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  1. Experiment as a Second-Order Concept.Yehuda Elkana - 1988 - Science in Context 2 (1):177-196.
    The ArgumentWhen we actually perform an experiment, we do many different things simultaneously – some belonging to the realm of theory, some to the realms of methodology and technique; however, a great deal of what happens is expressible in terms of socially determined images of knowledge or in terms of concepts of reflectivity – second-order concepts – namely thoughts about thoughts.The emergence of experiment as a second-order concept in late antiquity exemplifies the historical development of second-order concepts; it is shown (...)
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  • (1 other version)Experience and Completeness in Physical Knowledge: Variations on a Kantian Theme.Brigitte Falkenburg - 2004 - History of Philosophy & Logical Analysis 7 (1):153-176.
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  • Pragmatic Unification, Observation and Realism in Astroparticle Physics.Brigitte Falkenburg - 2012 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 43 (2):327-345.
    Astroparticle physics is a recent sub-discipline of physics that emerged from early cosmic ray studies, astrophysics, and particle physics. Its theoretical foundations range from quantum field theory to general relativity, but the underlying “standard models” of cosmology and particle physics are far from being unified. The paper explores the pragmatic strategies employed in astroparticle physics in order to unify a disunified research field, the concept of observation involved in these strategies, and their relations to scientific realism.
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  • Edgar Wind on Experiment and Metaphysics.Brigitte Falkenburg - 2021 - Journal of Transcendental Philosophy 2 (1):21-45.
    The paper presents a detailed interpretation of Edgar Wind’s Experiment and Metaphysics, a unique work on the philosophy of physics which broke with the Neo-Kantian tradition under the influence of American pragmatism. Taking up Cassirer’s interpretation of physics, Wind develops a holistic theory of the experiment and a constructivist account of empirical facts. Based on the concept of embodiment which plays a key role in Wind’s later writings on art history, he argues, however, that the outcomes of measurements are contingent. (...)
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