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  1. Hybrid Varieties of Pleasure and the Complex Case of the Pleasures of Learning in Plato's Philebus.Cristina Ionescu - 2008 - Dialogue 47 (3-4):439-461.
    ABSTRACT: This article addresses two main concerns: first, the relation between the truth/falsehood and purity/impurity criteria as applied to pleasure, and, second, the status of our pleasures of learning. In addressing the first, I argue that Plato keeps the truth/falsehood and purity/impurity criteria distinct in his assessment of pleasures and thus leaves room for the possibility of hybrid pleasures in the form of true impure pleasures and false pure pleasures. In addressing the second issue, I show that Plato's view is (...)
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  • Knowledge in Philebus 55c-62a: A Response.Roger A. Shiner - 1983 - Canadian Journal of Philosophy, Supplementary Volume 9:171-183.
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  • La justa medida: entre Político y Filebo.María Isabel Santa Cruz - 2009 - Signos Filosóficos 11 (22):75-100.
    En este artículo trato de mostrar la diferencia entre el concepto de tò posón, la cantidad determinada o proporción matemática, válida en el terreno de las realidades cuantificables, y el concepto de tò métrion, la justa medida, válida en el terreno de las acciones humanas, no cuantificables. Argume..
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  • Putting the Cratylus in its Place.Mary Margaret Mackenzie - 1986 - Classical Quarterly 36 (01):124-.
    The Cratylus begins with a paradox; it ends with a paradox; and it has a paradox in between. But this disturbing characteristic of the dialogue has been overshadowed, not to say ignored, in the literature. For commentators have seen it as their task to discover exactly what theory of language Plato himself, despite his declared perplexity, intends to adopt as he rejects the alternatives of Hermogenes and Cratylus. A common view, then, has been to suppose that the πορίαι of the (...)
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  • Putting the Cratylus in its Place.Mary Margaret Mackenzie - 1986 - Classical Quarterly 36 (1):124-150.
    The Cratylus begins with a paradox; it ends with a paradox; and it has a paradox in between. But this disturbing characteristic of the dialogue has been overshadowed, not to say ignored, in the literature. For commentators have seen it as their task to discover exactly what theory of language Plato himself, despite his declared perplexity, intends to adopt as he rejects the alternatives of Hermogenes and Cratylus. A common view, then, has been to suppose that the πορίαι of the (...)
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  • Colloquium 9.Deborah De Chiara-Quenzer - 1990 - Proceedings of the Boston Area Colloquium of Ancient Philosophy 6 (1):360-370.
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  • Plato’s Phaedo and “the Art of Glaucus”: Transcending the Distortions of Developmentalism.William Henry Furness Altman - 2021 - Archai: Revista de Estudos Sobre as Origens Do Pensamento Ocidental 31.
    In a 1985 article entitled “The Art of Glaukos,” Diskin Clay suggested that the enigmatic passage at the beginning of the geological myth in Phaedoreferred toRepublic10, where the soul is likened to the sea-creature Glaucus whose true nature, like the soul’s, is obscured by the distortions imposed by underwater life. Starting with a defense of Clay’s ingenious suggestion, my purpose is to compare Phaedoto Glaucus, with its true nature obscured by traditional assumptions about the order in which Plato composed his (...)
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