Results for 'Merleau-Ponty'

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  1. Merleau-Ponty, World-Creating Blindness, and the Phenomenology of Non-Normate Bodies.Joel Michael Reynolds - 2017 - Chiasmi International: Trilingual Studies Concerning Merleau-Ponty's Thought 19:419-434.
    An increasing number of scholars at the intersection of feminist philosophy and critical disability studies have turned to Merleau-Ponty to develop phenomenologies of disability or of what, following Rosemarie Garland-Thomson, I call "non-normate" embodiment. These studies buck the historical trend of philosophers employing disability as an example of deficiency or harm, a mere litmus test for normative theories, or an umbrella term for aphenotypical bodily variation. While a Merleau-Pontian-inspired phenomenology is a promising starting point for thinking about embodied experiences (...)
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  2. Merleau-Ponty on Shared Emotions and the Joint Ownership Thesis.Joel Krueger - 2013 - Continental Philosophy Review 46 (4):509-531.
    In “The Child’s Relations with Others,” Merleau-Ponty argues that certain early experiences are jointly owned in that they are numerically single experiences that are nevertheless given to more than one subject (e.g., the infant and caregiver). Call this the “joint ownership thesis” (JT). Drawing upon both Merleau-Ponty’s phenomenological analysis, as well as studies of exogenous attention and mutual affect regulation in developmental psychology, I motivate the plausibility of JT. I argue that the phenomenological structure of some early infant–caregiver (...)
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  3. Kantian Themes in Merleau-Ponty’s Theory of Perception.Samantha Matherne - 2016 - Archiv für Geschichte der Philosophie 98 (2):193-230.
    It has become typical to read Kant and Merleau-Ponty as offering competing approaches to perceptual experience. Kant is interpreted as an ‘intellectualist’ who regards perception as conceptual ‘all the way out’, while Merleau-Ponty is seen as Kant’s challenger, who argues that perception involves non-conceptual, embodied ‘coping’. In this paper, however, I argue that a closer examination of their views of perception, especially with respect to the notion of ‘schematism’, reveals a great deal of historical and philosophical continuity between (...)
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  4. The Sound of Silence: Merleau‐Ponty on Conscious Thought.Philip J. Walsh - 2017 - European Journal of Philosophy 25 (2):312-335.
    We take ourselves to have an inner life of thought, and we take ourselves to be capable of linguistically expressing our thoughts to others. But what is the nature of this “inner life” of thought? Is conscious thought necessarily carried out in language? This paper takes up these questions by examining Merleau-Ponty’s theory of expression. For Merleau-Ponty, language expresses thought. Thus it would seem that thought must be independent of, and in some sense prior to, the speech that (...)
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  5. Disjunctivism and Perceptual Knowledge in Merleau-Ponty and McDowell.J. C. Berendzen - 2014 - Res Philosophica 91 (3):261-286.
    On the face of it, Maurice Merleau-Ponty’s views bear a strong resemblance to contemporary disjunctivist theories of perception, especially John McDowell’s epistemological disjunctivism. Like McDowell, Merleau-Ponty seems to be a direct realist about perception and holds that veridical and illusory perceptions are distinct. This paper furthers this comparison. Furthermore, it is argued that elements of Merleau-Ponty’s thought provide a stronger case for McDowell’s kind of epistemological view than McDowell himself provides. Merleau-Ponty’s early thought can be used (...)
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  6. Merleau-Ponty’s Implicit Critique of the New Mechanists.Benjamin Sheredos - 2018 - Synthese:1-25.
    I argue (1) that what (ontic) New Mechanistic philosophers of science call mechanisms would be material Gestalten, and (2) that Merleau-Ponty’s engagement with Gestalt theory can help us frame a standing challenge against ontic conceptions of mechanisms. In short, until the (ontic) New Mechanist can provide us with a plausible account of the organization of mechanisms as an objective feature of mind-independent ontic structures in the world which we might discover – and no ontic Mechanist has done so – (...)
