Abstract

During the second half of the 20th century, despite the flourishing of Spinoza scholarship (particularly in the French-speaking world) references to Spinoza seem to be rather infrequent in the famous Catholic journal Revue philosophique de Louvain. On closer inspection, however, it is possible to trace a precise attitude of the editors of the Belgian journal, according to which the historiographic representation of the Dutch philosopher constitutes the test-bed of a more general cultural strategy. In contact with phenomenology, anti-Cartesianism, the biological sciences, psychoanalysis and Marxism, the Spinoza of the Catholic journal becomes an entirely new and unusual figure, with respect to the image still prevalent in Spinoza studies today.