Abstract

In the realm of the humanities, Paul Ricoeur (1913–2005) is widely viewed as one of the most influential philosophers of the twentieth century. He published an impressive and comprehensive oeuvre that made an impact on almost all areas of the humanities. By combining the resources and insights of phenomenology and hermeneutics, he developed new perspectives on the text, on metaphor, on narrative, and on personal identity that pervaded theology, history, linguistics, psychoanalysis, ethics,(philosophical) anthropology, cognitive sciences, and so on. In light of his centennial in 2013, the question arises whether his theories have a future and can be extended to capture new phenomena studied in the humanities: What is the impact and meaning of the oeuvre of Paul Ricoeur for the humanities? In particular, one may develop this question as follows: Which of Ricoeur’s major contributions can be expected to remain relevant for the humanities? In what way can we relate Ricoeur’s oeuvre to ideas and methods of other philosophers and scientists? Does Ricoeur’s paradigm of the text still provide a relevant framework for thinking about the basic questions that concern the humanities today? If so, how can we bring Ricoeur’s perspective in a fruitful tension or dialogue with other, competing paradigms?