According to many of his critics, Habermas is so preoccupied with `old normative maps' that he cannot really help us chart our options in a fast globalizing world. The following article contests aspects of this familiar critique. The argument is developed in three stages. First, some misapprehensions are targeted. No unreconstructed liberal, Habermas is shown to offer a discriminating interpretation of learning processes that need to guide political democracy in a global context. The far-reaching agenda of Habermas's programme for a (...) globalized and democratized welfare project is underlined. Next, Habermas's attempt to bring forward the normative resources of liberal democratic histories is contrasted with Ulrich Beck's normative avant-gardism. This latter is shown to be a mere semblance of radicalism that serves to legitimate the triumph of one particular axis within modernization processes. Finally, the article explores a dilemma that faces Habermas's attempt to use the potentials of a particular cultural tradition as the normative grounds for a globally extended democracy. Habermas wants to avoid reducing critical theory to the mere affirmation of certain parochial cultural choices and so tries to find grounds for establishing the universal resonance of these normative contents. The last section looks into the ideological character of this attempt and considers an alternative way in which the inter-cultural significance of democratic Enlightenment commitments might be tested. (shrink)

The viscerally Freudian elements of Adorno's use of the concept of mimesis interweave with readings of Kafka in which certain thoughts about childhood play an important role. The first section of this article links biological mimicry with critical theory and art: both mimic what they criticize, while also conserving a repressed and childlike mimetic relationship with otherness and sexual difference. Adorno criticizes both the civilized repression of the mimetic impulse and its subsequently distorted return, a dialectic neglected by direct appeals (...) to mimesis. Good art tries to extricate itself from these distortions. Conversely, the second section of this article explores Adorno's suggestion that fascistic psychology is a refuge for a twisted mimesis of mimesis, which gratifies the worst side of repressed nature while ideologically appealing to the best. Anti-Semitic humour shows how the fascist mimics his own aggressive fantasy of natural law, while secretly envying the closeness to nature he thinks he detects in other races. The final section uses Freud's theories on sympathetic and sadistic comedy to unpack Adorno's readings of Kafka and Mörike. Adorno's critical recuperation of mimetically childlike moments of ridiculousness in art clarifies his differentiation of the varieties of mimesis, as well as countering the gloomy stereotype of the humourless intellectual. But the black side of Adorno's use of laughter dialectically maintains his commitment to painfully remembering the victims of history. (shrink)

This paper re-examines the relationship between power, reason and history in Horkheimer and Adorno’s "Dialectic of Enlightenment." Contesting Habermas’ highly influential reading of the text, I argue that "Dialectic of Enlightenment," far from being a dead-end for critical theory, opens up important lines of thought in the philosophy of history that contemporary critical theorists would do well to recover. My focus is on the relationship that Horkheimer and Adorno trace between enlightenment rationality and the domination of inner and outer nature.

A comprehensive examination of Kristeva's work from the seventies to the nineties.

The language of ‘experience’ in nursing research This paper is an analysis of how the signifier ‘experience’ is used in nursing research. We identify a set of issues we believe accompany the use of experience but are rarely addressed. These issues are embedded in a spectrum that includes ontological commitments, visions of the person/self and its relation to ‘society’, understandings of research methodology and the politics of nursing. We argue that a poststructuralist understanding of the language of experience in research (...) opens up additional ways to analyze the relationship between the conduct of nursing research and cultural/political commitments. (shrink)

Neither Habermas nor his communitarian and poststructuralist critics sufficiently explore the non-linguistic, playful, and performative dimensions of contemporary public spheres. I argue that the approaches of Castoriadis and Touraine can inform a theoretical understanding of the history and current resonance of this public sphere of performance. Their concepts of the social imaginary, the autonomous society, and subjectivation highlight the role of fantasy, images, individualism, and other non-rational factors in late modern public life.

