This article delves into the philosophical nuances involved in translating the Confucian concept of you yu yi 游於藝 into English. The concept, which refers to engaging in various arts or skills, poses challenges when it comes to choosing the appropriate English translation. By examining Confucian texts and philosophical interpretations, the study aims to shed light on the multifaceted nature of the concept and provide insights into the complexities of cross-cultural translation. Through a meticulous analysis of linguistic, cultural, and philosophical factors, (...) this study aims to contribute to the ongoing discourse on translation theory and the preservation of cultural concepts. (shrink)

Phenomenological descriptions are supposed to be revelatory and coincide with the self-showing of the things themselves. These features of phenomenological descriptions lead to the peculiar character of their expression, which has the effect of making them difficult to communicate. That is, the problem with communicating the findings of phenomenological researches is a consequence of the descriptive nature of the endeavor and the disclosive character of phenomenological descriptions. In the Logical Investigations Edmund Husserl recognized that the problem has three facets: how (...) does one state the findings of phenomenological researches, how can one effectively communicate these findings, and how can these communications be persuasive? In this essay I elaborate on these problems and then show that Heidegger’s method of formal indication was designed to solve these problems just as Husserl understood them. We can thus take formal indication as a model for dealing with these problems—and for informing phenomenological discourse—because it solves them with a single strategy. (shrink)