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Byron Davies
National Autonomous University of Mexico
  1.  17
    The Affective and the Political: Rousseau and Contemporary Kantiansim.Byron Davies - 2020 - Tópicos: Revista de Filosofía 59:301-339.
    Jean-Jacques Rousseau is often associated with a certain political mode of relating to another, where a person (“a Citizen”) is a locus of enforceable demands. I claim that Rousseau also articulated an affective mode of relating to another, where a person is seen as the locus of a kind of value (expressive of their being an independent point of view) that cannot be demanded. These are not isolated sides of a distinction, for the political mode constitutes a solution to certain (...)
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  2.  51
    Review of Toril Moi, Revolution of the Ordinary. [REVIEW]Byron Davies - 2018 - Modern Language Notes 133:1416-1419.
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  3.  48
    Individuality and Mortality in the Philosophy of Portrait Painting: Simmel, Rousseau, and Melanie Klein.Byron Davies - 2018 - Contrastes. Revista Internacional de Filosofia 23 (3):27-52.
    This paper explores some connections between depictions of mortality in portrait-painting and philosophical (and psychoanalytic) treatments of our need to be recognized by others. I begin by examining the connection that Georg Simmel makes in his philosophical study of Rembrandt between that artist’s capacity for depicting his portrait subjects as non-repeatable individuals and his depicting them as mortal, or such as to die. After noting that none of Simmel’s explanations of the tragic character of Rembrandt’s portrait subjects seems fully satisfactory, (...)
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  4.  33
    Espectadores, gigantes e infancia: Jean-Jacques Rousseau y Víctor Erice.Byron Davies - 2018 - Correspondencias. Cine y Pensamiento.
    Spanish translation, with some additions, of "Spectators and Giants in Rousseau and Víctor Erice.".
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  5.  31
    Remembering Stanley Cavell.Byron Davies - 2019 - Conversations: The Journal of Cavellian Studies 7:65-68.
    Memorial notice for Stanley Cavell originally published on the Harvard Philosophy Department website.
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  6.  31
    Spectators and Giants in Rousseau and Víctor Erice.Byron Davies - 2016
    This essay explores how some themes in the writing of Jean-Jacques Rousseau—particularly having to do with what it is to be a spectacle before others—might illuminate two feature films by the Spanish director Víctor Erice, The Spirit of the Beehive (El espíritu de la colmena, 1973) and El sur (1983).
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