Contemporary Anglo-American political thought is witnessing a revival of theories of deliberative democracy. The principle of public argumentation, according to which the legitimation of a general norm is predicated upon a rational and open dialog among all those affected by this norm, constitutes their common underlying assumption. This assumption is itself grounded in the metatheoretical claim that arguing is the defining activity of a demos of free and equal members. Habermas' well-known formulation of communicative or discursive democracy represents one of (...) the earliest, most discussed, and indeed most emblematic versions of the existing models of deliberative democracy. It is here, I believe, that Castoriadis' political theory can prove exceptionally important as it provides a starting point and a solid ground for articulating one of the most incisive and convincing critiques of the limits and flaws of communicative democracy. Although Castoriadis himself never directly discussed deliberative democracy as such, we can try to approximate from various parts of his work what he might have thought about, especially when it comes to Habermas' model. (shrink)

The article consists of a re-examination of Marcuse’s Eros and Civilization in the light of continuing interest in that work. After a brief consideration of Marcuse’s attempt to use Freud to indict contemporary civilization, focusing on the concepts of surplus repression and guilt, the article turns to his utopian sketch of Eros as a culture builder and the reconciliation of reason and instinct. These themes, which form the focus of recent interest, are explored by examining Marcuse’s interpretation of Kant and (...) Schiller as well as Freud. In all cases Marcuse’s interpretation is shown to be flawed. The conclusion is that Marcuse’s attempt to indict established reason in the light of instinct and yet to hold out the prospect of a reconciliation of reason and instinct leads to an impoverished concept of both. (shrink)

Acknowledging the power of the id-drives, Freud held on to the authority of reason as the ego’s best tool to control instinctual desire. He thereby placed analytic reason at the foundation of his own ambivalent social theory, which, on the one hand, held utopian promise based upon psychoanalytic insight, and, on the other hand, despaired of reason’s capacity to control the self-destructive elements of the psyche. Moving beyond the recourse of sublimation, post-Freudians attacked reason’s hegemony in quelling disruptive psycho-dynamics and, (...) focusing upon the social domain, they sought strategies to counter the oppressive (repressive) social restrictions and conformist impositions impeding individual freedom that result from thwarted desire. Postmodern celebration of desire at the expense of reason and sublimation leaves the Enlightenment prospects altogether and moves psychoanalysis into a new terrain, where the very notion of rationality and an autonomous ego upon which much of Freudianism rests has been deconstructed. Thus the debate that begins with Freud’s social theories reflects the deeper divisions, which arose with postmodern ethics and discarded Cartesian–Kantian notions of personal identity. Here we consider the moral framework in which Freudian social theory sits and a contrasting understanding of agency that confronts his modernist conception. In that debate, we discern the larger humanist confrontation with postmodernity. Yet, all who engaged Freud shared some version of his utopian ethos, albeit radically restructuring the theory upon which social reform might occur. (shrink)

In this paper I argue that Adorno's metacritique of freedom in Negative Dialectics and related texts remains fruitful today. I begin with some background on Adorno's conception of ‘metacritique’ and on Kant's conception of freedom, as I understand it. Next, I discuss Adorno's analysis of the experiential content of Kantian freedom, according to which Kant has reified the particular social experience of the early modern bourgeoisie in his conception of unconditioned freedom. Adorno argues against this conception of freedom and suggests (...) that freedom is always conditioned by our embodiment and by our social and historical situation. Finally, I turn to Adorno's criticism of Kant's discussion of freedom and determinism in the Critique of Pure Reason and argue that while his philosophical argument against Kant fails, his metacritical argument remains suggestive. Scepticism about freedom arises when the standpoint of theoretical reason encroaches upon the standpoint of practical reason and assimilates persons to things. (shrink)

This paper investigates the potential of the concept of sublimation for thinking subjectivity at the intersection of psychoanalysis and critical theory. I first rehearse a recent argument by Whitebook that Freud’s notion of sublimation presents a nonviolent integration and expansion of the ego, which can mediate the modern dichotomy between the rational subject and nonrational impulse and desire. On this view, sublimation turns subjectivity into a site of possibility in the context of modern, rationalized thought and society. I then argue (...) that the concept of sublimation offered to critical theory in this form is insufficiently developed. Both Freud and Adorno analyze a deep-seated destructiveness of the modern subject, which turns up right at the heart of attempts to mediate the dichotomies of rationalized modernity. What is needed to counter this problem is a theory of love in which love is not separated from, but, rather, correlated with drive and desire, and can thereby get on a level with the unconscious or unacknowledged, impulsive nature of death-bearing subjectivity in enlightened modernity. A central conception in Kristeva’s development of Freudian psychoanalysis, the idea of transference love, delivers such a theory and thereby develops the concept of sublimation in the way that is needed at the intersection of psychoanalysis and critical theory. (shrink)

