White Logic and the Constancy of Color

In Dorothea Olkowski & Gail Weiss (eds.), Feminist Interpretations of Maurice Merleau-Ponty. University Park, Pennsylvania, USA: Pennsylvania State University Press. pp. 71-89 (2006)
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Abstract
This chapter considers the ways in which whiteness as a skin color and ideology becomes a dominant level that sets the background against which all things, people and relations appear. Drawing on Merleau-Ponty's phenomenology, it takes up a series of films by Bruce Nauman and Marlon Riggs to consider ways in which this level is phenomenally challenged providing insights into the embodiment of racialization.
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