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  7.  97
    Merleau-Ponty on Style as the Key to Perceptual Presence and Constancy.Samantha Matherne - 2017 - Journal of the History of Philosophy 55 (4):693-727.
    In recent discussions of two important issues in the philosophy of perception, viz. the problems of perceptual presence and perceptual constancy, Merleau-Ponty’s ideas have been garnering attention thanks to the work of Sean Kelly and Alva Noë. Although both Kelly’s normative approach and Noë’s enactive approach highlight important aspects of Merleau-Ponty’s view, I argue that neither does full justice to it because they overlook the central role that style plays in his solution to these problems. I show that (...)
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  8. A Phenomenology of Critical-Ethical Vision: Merleau-Ponty, Bergson, and the Question of Seeing Differently.Alia Al-Saji - 2009 - Chiasmi International 11:375-398.
    Drawing on Merleau-Ponty’s “Eye and Mind” and Bergson’s Matière et mémoire and “La perception du changement,” I ask what resources are available in vision for interrupting objectifying habits of seeing. While both Bergson and Merleau-Ponty locate the possibility of seeing differently in the figure of the painter, I develop by means of their texts, and in dialogue with Iris Marion Young’s work, a more general phenomenology of hesitation that grounds what I am calling “critical-ethical vision.” Hesitation, I argue, (...)
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  9. The Role of the Earth in Merleau-Ponty’s Archaeological Phenomenology.Dylan Trigg - 2014 - Chiasmi International 16:255-273.
    This paper argues that the concept of the Earth plays a pivotal role in Merleau-Ponty’s thinking in two ways. First, the concept assumes a special importance in terms of Merleau-Ponty’s relation to Husserl via the fragment known as “The Earth Does Not Move.” Two, from this fragment, the Earth marks a key theme around which Merleau-Ponty’s late philosophy revolves. In particular, it is with the concept of the Earth that Merleau-Ponty will develop his archaeologically oriented phenomenology. (...)
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  10. The Kantian Roots of Merleau-Ponty's Account of Pathology.Samantha Matherne - 2014 - British Journal for the History of Philosophy 22 (1):124-149.
    One of the more striking aspects of Maurice Merleau-Ponty's Phenomenology of Perception (1945) is his use of psychological case studies in pathology. For Merleau-Ponty, a philosophical interpretation of phenomena like aphasia and psychic blindness promises to shed light not just on the nature of pathology, but on the nature of human existence more generally. In this paper, I show that although Merleau-Ponty is surely a pioneer in this use of pathology, his work is deeply indebted to an (...)
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  11.  95
    Between Sensibility and Understanding: Kant and Merleau-Ponty and the Critique of Reason.Donald A. Landes - 2015 - Journal of Speculative Philosophy 29 (3):335-345.
    Whether explicitly or implicitly, Kant's critical project weighs heavily upon Merleau-Ponty's Phenomenology of Perception. This article argues that we can understand Merleau-Ponty's text as a phenomenological rewriting of the Critique of Pure Reason from within the paradoxical structures of lived experience, effectively merging Kant's Transcendental Aesthetic and Transcendental Analytic. Although he was influenced by Husserl's and Heidegger's interpretations of Kant's first version of the Transcendental Deduction, Merleau-Ponty develops a unique position between Kant, Husserl, and Heidegger via an (...)
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  12. Deleuze and Merleau-Ponty: Immanence, Univocity and Phenomenology.Jack Reynolds & Jon Roffe - 2006 - Journal of the British Society of Phenomenology 37 (3):228-51.
    This paper will seek firstly to understand Deleuze’s main challenges to phenomenology, particularly as they are expressed in The Logic of Sense and What is Philosophy?, although reference will also be made to Pure Immanence and Difference and Repetition. We will then turn to a discussion of one of the few passages in which Deleuze directly engages with Merleau-Ponty, which occurs in the chapter on art in What is Philosophy? In this text, he and Guattari offer a critique of (...)
