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Double Vision: Moral Philosophy and Shakespearean Drama

Princeton University Press (2011)

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  1. Narrative Representation and Phenomenological Knowledge.Rafe McGregor - 2016 - Australasian Journal of Philosophy 94 (2):327-342.
    The purpose of this paper is to demonstrate that narrative representations can provide knowledge in virtue of their narrativity, regardless of their truth value. I set out the question in section 1, distinguishing narrative cognitivism from aesthetic cognitivism and narrative representations from non-narrative representations. Sections 2 and 3 argue that exemplary narratives can provide lucid phenomenological knowledge, which appears to meet both the epistemic and narrativity criteria for the narrative cognitivist thesis. In section 4, I turn to non-narrative representation, focusing (...)
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  • Imagining and Knowing: The Shape of Fiction, by Gregory Currie. [REVIEW]Eileen John - 2020 - Mind 130.
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  • Replies to Critics.Rafe McGregor - 2020 - Journal of Aesthetic Education 54 (4):62-75.
    I am both grateful and flattered that colleagues whom I hold in such high regard have taken the time to engage so closely and so thoughtfully with my work. I am particularly pleased that those colleagues have approached Narrative Justice from such distinct perspectives as the intellectual impulse behind its writing was to create a work that was genuinely interdisciplinary and whose insights, such as they are, could be applied to a range of issues across the humanities and social sciences. (...)
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  • Reading for Self-Knowledge: Poetry, Perspective, and Narrative Justice.Karen Simecek - 2020 - Journal of Aesthetic Education 54 (4):36-47.
    In his monograph Narrative Justice, Rafe McGregor offers an argument for the role narrative can play as part of an aesthetic education of justice—a form of moral development that, he argues, has the potential to reduce criminal inhumanity including terrorism and radical extremism by revealing the problematic master narratives that promote epistemological vices in individuals. Although he makes an important argument about the nature and value of narrative, I argue that a look to poetry will help us see the bigger (...)
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  • The Psychological Province of the Reader in Hamlet.Ali Salami - 2016 - In Fundamental Shakespeare: New Perspectives on Gender, Psychology and Politics. New Castle: Cambridge Scholars Publishing. pp. 162-175.
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  • On (Not) Making Oneself Known.John Gibson - 2018 - In Tzachi Zamir (ed.), Shakespeare's Hamlet: Philosophical Perspectives. Oup Usa. pp. 17-45.
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  • Excelencia e innovación en las tecnologías de la comunicación y de la imagen: Reconstrucción de un debate entre Wiesing, Levinson, Crowther y Seel.Carlos Ortiz de Landázuri - 2012 - Human Review. International Humanities Review / Revista Internacional de Humanidades 1 (2).
    Los criterios de excelencia e innovación a la hora de valorar las tecnologías de la comunicación se ven afectados por un gran número de factores, pero al final hay uno que prima sobre todos los demás: la calidad de la imágenes utilizadas, como sucede con National Geographic y Walt Disney, dos empresas de comunicación que han sido determinantes a la hora de fijar los criterios estándar de excelencia e innovación. En este contexto se reconstruye el debate contemporáneo entre Wiesing, Levinson, (...)
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