Fictions evoke imagery, and their value consists partly in that achievement. This paper offers analysis of this neglected topic. Section 2 identifies relevant philosophical background. Section 3 offers a working definition of imagery. Section 4 identifies empirical work on visual imagery. Sections 5 and 6 criticize imagery essentialism, through the lens of genuine fictional narratives. This outcome, though, is not wholly critical. The expressed spirit of imagery essentialism is to encourage philosophers to ‘put the image back into the imagination’. The (...) weakened conclusion is that while an image is not essential to imagining, it should be returned to our theories of imagination. (shrink)

We review the psychological literature on the organization of valence, discussing theoretical perspectives that favor a single dimension of valence, multiple valence dimensions, and positivity and negativity as dynamic and flexible properties of mental experience that are contingent upon context. Turning to the neuroscience literature that spans three levels of analysis, we discuss how positivity and negativity can be represented in the brain. We show that the evidence points toward both separable and overlapping brain systems that support affective processes depending (...) on the level of resolution studied. We move from large-scale brain networks that underlie generalized processing, to functionally specific subcircuits, finally to intraregional neuronal distributions, where the organization and interaction across levels allow for multiple types of valence and mixed evaluations. (shrink)

O presente artigo pretende problematizar, nos três primeiros livros filosóficos de Sartre, a noção de consciência, em torno de um duplo horizonte de interlocução: o legado “formalista” kantiano, e os diversos projetos de “ciência psicológica” existentes nos séculos XIX e XX. Para isso, recompõem-se esses dois horizontes a partir do panorama feito por Sartre desde o momento cartesiano, discutindo as diferentes filosofias da subjetividade e culminando na noção de “intencionalidade”, formulada por Husserl. A noção de consciência intencional serviria como referência (...) para julgar tanto o legado filosófico, quanto para depurar seus prejuízos, entrevistos até mesmo nos contemporâneos de Sartre. ///////////////////////////// This paper intends to discuss, in the three first philosophical books of Sartre, the concept of “conscience”, on two sorts of problems: the kantian legacy, called “formalist”, in one side, and the several projects of “psychological sciences” of XIX and XX ́s centuries. In order to do that, the text retraces the panorama made by Sartre, beginning with the cartesian moment, passing by the theme of “subjectivity”, and culminating with the notion of “intentionality”, on Husserl. The notion of intentional conscience would function as referencial, to judge the philosophical legacy, and even though to purify its defects, seen through the contemporaries of Sartre. (shrink)

Carroll Izard’s theoretical and empirical work has played a preeminent role in energizing the renascence in the study of the emotions and emotional development in normality and pathology. A brief historical overview of his career is presented. Izard’s differential emotions theory (DET) has exerted influence in a number of domains and disciplines. Illustrations are provided from research and prevention in developmental psychology and developmental psychopathology. Personal recollections of Cal Izard are provided showing that Izard is not only an influential theoretician (...) and researcher, but also a wonderful emotional being. (shrink)

