Using new archival material, this article reconstructs the editorial history of Philosophical Grammar, an edition that Rush Rhees crafted from Wittgenstein's papers. Contrasting the often‐held view that Rhees, in editing Philosophical Grammar, arbitrarily interfered with Wittgenstein's Big Typescript, the article illuminates the work, motives and reasons that underlie Rhees’ editing. Although recent philological evidence supports his editorial decisions, Rhees, at the time, made them based on his desire to do justice to his understanding of Wittgenstein's philosophical orientation. Against this background, (...) purely text‐philological criticism of Philosophical Grammar seems to come from a philosophical culture that was alien to Rhees. (shrink)

This essay accounts for the notion of _Lebensform_ by assigning it a _logical _role in Wittgenstein’s later philosophy. Wittgenstein’s additions of the notion to his manuscripts of the _PI_ occurred during the initial drafting of the book 1936-7, after he abandoned his effort to revise _The Brown Book_. It is argued that this constituted a substantive step forward in his attitude toward the notion of simplicity as it figures within the notion of logical analysis. Next, a reconstruction of his later (...) remarks on _Lebensformen_ is offered which factors in his reading of Alan Turing’s “On computable numbers, with an application to the _Entscheidungsproblem_“, as well as his discussions with Turing 1937-1939. An interpretation of the five occurrences of _Lebensform_ in the PI is then given in terms of a logical “regression” to _Lebensform_ as a fundamental notion. This regression characterizes Wittgenstein’s mature answer to the question, “What is the nature of the logical?”. (shrink)

Building on the unpublished correspondence between Ludwig Wittgenstein's literary executors Rush Rhees, Elizabeth Anscombe and Georg Henrik von Wright, this paper sketches the historical development of different editorial approaches to Wittgenstein's Nachlass. Using the metaphor of a ladder, it is possible to distinguish seven significant “rungs” or “steps” in the history of editing Wittgenstein's writings. The paper focuses particularly on the first four rungs, elucidating how Rhees, Anscombe and von Wright developed different editorial approaches that resulted in significant differences in (...) their editions. The paper sheds light on how these editorial differences are grounded in the editors' divergent understandings of their task. It is suggested that future research may investigate the development of editorial approaches to Wittgenstein's Nachlass as a human story of philosophical inheritance. (shrink)

The essential task of the philosophy of style is to uncover the irreducibility of the singular to any kind of universal, static structure or metalinguistic code. Style is not only a surplus element that exceeds propositional meaning, but also a clue of the ineradicable contingency of “intersubjective”‐communicational relationships. The receiver must respect the unique individuality of the sender's style as what demonstrates the cognitive inexhaustibility of the world. Consequently, philosophy can no longer regard literature as foreign and incorrigible by asserting (...) a radical difference of genre and thereby reserving truth exclusively for itself. Rather, I go on to argue, the difference is merely one of quantity. The picture of the world drawn by literature is simply fuller and richer than any comparatively monochromatic system of philosophical propositions. However, within the history of philosophy, there have been instances when the philosophical import of literature has been accorded its due. One example is the dialogical approach of early German Romanticism. The other example is a writer most frequently considered the purest thinker of philosophical sense and meaning – namely, Ludwig Wittgenstein. I conclude by reading Wittgenstein as a philosopher concerned, above all, with the ineffable that style reveals. (shrink)

