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  1. Toward an Emotional Individual Motor Signature.Juliette Lozano-Goupil, Benoît G. Bardy & Ludovic Marin - 2021 - Frontiers in Psychology 12.
    Bodily expression of felt emotion has been documented in the literature. However, it is often associated with high motor variability between individuals. This study aimed to identify individual motor signature of emotions. IMS is a new method of motion analysis and visualization able to capture the subtle differences in the way each of us moves, seen as a kinematic fingerprint. We hypothesized that the individual motor signature would be different depending on the induced emotional state and that an emotional motor (...)
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  • It’s About Time: A Special Section on Affect Dynamics.Peter Kuppens - 2015 - Emotion Review 7 (4):297-300.
    The study of affect dynamics aims to discover the patterns and regularities with which emotions and affective experiences and components change across time, the underlying mechanisms involved, and their potential relevance for healthy psychological functioning. The intention of this special section is to serve as a mini handbook covering the contemporary state of research into affect dynamics. Contributions address theoretical viewpoints on the origins and functions of emotional change, methodological and modeling approaches, biological and social perspectives on affect dynamics, and (...)
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  • Temporal Dynamics of Emotional Processing in the Brain.Christian E. Waugh, Elaine Z. Shing & Brad M. Avery - 2015 - Emotion Review 7 (4):323-329.
    Emotion theorists have long held that a fundamental characteristic of an emotion is how its constituent processes change and interact over time. Assessing these temporal dynamics of emotion in the brain is critical for understanding the neural representation of emotions as well as advancing theories of emotional processing. We review the neuroimaging research on three temporal dynamic features of emotion: time of onset, duration, and resurgence and show how assessing these temporal dynamics in the brain have led to improved understanding (...)
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  • Curiosity about a positive or negative event prolongs the duration of emotional experience.Michihiro Kaneko, Yuka Ozaki & Kazuya Horike - 2017 - Cognition and Emotion 32 (3):600-607.
    Some researchers claim that uncertainty prolongs the duration of emotional experiences because uncertainty toward an emotion-eliciting event prolongs attention to that event. However, some results contradict this claim. We assumed that curiosity rather than uncertainty prolongs the duration of emotional experience via attention, and that attention and emotional experience are prolonged only when uncertainty elicits curiosity. This assumption is based on the information gap theory, which proposes that curiosity increases with uncertainty, but that curiosity decreases at a certain level of (...)
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  • Biologically Inspired Emotional Expressions for Artificial Agents.Beáta Korcsok, Veronika Konok, György Persa, Tamás Faragó, Mihoko Niitsuma, Ádám Miklósi, Péter Korondi, Péter Baranyi & Márta Gácsi - 2018 - Frontiers in Psychology 9:388957.
    A special area of human-machine interaction, the expression of emotions gains importance with the continuous development of artificial agents such as social robots or interactive mobile applications. We developed a prototype version of an abstract emotion visualization agent to express five basic emotions and a neutral state. In contrast to well-known symbolic characters (e.g., smileys) these displays follow general biological and ethological rules. We conducted a multiple questionnaire study on the assessment of the displays with Hungarian and Japanese subjects. In (...)
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  • Narrating Anger Appropriately: Implications for Narrative Form and Successful Coping.Tilmann Habermas & Stephan Bongard - forthcoming - Emotion Review.
    We propose that emotion psychology would significantly gain from including narrative(s) and the conversational negotiation of appropriateness. Using the example of anger, we argue that narrators need to construct plausible narratives of emotional events to achieve validating responses by listeners. We argue first that narrators attempt to demonstrate that the appraisal conditions for their emotion are given so that the emotion fits the narrated events. Second, we argue that this in turn explains why narratives of specific emotions exhibit specific forms. (...)
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