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  13. Time and Ambiguity: Reassessing Merleau-Ponty on Sartrean Freedom.William Wilkerson - 2010 - Journal of the History of Philosophy 48 (2):pp. 207-234.
    Argues that standard interpretations of Merleau-Ponty's criticisms of Sartrean freedom fail and presents an alternative interpretation that argues that the fundamental issue concerns their different theories of time.
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  14. Merleau-Ponty on Meaning, Materiality, and Structure.John T. Sanders - 1994 - Journal of the British Society for Phenomenology 25 (1):96-100.
    Against David Schenck's interpretation, I argue that it is not absolutely clear that Merleau-Ponty ever meant to replace what Schenck refers to as the "unity of meanings" interpretation of "structure" with a "material meanings" interpretation. A particular problem-setting -- for example, an attempt to understand the "truth in naturalism" or the "truth in dualism" -- may very well require a particular mode of expression. I argue that the mode of expression chosen by Merleau-Ponty for these purposes, while unfortunate (...)
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  15. Sense-Making and Symmetry-Breaking: Merleau-Ponty, Cognitive Science, and Dynamic Systems Theory.Noah Moss Brender - 2013 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 17 (2):247-273.
    From his earliest work forward, phenomenologist Maurice Merleau-Ponty attempted to develop a new ontology of nature that would avoid the antinomies of realism and idealism by showing that nature has its own intrinsic sense which is prior to reflection. The key to this new ontology was the concept of form, which he appropriated from Gestalt psychology. However, Merleau-Ponty struggled to give a positive characterization of the phenomenon of form which would clarify its ontological status. Evan Thompson has recently (...)
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  16.  31
    Merleau-Ponty’s Aesthetic Interworld.Anya Daly - 2018 - Philosophy Today 62 (3):847-867.
    The overall aim of this paper is to defend the value of the arts as uniquely instructive regarding philosophical questions. Specifically, I aim to achieve two things: firstly, to show that through the phenomenological challenge to dualist and monist ontologies the key debate in aesthetics regarding subjective response and objective judgment is reconfigured and resolved. I argue that Merleau-Ponty’s analyses complement and complete Kant’s project. Secondly, I propose that through Merleau-Ponty’s phenomenological interrogations of the creative process the broader (...)
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  17. An Absence That Counts in the World: Merleau-Ponty’s Later Philosophy of Time in Light of Bernet’s 'Einleitung'.Alia Al-Saji - 2009 - Journal of the British Society for Phenomenology 40 (2):207-227.
    This paper examines Maurice Merleau-Ponty’s later philosophy of time in light of his critique and reconceptualization of Edmund Husserl’s early time-analyses. Drawing on The Visible and the Invisible and lecture courses, I elaborate Merleau-Ponty’s re-reading of Husserl’s time-analyses through the lens of Rudolf Bernet’s “Einleitung” to this work. My question is twofold: what becomes of the central Husserlian concepts of present and retention in Merleau-Ponty’s later work, and how do Husserl’s elisions, especially of the problem of forgetting, (...)
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  18. Sensuous Presencing and Artistic Creation: The Aesthetic Legacy of Merleau-Ponty’s Thought [on Emmanuel Alloa & Adnen Jdey, Du Sensible À L'Oeuvre. Esthétiques de Merleau-Ponty, 2012]. [REVIEW]Véronique M. Fóti - 2014 - Comparative and Continental Philosophy 6 (2):203-210.
    While the French phenomenologist Maurice Merleau-Ponty remained engaged with artistic creation throughout his entire work, which continues to inspire artists today in manifold ways, no systematic and artistically inclusive study of this dimension of his thought has existed so far. Du sensible à l’œuvre fills this gap by offering not only an in-depth study of Merleau-Ponty’s aesthesiology and aesthetics by international Merleau-Ponty scholars spanning three generations, but also a rich selection of essays by art critics and theorists (...)
