otherness and Otherness as a necessary experience of cosmopolitan humanism. The article concludes with a discussion of the possibilities of cosmopolitan virtue in the context of these paradoxes of globalization and religion. (shrink)

For more than 10 years, Ulrich Beck has dominated discussion of risk issues in the social sciences. We argue that Beck's criticisms of the theory and practise of risk analysis are groundless. His understanding of what risk is is badly flawed. His attempt to identify risk and risk perception fails. He misunderstands and distorts the use of probability in risk analysis. His comments about the insurance industry show that he does not understand some of the basics of that industry. And (...) his assertions about the wrongness of allowing acceptable levels of exposure to toxic chemicals do not stand up to scrutiny. Key Words: Beck • risk analysis • risk perception • probability • insurance. (shrink)

Taking the use of the logos in Ratzinger's Regensburg Lecture as its starting point, the thesis expands three horizons in Ratzinger studies. Firstly, it extends the understanding of Ratzinger as the author of a logos theology. Secondly, it shows how the Regensburg theme of the full breadth of reason, represented by the logos, is applied by Ratzinger in a critique of secular modernity. Thirdly, it claims that the logos theology of Joseph Ratzinger can provide a repair of the culture of (...) human rights. The thesis argues that if human rights are set exclusively within the framework of secular modernity, they fall sick and fail to meet the criterion of inclusivity and universality. Set within the framework of a Ratzingerian logos theology, their power is strengthened and their promise of inclusivity and universality restored. The thesis calls for a mutually reparative dialogue about human rights, based on the full breadth of reason, between the three constituencies of Christianity, the religions and secular modernity. The thesis concludes that the Regensburg Lecture, far from damaging the dialogue with Islam, and with secular modernity, opens up a new intercultural bridge based on a mutually enriching engagement with a logos-based culture of human rights. (shrink)

Dance anthropologists and ethnomusicologists are trained to treat the labels ‘dance’ and ‘music’ with caution, because the terms carry preconceptions that may mask significant aspects of the structured movement/sound systems they study. Yet many talk about ‘the body’ – the medium through which these systems come into being – as something given and ‘true’, without investigating its emic conceptualizations or looking into the implications these may have in terms of how music and dance are experienced. The article investigates the dancing (...) bodies of western ballet dancers and of Tiwi dancers of northern Australia. The latter have an extensive vocabulary for body parts, but no word for ‘body’ as a bounded entity, comparable to the ‘body’ conceptualized by ballet dancers. The article argues that for the Tiwi landscape and human bodies are unavoidably tied together and that the dancers incarnate both land and cosmology. While specific parts have a concrete practical existence, the whole body expands into the landscape so that the landscape becomes flesh. Through the aesthetic transformation of dancing, dancers and land become one, and life is sustained and the land revitalized. (shrink)