Interest in “the flesh” (Leib, la chair) in phenomenological research leads to revealing the original (ursprünglich) and non-phenomenal essence of the very appearance. Contemporary phenomenological aesthetics is heading in the same direction. While describing the intentional content of particular, i.e. subjectively “embodied” aesthetic objects, it reveals the ultimate origin (Ursprung) thanks to which the appearance of phenomena is possible at all. At the same time, revealing the ultimate origin — differently named but always meaning the furthest horizon of the possibility (...) of the appearance of phenomena — sometimes claims to be called “first philosophy”. However, such ambitious cognitive aspirations of phenomenological aesthetics may arouse suspicion. This is why, first, we should ask about its differentia specifica and its position among other types of aesthetics, and then consider whether its most significant essential statements are not just as insightful as questionable. I argue for admitting that phenomenological aesthetics has the broadest cognitive horizon and at the same time for limiting its validity for individual actualizations (concretions) of potentiality (potentia) of given phenomena. I also point out that the basic cognitive procedure within phenomenological aesthetics is reductive reasoning, which goes in the opposite direction to logical entailment. (shrink)

Richard Schusterman’s book, Ars erotica: sex and somaesthetics in the classical arts of love (Schusterman, 2021) is a path-finding, innovative contribution that breaks the silence around the long-held body-shying academic deprivation to erotic ideas with its free-flowing comprehensive discussion on carnal desire and erotic thoughts. Schusterman provides a panoramic yet vibrantly profound analysis of the aesthetic inclusion into erotic love following the culture of Asian and Western thoughts from the ancient era to the Renaissance. The book’s scope shows the author’s (...) deep inclusive com-mendable research into erotic study. Schusterman is renowned for his original approach to defining popular art and philosophy as an embodied art of living. He is also famous for his trailblazing concept of somaesthetics, rooted in pragmatist aesthetics, with Ars erotica being a fruitful product of his expertise in both. (shrink)