One of the most striking features of Giordano Bruno’s philosophy is the marriage of universal animation with atomism. This unusual combination produced an extraordinary image of the universe, which was governed by the World-Soul and its universal intellect along with an infinite number of living atoms or corpuscles, animated by their internal spiritual principle. After examining Bruno’s principal arguments on the World-Soul, universal animation and living atoms or corpuscles, this article explores two possible sources among the works of his near-contemporaries. (...) The first author, Agostino Steuco, tried to reconcile the doctrine of the World-Soul with Christianity, integrating the idea of Anaxagoras on the cosmic mind as the demiurgic agent of the universe. The second figure, Jacob Schegk, further elaborated his unusual atomistic or corpuscular reinterpretation of this Presocratic philosopher’s ideas. (shrink)

The present paper focuses on some aspects of the Neoplatonist literary-metaphysical theory, which has clearly been expressed in the anony­mous Prolegomena to Plato’s philosophy and further confirmed in Proclus’ exegesis of the Timaeus. Thus, this contribution, examines and compares several passages from the Prolegomena and from Proclus’ Commentary on the Timaeus with a view to showing that it is legiti­mate to speak of a certain cosmogony of the Platonic dialogue that is analogous to that of the macrocosm. Moreover, the analogy (...) between macrocosm and microcosm makes it possible to further investigate the similarity between the λόγος-ζῷον of the Demiurge and that of Timaeus, on the one hand, and the reality which the λόγος expresses, on the other. This similarity turns out to be both structural/morphological and content-related/semantic. Thus, by combining the natural and theo­logical science, the analysis of the “generation” of the macrocosm and microcosm brings out the strongly analogical nature of Plato’s dialogues, which is particularly visible in the Timaeus. (shrink)

This paper sets out to analyze Proclus’ exegesis of Socrates’ suggestion in Parmenides 132d1-3 that Forms stand fixed as patterns, as it were, in the nature, with the other things being images and likenesses of them. Proclus’ analysis of the notion of being pattern reveals the impact of the Aristotelian conception of the form as paradigm on his views, as we can infer from Alexander of Aphrodisias’ and Simplicius’ explanation of the paradigmatic character of the Aristotelian form. Whereas Aristotle and (...) Alexander of Aphrodisias refute the efficient causality of the Platonic Forms and support that μέθεξις is just a metaphor, Syrianus, Proclus and Asclepius defend the Platonic theory, and specifically Proclus, who brings to the fore the multilateral role of the Forms as patterns with regard to the secondary things of this realm.[1] [1] An earlier version of this paper was presented at the Symposium Platonicum XII: Plato’s Parmenides, organized by the International Plato Society, Paris, 15-19 July 2019. (shrink)

U ovom tekstu ćemo istražiti na koji način i na kojoj osnovi je ideja napredovanja doživela svoju transformaciju u neoplatonizmu i hrišćanskoj teologiji. Pokazaćemo da se elementi ove ideje javljaju kod Plotina i pojedinih patrističkih autora, ali da je konačno uobličenje i razradu doživela prvenstveno u delu svetog Grigorija Niskog, koji je priznat kao najzaslužniji za njeno postuliranje.