This thesis investigates the relationship between eye movements, mental imagery and memory retrieval in four studies based on eye-tracking experiments. The first study is an investigation of eye movements during mental imagery elicited both visually and verbally. The use of complex stimuli and the development of a novel method where eye movements are recorded concurrently with verbal data enabled the above-mentioned relationship to be studied to an extent going beyond what previous research had been able to do. Eye movements were (...) found to closely reflect content and spatial layout while participants were listening to a spoken scene description, while they were describing the same scene from memory, and while they were describing a picture they had previously seen. This effect was equally strong during recall from memory irrespective of whether the scene visualised had originally been inspected visually by the participants or whether it was constructed whole-cloth from long-term memory. It was also found that eye movements "to nothing" appeared both when the participants were visualising scenes while looking at a blank screen and when they were doing so in complete darkness. The second study explored an effect frequently observed in the first study, involving a "scaling-down" during recall of participants' gaze patterns to an area smaller than that occupied by the stimulus encoded. It was found that this scaling effect correlated with spatial-imagery ability: the gaze patterns of participants with weaker spatial-imagery ability were closer in size to the encoded scene than the gaze patterns of those stronger in spatial-imagery ability. In the third study, the role of eye movements during mental imagery was investigated in four experiments where eye movements were prohibited during either the encoding phase or the recall phase. Experiments 1 and 2 showed that maintaining central fixation during visual or auditory encoding, respectively, had no effect on how eye movements were executed during recall. Thus, oculomotor events during recall are not reproductions of those produced during encoding. In Experiments 3 and 4, central fixation was instead maintained during recall. This turned out to alter and impair scene recollection, irrespective of the modality of encoding. Finally, in the fourth study, the functional role of eye movements in relation to memory retrieval was further investigated by means of direct eye-movement manipulation in the retrieval phase of an episodic-memory task. Four conditions were used: free viewing on a blank screen, maintaining central fixation, viewing within a square congruent with the location of the objects to be recalled, and viewing within a square incongruent with the location of the objects to be recalled. The results obtained show that gaze position plays an active and facilitatory role during memory retrieval. The findings from these studies are discussed in the light of current theories regarding eye movements during mental imagery and memory retrieval. (shrink)

This thesis aimed at examining the impact of decorative pictures, defined as pictures which make an instructional material aesthetically appealing rather than conveying information for learning. In research, the use of decorative pictures was considered to be detrimental for learning for a long time. In contrast, recent research revealed that the impact of these pictures is moderated by a number of variables. In a series of experiments which were based on cognitive-affective theories of learning with media, a selected number of (...) theoretically derived moderators were examined in a series of experiments. A first experiment investigat-ed the effectiveness of different levels of emotional charge and the impact of different contexts shown in decorative pictures. Results showed that learning performance was higher for positive than negative pictures, while the measured pleasure of students mediated this effect. Decorative pictures showing a learning context were also found to enhance learning while the students’ assessments of arousal and dominance were raised for these pictures. In a second experiment, design features of anthropomorphism, defined as features which elicit the tendency to attribute human characteristics to non-human objects, were implemented in decorative pictures. Based on a two-factorial design with the inclusion of human faces and personalized labels, both human faces and personalized labels were found to foster learning. In comparison to a control group without decorative pictures, the inclusion of both mentioned anthropomorphic features in decorative pictures led to a higher learning performance. In contrast, decorative pictures without anthropomorphic features decreased learning. Both features additionally enhanced the mental effort and intrinsic motivation of students, although a task-irrelevant cognitive load was increased by the inclusion of decorative pictures. The emotional charge and the degree of text-picture connectedness of decorative pictures were additionally examined in three other experiments. Moreover, these groups were compared with an additional control group without decorative pictures. All three experiments revealed that decorative pictures with a strong connection to the learning topic of a text and a positive charge increased learning. In comparison with the control group, positive, strongly connected pictures mainly enhanced and negative, weakly connected pictures mainly impaired learning. Results can be explained by significant differences among the assessment of cognitive processes of learners. In conclusion, decorative pictures may be used in order to enrich an instructional material if boundary conditions like the context-relatedness, the degree of anthropomorphism, the text-picture connectedness, and the emotional charge are taken into account. (shrink)

