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  1. Haunted by the Other: Levinas, Derrida and the Persecutory Phantom.Michael Burke - 2021 - Film-Philosophy 25 (3):362-385.
    In this article, I explore what I call the persecutory trope – which underscores the alterity of the phantom and its relentless haunting and spectral oppression of the protagonists – in recent American ghost films, connecting it to the ethical thought of the continental philosophers, Emmanuel Levinas and Jacques Derrida. Films like The Ring, The Grudge, It Follows, and Sinister depict terrifying spectral antagonists whose relentless persecution of the protagonists often defies comprehension and narrative closure. I suggest that these films (...)
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  • Ksenologia i ksenotopografia Bernharda Waldenfelsa wobec podstawowych założeń światotwórczych literatury fantastycznej (Orson Scott Card, Neil Gaiman, George R. R. Martin).Krzysztof M. Maj - 2014 - Hybris, Revista de Filosofí­A (27):072-095.
    XENOLOGY AND XENOTOPOGRAPHY OF BERNHARD WALDENFELS The paper strives to adapt Bernhard Waldenfels’ xenology and so called ‘xenotopography’ for the philosophico-literary studies in fantastic world-building with a special concern of the ‘portal-quest’ model of fantasy and SF. Following Waldenfel’s remarks on the nature of post- Husserlian diastasis of our world [Heimwelt] and otherworld [Fremdwelt] and acknowledging the consequences of allocating one’s attitude towards the otherness in the symbolical borderland [‘sphere of intermonde’] in between, it is examined whether such a model (...)
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  • Чуже як предмет респонзивної феноменології бернгарда вальденфельса.Sofiia-Olga Kungurtseva - 2019 - Наукові Записки Наукма. Філософія Та Релігієзнавство 4:73-78.
    This article outlines the basic traits of a responsive phenomenology of Bernhard Waldenfels by focusing on the issue of the Alien. For the reason that we are commonly confronted with the Alien in everyday life, it is of crucial importance for us to understand and describe such experience without neglecting its special features. This is shown concerning the phenomenological issues of intentionality, by emphasizing the dimension of pathos. More precisely, pathos describes such a kind of affection which starts “somewhere” and (...)
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