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  19.  48
    The Institution of Life in Gehlen and Merleau-Ponty: Searching for the Common Ground for the Anthropological Difference.Jan Halák & Jiří Klouda - 2018 - Human Studies 41 (3):371-394.
    The goal of our article is to review the widespread anthropological figure, according to which we can achieve a better understanding of humans by contrasting them with animals. This originally Herderian approach was elaborated by Arnold Gehlen, who characterized humans as “deficient beings” who become complete through culture. According to Gehlen, humans, who are insufficiently equipped by instincts, indirectly stabilize their existence by creating institutions, i.e., complexes of habitual actions. On the other hand, Maurice Merleau-Ponty shows that corporeal relationship (...)
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  20. Affects, Images and Childlike Perception: Self-Other Difference in Merleau-Ponty’s Sorbonne Lectures.Shiloh Whitney - 2012 - PhaenEx 7 (2):185-211.
    I begin by reviewing recent research by Merleau-Ponty scholars opposing aspects of the critique of Merleau-Ponty made by Meltzoff and colleagues based on their studies of neonate imitation. I conclude the need for reopening the case for infant self-other indistinction, starting with a re-examination of Merleau-Ponty’s notion of indistinction in the Sorbonne lectures, and attending especially to the role of affect and to the non-exclusivity of self-other distinction and indistinction. In undertaking that study, I discover the importance (...)
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  21. Merleau-Ponty and McDowell on the Transparency of the Mind.Rasmus Thybo Jensen - 2013 - International Journal of Philosophical Studies 21 (3):470-492.
    McDowell and Merleau-Ponty share a critical attitude towards a certain Cartesian picture of the mind. According to the picture in question nothing which properly belongs to subjectivity can be hidden to the subject herself. Nevertheless there is a striking asymmetry in how the two philosophers portray the problematic consequences of such a picture. They can seem to offer exact opposite views of these consequences, which, given the almost identical characterization of the transparency claim, is puzzling. I argue that a (...)
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  22. Multiple Moving Perceptions of the Real: Arendt, Merleau-Ponty, and Truitt.Helen A. Fielding - 2011 - Hypatia 26 (3):518-534.
    This paper explores the ethical insights provided by Anne Truitt's minimalist sculptures, as viewed through the phenomenological lenses of Hannah Arendt's investigations into the co-constitution of reality and Maurice Merleau-Ponty's investigations into perception. Artworks in their material presence can lay out new ways of relating and perceiving. Truitt's works accomplish this task by revealing the interactive motion of our embodied relations and how material objects can actually help to ground our reality and hence human potentiality. Merleau-Ponty shows how (...)
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  23. Merleau-Ponty and Carroll on the Power of Movies.B. Scot Rousse - 2016 - International Journal of Philosophical Studies 24 (1):45-73.
    Movies have a striking aesthetic power: they can draw us in and induce a peculiar mode of involvement in their images – they absorb us. While absorbed in a movie, we lose track both of the passage of time and of the fact that we are sitting in a dark room with other people watching the play of light upon a screen. What is the source of the power of movies? Noël Carroll, who cites Maurice Merleau-Ponty as an influence (...)
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  24. From Perception to Metaphysics: Reflections on Berkeley and Merleau-Ponty.John T. Sanders - manuscript
    George Berkeley's apparently strange view – that nothing exists without a mind except for minds themselves – is notorious. Also well known, and equally perplexing at a superficial level, is his insistence that his doctrine is no more than what is consistent with common sense. It was every bit as crucial for Berkeley that it be demonstrated that the colors are really in the tulip, as that there is nothing that is neither a mind nor something perceived by a mind. (...)
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  25. Merleau-Ponty and the Transcendental Problem of Bodily Agency.Rasmus Thybo Jensen - 2013 - In Rasmus Thybo Jensen Dermot Moran (ed.), The Phenomenology of Embodied Subjectivity, Contributions to Phenomenology 71. pp. 43-61.
