This paper is part of a series of interdisciplinary investigations in literary fiction and aims to identify the illocutionary force of the so-called “non-serious utterance” of fiction makers on the theoretical assumption that the primary unit of an utterance’s meaning are complete speech acts, composed of an illocutionary force and a propositional content. Based on philosophical analysis of non-serious and performative utterances of descriptive sentences, I formulate the fundamental hypothesis that the primary unit of non-serious utterances’ meaning is a complete (...) declaration of the form F, whose illocutionary point is to create the extra-linguistic event represented in the propositional content of this speech act, in virtue of the linguistic meaning determined by the social conventions of fiction. (shrink)

La confrontation Kant/Wittgenstein qui se dessine ici n'a pas pour objectif principal de présenter les doctrines des deux auteurs. Il s'agit plutôt de marier ces pensées qui ne le désirent pas, de profiter de la confrontation pour faire avancer le débat. Quel débat? Contrairement à I'ordre historique, il tire son origine de Wittgenstein: comment faut-il comprendre les prorèmes que soulève Wittgenstein, les interdits qu'il pose? Certaines de ses affirmations ne peuvent tout simplement pas être des jugements analytiques, aurait dit Kant. (...) Nombre de ses «remarques grammaticales» ne sont évidemment pas des tautologies, et la question se pose au moins de savoir comment elles sont possibles comme jugements analytiques. (shrink)

Do the early Greek poets and thinkers really “play” with their language? What sort of “play” should we expect from part of the professional craftsmen they were of a basically sound language? What did imply their awareness of the phono-syllabic nature of Greek language? And what about Heraclitus in particular, who is most concerned among them with the intrinsic virtues of Greek discourse (λόγος)? An analysis of fr. 22 B 52 DK within the melodic and sonic state of archaic Greek (...) language reveals, instead of “play of words”, a rather spontaneous phenomenon of phono-syllabic generation, that is as necessary for the political message of Heraclitus’ fragment as the meaning of each of its words and their superficial syntactic organization. (shrink)

Contemporary sociology of scientific knowledge (SSK) is defined by its relativist trend. Its programme often calls for the support of philosophers, such as Duhem, Quine, and Wittgenstein. A critical re-reading of key texts shows that the main principles of relativism are only derivable with difficulty. The thesis of the underdetermination of theory doesn't forbid that Duhem, in many places, validates a correspondence-consistency theory of truth. He never said that social beliefs and interests fill the lack of underdetermination. Quine's idea of (...) a selective revision of hypotheses, as well as the neat incompatibility between holism and conventionalism, openly challenges the principles of relativism. Wittgenstein's work, which is not presented in book-form but rather as a tree, forces us to avoid aphoristic choices that credit any text-excising. This remark allows us to tackle the passages that sociological relativism is based on.Mathematical conventions are not anthropological objects. When Wittgenstein examines the "language-games," he only speaks of the functioning of natural language, not to be confused with scientific formal languages. We then should render the formula "language-game" by "well-defined, explicit and compulsory rules of communication", which is a much less attractive formula for relativism. Consequently, there does not exist a real continuity between the epistemologies of Duhem, Quine and Wittgenstein, and the recent works of the SSK. (shrink)