In his attempt at a renewal of the concept of reification, Axel Honneth has referred to reification as a kind of forgetting. He uses an epigraph from Adorno and Horkheimer’s work to introduce this theme. This article considers the different accounts that are given by Honneth, on the one hand, and Adorno and Horkheimer, on the other, as to the way that reification is a forgetting of core experiential capacities of intersubjective human relations. It argues that Honneth’s account relies too (...) much on a foundational and undifferentiated notion of ‘empathetic engagement’, and that in order to articulate the damage done by reification, we need to contend with the more radical notion of forgetting that is outlined in Adorno and Horkheimer’s work. (shrink)

This paper concentrates on friendship as the best context to philosophize. Although Aristotle says that even alone a person could contemplate the truth, it is possible to argue that a philosophical society is indeed necessary for human beings. In every friendship, it is necessary to share certain activities and, at the same time, notice the presence of the friend. In philosophical friendship, the shared activity is philosophy itself and mutual knowledge among friends acquires a peculiar character, because everyone does not (...) only consider the truth with the friend but also he thinks about it as shared with the friend. To teach philosophy represents a kind of unequal friendship, because teachers give to the disciples the great good of knowledge. Further, the paper argues that Aristotelian friendship could not be understood in a narcissistic way, since friends are loved because of their uniqueness and their personal character. (shrink)

The Habermas–Foucault debate, despite the excellent commentary it has generated, has the standing of an ‘unfinished project’ precisely because it occasions the interrogation of the fundamental categories of modernity, and because the lingering sense of anxiety, which continues to remain after arguments and counter-arguments, demands new interpretations. Here, I advance the claim that what gives Habermas’s criticisms of Foucault’s histories and theoretical formulations their bite is the categorial distinction he maintains between facts and rights, and by extension, between causes and (...) reasons. The Kantian distinction between de jure validity and de facto effectivity underwrites the categorial distinction between both ‘norms/facts’ and ‘reasons/causes’ conceptual pairs, which distinction, in turn, is reinforced by a picture of the natural world as matter in motion and human agency as self-determination. I want to claim that Foucault’s work enacts a critique of Habermas not by evading the problem of justification but by undermining the very distinctions Habermas needs to maintain the universal and necessary status of communicative rationality. Drawing on Jonathan Lear’s discussion of reasons and causes in relation to the unconscious, I claim that psychoanalytic discourse helps us make intelligible a type of reflection—such as one finds in Foucault’s historiography—that is at once “critical and empirical.” Moreover, the realization that the distinction between causes and reasons may not be categorial and exhaustive shows how Habermas’s insistence on the contrary leads to one particular kind of misrecognition of our practices. (shrink)

En este trabajo me propongo realizar una lectura en paralelo de las críticas al concepto de sujeto llevadas a cabo por Theodor Adorno y Louis Althusser, ambos autores pertenecientes a dos tradiciones teóricas muy distintas. Esto con el fin de mostrar que: 1) que ambos parten del desmoronamiento del marxismo hegeliano y su idea de un sujeto de la historia, 2) que ambos intentan develar la naturaleza ideológica de la categoría de sujeto y 3) que para tal fin utilizan herramientas (...) psicoanalíticas. Este recorrido me permitirá resaltar los puntos de encuentro y las enormes divergencias entre ambos autores. (shrink)

Resumen: El objetivo de este artículo es mostrar que la singularidad de la crítica de Adorno al sujeto se basa en la presencia de un motivo naturalista que pone en evidencia los límites del concepto racionalista de subjetividad. Mi trabajo consistirá en precisar este concepto de naturaleza y tratar de rescatar su potencial filosófico. Con esto será posible tanto diferenciar la crítica adorniana de otros ataques como defenderla por su aptitud para hacer pensable un concepto de subjetividad no represivo capaz (...) de desarticular la rigidez del modelo moderno de identidad personal.: The aim of this paper is to show that the singularity of Adorno’s critique of the philosophical subject is based on a naturalistic motif that reveals the limits of a rationalistic concept of subjectivity. I will try to pin down such concept of nature and to highlight its critical and philosophical potential for a Subjektkritik. This will both enable me to distinguish Adorno’s critique from other models of critique, and to defend his approach as a theoretical proposal for a nonrepressive notion of subjectivity with the power to disarticulate the modern model of personal identity. (shrink)

