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  1. Wittgenstein on the Experience of Meaning and the Meaning of Music.Gilead Bar-Elli - 2006 - Philosophical Investigations 29 (3):217-249.
    An argument is presented to the effect that the ability to feel or to experience meaning conditions the ability to mean, and is thus essential to our notion of meaning. The experience of meaning is manifested in the "fine shades" of use and behavior. Theses, so obvious in music, constitute understanding music, which makes music understanding so relevant to understanding language. Applying these notions of understanding, feeling, and experience--as well as their explication in terms of comparisons, internal relation, and mastery (...)
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  • On Wittgenstein's notion of meaning-blindness: Its subjective, objective and aesthetic aspects.Christian Helmut Wenzel - 2009 - Philosophical Investigations 33 (3):201-219.
    Wittgenstein in his later years thought about experiences of meaning and aspect change. Do such experiences matter? Or would a meaning- or aspect-blind person not lose much? Moreover, is this a matter of aesthetics or epistemology? To get a better perspective on these matters, I will introduce distinctions between certain subjective and objective aspects, namely feelings of our inner psychological states versus fine-tuned objective experiences of the outer world. It seems to me that in his discussion of meaning-blindness, Wittgenstein unhappily (...)
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  • Wittgenstein’s Dreams of Meaning.Heather J. Gert - 2021 - Philosophical Investigations 45 (3):252-273.
    Philosophical Investigations, Volume 45, Issue 3, Page 252-273, July 2022.
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  • Vivencia de palabras, significado secundario y poesía: Sobre la idea de un lenguaje propiamente humano en Wittgenstein.Eduardo Fermandois - 2011 - Aisthesis 49:217-229.
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