A presente pesquisa de doutorado resulta de um projeto maior, intitulado “Sobre a Morte do Homem e a Psicologia, em Michel Foucault”. Esse projeto busca analisar a formulação, as nuances e consequências das diversas argumentações empregadas por Foucault nas críticas às “antropologias”, figuradas na trajetória dos textos dos anos 50 e 60. O eixo é o problema “antropológico”: nos textos de 1954, Foucault empreendia um duplo projeto de contestação e fundação das ciências humanas, buscando corrigir perspectivas consideradas errôneas em prol (...) de uma antropologia isenta de prejuízos. Esses projetos de fundação rapidamente cedem lugar a suspeitas e à recolocação do problema antropológico: mais do que “solução”, a questão antropológica começa a se delinear como um núcleo de problemas. A postura de fundação e contestação cederá lugar a um conjunto de análises que denunciam as antropologias a partir de seus compromissos históricos. A presente pesquisa tenta analisar essa passagem da “solução” ao “problema”, tomando como base alguns materiais: os textos de Foucault contemporâneos e posteriores, os debates aos quais esses textos tentavam se inserir, e também algumas anotações de Jacques Lagrange aos cursos ministrados por Foucault na École Normale Supérieure entre 1953 e 1955. O entrecruzamento de referências serve para extrair os problemas que Foucault enxerga nos textos de 1954, buscando delinear de que modo esses problemas conduzem às interrogações dos textos de 1957 e à escrita, em Uppsala, da Tese Principal sobre a história da loucura. //////////////\\\\\\\\\\\\\\\\\\ Cette recherche de doctorat est le résultat d'un projet plus vaste intitulé «La Question de la Mort de l'Homme et de la Psychologie selon Michel Foucault». Ce projet a l'objetif d'examiner la formulation, les facteurs et les conséquences rapportés aux différentes démarches utilisées par Foucault dans ses critiques aux «anthropologies», figurées dans la trajectoire des textes publiés pendant les années 1950 et 1960. La question principale est le problème «anthropologique»: dans les textes parus en 1954, Foucault a entrepris un double projet de contestation et fondation des sciences humaines; le jeune philosophe essayait de corriger les perspectives considerées par lui comme des perspectives erronées, pour en établir une nouvelle anthropologie finalement rigoreuse. Par contre, d'une façon relativement vite les projets de fondation ont eté remplacés pour des suspicions et donc il y a eu un changement de la façon d'énoncer le problème anthropologique: au lieu d'être «solution», la question anthropologique commence à devenir un domaine plein de problèmes. L'essay de fonder donne place à un ensemble d'analyses qui dénoncent plusieurs engagements historiquements faits pour les connaissances anthropologiques. La recherche realisée essaye d'analyser ce passage de la «solution» au «problème», en croisant la lecture de certains matériaux: les textes publiés par Foucault pendant les années 50 (et quelques textes des annés 60), les débats contemporains et les discussions sur lesquelles ces textes ont essayé d'entrer, et aussi quelques notes écrites par Jacques Lagrange pendant les cours donnés par Foucault à l'Ecole Normale Supérieure depuis 1953 jusqu'à 1955. Le croisement de références a l'objetif de voir le contexte des problèmes probablement vus par Foucault dans les textes de 1954, et le chemin parcouru par lui, jusqu'àux questions enoncées dans les textes de 1957 et l'écriture à Uppsala de la thèse principale sur l'histoire de la folie. (shrink)

In this text Wundt challenges associationist and rationalist psychology and suggests that what we need is a careful analysis of the more elementary psychical processes, of the facts of attention and of the wider scope of consciousness, as well as of the relations between them and of the manifold affective processes that intervene in all these cases. It is rejected the view that humans could be able to explain what happens when they are thinking by simply turning their attention directly (...) to their own consciousness. In Wundt’s view, nothing can be discovered of the most complicated psychical processes if they are investigated directly and without any further preparation. As a consequence, direct observation of internal mental states is not scientifically accomplishable, Wundt’s “introspection” being not a naïve operation as too often reported. (shrink)

La concepción fenomenológica del sentido común inspirada por James sostiene que atender es esencialmente un fenómeno mental consciente. Las implicancias filosóficas modales de esta tesis sobre la naturaleza de la atención son claras. No es posible atender una cosa, sin ser consciente de ella. Sobre la base de estudios clásicos en torno a patologías visuales como la vista ciega y a experimentos recientes con sujetos no patológicos, este artículo argumenta que la conclusión filosófica jamesiana acerca de la metafísica de la (...) atención es falsa. La evidencia sugiere que de hecho es posible atender objetos sin experimentarlos conscientemente. (shrink)