This article analyses in detail Wittgenstein’s ‘Cambridge period’ from his return to Cambridge in 1929 until his decease in 1951. Within the ‘Cambridge period’, scholars usually distinguish the ‘middle’ (1929–1936) and the ‘late’ (1936–1951) periods. The trigger point of Wittgenstein’s return to Cambridge and philosophy was his visit to Brouwer’s lecture on ‘Mathematics, Science, and Language’ in Vienna in March 1928. Dutch mathematician Brouwer influenced not only Wittgenstein’s ability to do philosophy again but also the development of some of his (...) ideas. Namely, for Brouwer, language was a natural development of the social history of human beings. With the help of his friends, F. P. Ramsey, J. M. Keynes, G. E. Moore, and B. Russell, in 1929 Wittgenstein returned to Cambridge. The author argues that this was the crucial turning point in his philosophy that led to the revision of some of his ideas. Wittgenstein returned from self-isolation in remote villages of Lower Austria to the intellectual academic environment, where he could discuss his ideas with intellectual interlocutors and receive their valuable remarks and comments. This article is organised in chronological order: it describes the very ‘early’ middle period of 1929–1935 involving the development of Wittgenstein’s ‘phenomenology’ and the origin of the ‘language-games’ concept in the Blue and Brown Books; 1935–1936 period of ‘romantic’ enthusiasm for Soviet Russia and a trip there; Wittgenstein’s life and work during the WWII-time; resign from teaching in Cambridge in 1947 to finally finish his Philosophical Investigations. The author suggests that the ‘romantic areal’ about the USSR was formed by Wittgenstein’s predilection for Russian poetry and literature of the nineteenth century, i.e., Tolstoy, Dostoevsky, and Pushkin. Analysing the development of Wittgenstein’s ideas on language in his Cambridge period, the author mentions the influence of N. Bakhtin and P. Sraffa. Also, the author touches upon the topic of the possibility of Marxism’s influence on Wittgenstein’s life and thought. (shrink)

In 2000 the Wittgenstein Archives at the University of Bergen (WAB) published the CD-ROM edition of Wittgenstein’s Nachlass: The Bergen Electronic Edition (BEE). Moreover, since then WAB has worked towards complementing the static CD-ROM edition with an interactive web platform that additionally allows more user-specific and more user-tailored utilizations of WAB’s Nachlass resources. The paper describes two specific web service tools of this platform: Interactive Dynamic Presentation (IDP) of the Wittgenstein Nachlass and Semantic Faceted Search and Browsing (SFB) of Wittgenstein (...) domain metadata. The paper argues that it is only when these two tools are fully implemented and functional that WAB can adequately serve the scholarly needs of the Wittgenstein Nachlass user community. The paper discusses some selected features and functionalities of the two tools in detail. An earlier version of this paper was published as „Complementing Static Scholarly Editions with Dynamic Research Platforms: Interactive Dynamic Presentation (IDP) and Semantic Faceted Search and Browsing (SFB) for the Wittgenstein Nachlass“ in Selected Papers from the CLARIN Annual Conference 2020, ed. by C. Navarretta & M. Eskevich (Utrecht: CLARIN ERIC). In writing this paper I have benefitted from comments by K. De Smedt, N. Gangopadhyay, Ø. Gjesdal, J. Hendrickson, C. Huitfeldt, H. Al Ruweh, the Clarin 2020 conference reviewers and editors as well as Jasmin Trächtler. (shrink)

This paper uses archival material to contextualize Georg Henrik von Wright’s making of Vermischte Bemerkungen (Culture and Value), an edition that assembles Wittgenstein’s remarks on cultural topics. Von Wright was particularly interested in these remarks but initially regarded them as too detached from philosophy to be published. In 1967-68, however, he began seeing socio-political questions as belonging to philosophy. He then resumed editing Wittgenstein’s ‘general remarks’ and published them in 1977. Von Wright did not read Culture and Value as a (...) philosophical work, but as a means for helping readers understand Wittgenstein in relation to his times. It is argued that the intention to provide documents enabling readers to recognize the historical Wittgenstein motivated much of von Wright’s work as one of Wittgenstein’s literary executors. Moreover, through making available his own archives, he inspired the same documentary approach to fathom the history of editing Wittgenstein in its historical context. (shrink)

Wittgenstein's manuscript volumes from 1929: Reflections on the Chronology of MSS 105 – 107. In this paper I identify the evidence that might be used to establish a viable chronology for Wittgenstein’s writing of his manuscript volumes 105 – 107 and sections thereof. Since Wittgenstein omits to date his entries in these three 1929 volumes between February 15 and September 11, the evaluation of these different chronologies must remain somewhat speculative, but the justifications for each can, as I will show, (...) be revealingly compared. I also argue that such attempts at a genealogical appreciation of Wittgenstein’s remarks is not only worthwhile on its own terms but it also further paves the way for an increased understanding of Wittgenstein’s philosophy. I articulate and evaluate three possible chronologies for the year 1929 and argue for the one I take to be the most plausible. (shrink)