Karma Chameleon: Performative Acts, Gender Constitution, and the Second British Invasion
Philosophy Study 11 (1):56-60 (2021)
Abstract
The aim is to examine the performative acts and gender constitution in the context of the Second British Invasion. Despite the pervasive character of patriarchy and the prevalence of sexual difference as an operative cultural distinction, gender was not passively scripted on the bodies of many British singers. The subversive performances did not exclude suffering and marginalization but simultaneously undermined compulsory coherence.
Keywords
Categories
(categorize this paper)
PhilPapers/Archive ID
DEJKCP
Upload history
Added to PP index
2021-02-08
Total views
94 ( #51,314 of 69,009 )
Recent downloads (6 months)
29 ( #28,659 of 69,009 )
2021-02-08
Total views
94 ( #51,314 of 69,009 )
Recent downloads (6 months)
29 ( #28,659 of 69,009 )
How can I increase my downloads?
Downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.