One aspect of Foucault's thought brings him much closer to Freud than many commentators believe. This Freudian “moment” in Foucault is formulated in the following dictum: the soul is the prison of the body. For Foucault, the modern soul is formed when the norms that govern disciplinary training and exercise are internalized. Once internalized, these norms affect our self-understanding and conduct. This paper focuses on Foucault's account of internalization. It shows that this Freudian moment in Foucault mitigates his criticisms of (...) the repressive hypothesis, but it also suggests a conception of interiority that can be interpreted as the modern instantiation of the rapport à soi. (shrink)

Already by the mid-1980s, Habermas supposed that our utopian energies had been used up. Today, when a neo-liberal 'realism' seems to be a virtually dominant ideology, the climate appears, if anything, yet more hostile to radical hopes. Even while he recognises the obstacles and is clear that we might never succeed in breaking through the 'Gordian knot', Habermas is not prepared to surrender to a proclaimed 'end of politics'. This paper traces some of the ways in which his recent works (...) theorise and attempt to balance twin legacies of a critical theory tradition. Habermas wants to mediate the radicalness of vision required by a critical theory with the perceived reasonableness of its standpoint that is also necessary if theory is to engage concrete actors. Many of his critics suppose that Habermas has not achieved the right balance and that his interest in the self-reforming potentials of liberal democracies weights reasonableness too highly. The following paper sets out to defend Habermas from some of these charges. However, ultimately it finds that his theory has identified the needs for autonomy that it seeks to critically connect up with too narrowly. This means that, to some extent, Habermas' critical theory continues to 'miss its mark'. (shrink)

This article demonstrates how Adorno and Horkheimer’s turn to psychoanalytic concepts like sublimation and intra-psychic conflict strengthened critical theory. The piecemeal collective psychology they produced was used to understand fascism and anti-Semitism. But the full significance of these psychoanalytic explanations was concealed by Adorno, who elsewhere denied the possibility of psychology proper after the death of the individual. Adorno and Horkheimer’s underhanded borrowing from psychoanalysis for social analysis had the effect of filtering collective psychology through the lens of regression. To (...) amend this, the article analyzes psychoanalytic explanations from an interpretive perspective, building upon Jessica Benjamin’s psychoanalytic feminism, to contest the tactics of immanent criticism and to revitalize the project of a less dystopic collective psychology. (shrink)

Članak analizira Rousseauovu upotrebu pojmova ljubavi prema sebi, samilosti i samoljublja te njihov odnos prema modernim psihoanalitičkim pojmovima. Ljubav prema sebi dovodi se u vezu s Freudovim pojmom samoočuvanja; samoljublje je povezano s narcističkom veličajnošću i bahatošću, dok samilost ukazuje na sličnost s modernim konceptom empatije. Rousseauovo razlikovanje između navedena tri pojma u skladu je s temeljnom rasprom u psihoanalitičkoj teoriji: onoj između nagonskih i objektnih teorija. Rousseauova misao može se, predpsihoanalitički, protumačiti u smislu obuhvaćanja obiju strana: njegovo naglašavanje ljubavi (...) prema sebi blisko je nagonskom individualizmu, dok bi samilost bila oblik objektnog odnosa. U konačnici, Rousseauov pojam ljubav prema sebi preklapa se s Kohutovim pojmom zdravog narcizma koji je središnji za razvoj ličnosti, budući da je odsutnost zdravog narcizma podjednako problematična kao i bilo koji patološki oblik narcizma. (shrink)

Reading Edward Bond’s The War Plays in light of Theodor Adorno and Sigmund Freud, the writers of this article intend to investigate the interconnection between the mechanisms of social control and the psychology of submission. To this end, socio-political institutions in The War Plays, represented by the army and the state, are seen drawing on Adorno’s concept of identity-thinking, by which the cognitive potentials of the characters are systematically suppressed. Also, uninhibited aggression of characters will be discussed in view of (...) the mechanisms of sublimation, and the addendum, by which the complexities of the response characters give to the situation of coercion is elucidated. In The War Plays, socio-political institutions promote violence to produce socially conditioned victims. These aggressive victims, we conclude, would cooperate with power for the preservation of the status quo, yet challenge the system momentarily through expressing their sufferings. (shrink)