Abstract

In Plato’s Phaedo, Socrates’ argument for the immortality of the soul fails due to his insufficient explanation for how the soul, as a particular, could partake in an immortality that belongs to universals. Simmias’ objection brings this to light by providing an analogy of a particular. This particular is exemplified by the specific harmony belonging to one instrument, and its relationship to that instrument itself. The soul, having an analogous relation to the body, remains separated from Socrates’ establishment of universals as eternal.