Spectators and Giants in Rousseau and Víctor Erice

(2016)
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Abstract
This essay explores how some themes in the writing of Jean-Jacques Rousseau—particularly having to do with what it is to be a spectacle before others—might illuminate two feature films by the Spanish director Víctor Erice, The Spirit of the Beehive (El espíritu de la colmena, 1973) and El sur (1983).
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Archival date: 2019-08-31
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2019-07-29

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