The last sentence of Chapter 10 of the Analects describes a brief encounter between Confucius and a hen-pheasant, and it does so in puzzling terms, ridden with lexical difficulties. At the same time, intertextual references insert this fragment into the context of Confucius’ life mission as well as of Chinese mythological narratives. This contribution assesses the fragment’s meaning and significance: Confucius’ reaction to the hen-pheasant unveils his evolving understanding of the Heavenly Mandate bestowed upon him. The fragment thus forcefully concludes (...) the chapter in which it is inserted. Additionally, I put forward a hypothesis: the focus of this narrative, coupled with its positioning at the end of Chapter 10, induce us to postulate that it may have been purposefully located at the very center of the Analects, a proposition that reverberates on the way we look at the composition of the book. (shrink)

This paper reflects on two ideas addressed in Benoît Vermander’s essay “Edit by Number.” First, how can we apply “coherence in structure” to the historical development of textual production and edition in ancient China? And second, what concept of number underlies the considerations in the Huáinán Zǐ 淮南子? To answer the first question, this article compares the different compositional patterns of texts that, as with the Lǎo Zǐ 老子and the Yì Jīng 易經, are available to us in different versions. The (...) result of the comparison shows that the differences seem to outweigh the coherent patterns, so we must assume that some texts have undergone very large changes historically. Regarding the concept of number, different views on number are highlighted in texts of the Warring States Period and the Hàn 漢 dynasty, which shows that the Huáinán Zǐ contains a very specific concept of number and its own theory of the One. (shrink)