One of the aims of Spinoza's Tractatus Theologico-Politicus is to vindicate the view that philosophy and theology are separate forms of enquiry, neither of which has any authority over the other. However, many commentators have objected that this aspect of his project fails. Despite his protestations to the contrary, Spinoza implicitly gives epistemological precedence to philosophy. I argue that this objection misunderstands the nature of Spinoza's position and wrongly charges him with inconsistency. To show how he can coherently allow both (...) that theology and philosophy employ independent epistemological standards, and that philosophy is epistemologically superior to theology, we need to step back from the immediate disputes to which the Tractatus is a response and examine a Ciceronian distinction on which Spinoza indirectly draws. As well as enabling us to vindicate Spinoza's position, it places his alleged naturalism in a new light and portrays philosophizing as a form of piety. (shrink)

In this article I dispute the claim, made by several contemporary scholars, that Spinoza was a naturalist. ‘Naturalism’ here refers to two distinct but related positions in contemporary philosophy. The first, ontological naturalism, is the view that everything that exists possesses a certain character permitting it to be defined as natural and prohibiting it from being defined as supernatural. I argue that the only definition of ontological naturalism that could be legitimately applied to Spinoza's philosophy is so unrestrictive as to (...) tell us nothing about the content of his ideas. The second, methodological naturalism, is the view that the natural sciences are the best means of finding out substantial truths about the concrete world. I present some historical research showing that Spinoza's way of positioning himself with respect to other philosophers in the Dutch Republic casts very serious doubt on the claim that he was a methodological naturalist. This adds further weight to arguments that have already been made against the naturalist reading of Spinoza. (shrink)

My dissertation lays out some of the chief philosophical precursors to Jonathan Israel's Radical Enlightenment. It investigates the principal question of Will Durant's The Age of Voltaire: "How did it come about that a major part of the educated classes in Europe and America has lost faith in the theology that for fifteen centuries gave supernatural sanctions and supports to the precarious and uncongenial moral code upon which Western civilization has been based?" The aim of this project is both broad (...) and specific: the first is to provide a general history of the philosophical precursors to the Radical Enlightenment up until the early modern period, and the second is to highlight one of these precursors in detail, which I do in the large Spinoza part. With the assistance of a great deal of scholarship in philosophy of religion, history of philosophy, theological analysis, biblical criticism, and historiography, my dissertation contends that the major philosophical precursors against orthodox faith in revelation and for the Radical Enlightenment have been derived primarily from several forces. I present some of the general arguments of some of the pre-Socratics and Greek philosophers, especially Socrates and Plato, emphasizing their rationalist and non-theological thinking. Then I point out how some of this Greek philosophical literature led to new philosophical and theological elements in some of the teachings of the Church Fathers, some of the medievals, and some of the scholastics, up to the early modern period. The core of my argument, however, begins to pick up steam at the Renaissance. With the Renaissance, the Scientific Revolution, and the early Enlightenment New Philosophy, everything changes. Renaissance textual criticism of ancient texts leads to the beginnings of some genuine biblical criticism. The explosion of naturalist-leaning explanations of nature via Copernicus, Galileo, Descartes and many others in the Scientific Revolution leads many to wonder if God is needed. The rejection of Aristotelian and Scholastic metaphysics by the New Philosophers, most notably, Descartes, undermine what for many provided the philosophical underpinnings for the Church and theology. And then "the most unkindest cut of all," the revolutionary historical and textual criticism of the Bible which utterly undermines and refutes Judaism and Christianity. (shrink)

This paper aims at reconstructing the ethical issues raised by Spinoza's earlyTreatise on the Emendation of the Intellect. Specifically, I argue that Spinoza takes issue with Descartes’ epistemology in order to support a form of “ethical intellectualism” in which knowledge is envisaged as both necessary and sufficient to reach the supreme good. First, I reconstruct how Descartes exploits the distinction between truth and certainty in hisDiscourse on the Method. On the one hand, this distinction acts as the basis for Descartes’ (...) epistemological rules while, on the other hand, it implies a “morale par provision” in which adequate knowledge is not strictly necessary to practice virtue. Second, I show that Spinoza rejects the distinction between truth and certainty and thus the methodological doubt. This move leads Spinoza to substitute the Cartesian Cogito with the idea of God as the only adequate standard of knowledge, through which the mind can attain the rules to reach the supreme good. Third, I demonstrate that in theShort TreatiseSpinoza develops this view by equating intellect and will and thus maintaining that only adequate knowledge can help to contrast affects. However, I also insist that Spinoza's early epistemology is unable to explain why human beings drop conceive of the idea of God inadequately. Thus, I suggest that in his later writings Spinoza accounts for the insufficiency of adequate knowledge in opposing the power of the imagination and passions by reconnecting the nature of ideas with the mind's conatus. (shrink)

Spinoza’s Tractatus Theologico-Politicus has been critiqued as contradictory and inconsistent. This is why I believe that the question with regard to Spinoza’s ‘neglected masterpiece’ should be: How to read the Treatise as a coherent philosophical work? I suggest that the reason why the Treatise seems contradictory is because of the complex juxtaposition of its two main foci: the relationship between theology and philosophy, and that of theology and politics. In this paper, I will argue against the claim of contradiction and (...) pursue to demonstrate a close correlation and mutual interdependence of both relations. While the domains of theology and philosophy may be separate, there is no contradiction between the salvation of the ignorant and the salvation of the wise. Similarly, there is no contradiction between the theological part of the Treatise—which focuses on ‘piety’ and the defense of the freedom of ‘internal religion’—and the political part—which focuses on ‘peace’, and claims that the state should have absolute power over ‘external religion’. (shrink)

Spinoza's philosophy is often overlooked when it comes to thinking about matters concerning art and culture. While recent work has done much to address this, his philosophy remains ambiguously related to the theorisation of things such as temples, poems, and paintings. This article argues that it is by turning to Spinoza's theorisation of the sacred in the Theological‐Political Treatise, that we can best derive his philosophical position on culture and its objects. I argue that Spinoza locates the sanctity of a (...) religious object–what he calls its “articulateness”–in its particular use‐relation with a people. In a similar manner, Spinoza locates the “meaning” and articulateness of words in the use that people make of them, thereby secularising the sanctification process for cultural objects. I argue that this relation of “use” between cultural‐religious objects and human beings and their societies is the way in which we can best discern Spinoza's philosophical position regarding art and culture, as well as further develop his potential contribution to cultural and art theory. (shrink)