    I argue that we find the articulation of a problem concerning bodily agency in the early works of the Merleau-Ponty which he explicates as analogous to what he explicitly calls the problem of perception. The problem of perception is the problem of seeing how we can have the object given in person through it perspectival appearances. The problem concerning bodily agency is the problem of seeing how our bodily movements can be the direct manifestation of a person’s intentions in (...)
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  26. Anonymity and Sociality: The Convergence of Psychological and Philosophical Currents in Merleau-Ponty's Ontological Theory of Intersubjectivity.Beata Stawarska - 2003 - Chiasmi International 5:295-309.
    In the prospectus for his later work pronounced in 1952, Merleau-Ponty announced that his move beyond the phenomenological to the ontological level of analysis is motivated by issues of sociality, notably communication with others.' I propose to interrogate this priority attributed by the author to this interpersonal bond in his reflections on corporeality in general, marking a departure from The Structure of Behavior and The Phenomenology of Perception, which privileged the starting point of consciousness and the body proper. My (...)
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  27. Merleau Ponty and the Body as the Medium of the Field.Rudolph Bauer - 2012 - Transmission 4.
    This paper focuses on Merleau Ponty understanding that the body is the medium of the field of awareness.
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  28.  95
    Uncanny Errors, Productive Contresens. Merleau-Ponty’s Phenomenological Appropriation of Ferdinand de Saussure’s General Linguistics.Beata Stawarska - 2013 - Chiasmi International 15:151-165.
    Stawarska considers the ambiguities surrounding the antagonism between the phenomenological and the structuralist traditions by pointing out that the supposed foundation of structuralism, the Course in General Linguistics, was ghostwritten posthumously by two editors who projected a dogmatic doctrine onto Saussure’s lectures, while the authentic materials related to Saussure’s linguistics are teeming with phenomenological references. She then narrows the focus to Merleau-Ponty’s engagement with Saussure’s linguistics and argues that it offers an unusual, if not an uncanny, reading of the (...)
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  29. The Return of the New Flesh: Body Memory in David Cronenberg and Merleau-Ponty.Dylan Trigg - 2011 - Film-Philosophy 15 (1):82-99.
    From the “psychoplasmic” offspring in The Brood (1979) to the tattooed encodings in Eastern Promises (2007), David Cronenberg presents a compelling vision of embodiment, which challenges traditional accounts of personal identity and obliges us to ask how human beings persist through different times, places, and bodily states while retaining their sameness. Traditionally, the response to this question has emphasised the importance of cognitive memory in securing the continuity of consciousness. But what has been underplayed in this debate is the question (...)
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  30.  72
    Problématique de l'institution dans la dernière philosophie de Maurice Merleau-Ponty.Koji Hirose - 2004 - Numéro Spécial des Etudes de Langues Et de Cultures, Institut de Langues Et de Cultures Modernes, Université de Tsukuba 2:400.
    CETTE THESE SE VEUT UNE CONTRIBUTION A LA COMPREHENSION DE LA DERNIERE PHILOSOPHIE DE MERLEAU-PONTY, EN PRENANT COMME FIL CONDUCTEUR LA NOTION D'INSTITUTION. NOUS ESSAYONS D'ABORD DE DELIMITER LE CHAMP D'INTERROGATION DE LA NOTION D'INSTITUTION, TELLE QU'ELLE EST PRESENTEE DANS SES DEUX PREMIERS OUVRAGES. DEUXIEMEMENT, LA DESCRIPTION DE QUATRE ORDRES DE L'INSTITUTION SYMBOLIQUE (ANIMALITE ET VIE; STYLE ARTISTIQUE; LANGUE ET IDEALITE; SYSTEME SOCIAL) QUE NOUS NOUS EFFORCONS DE RECONSTITUER A L'AIDE DES MANUSCRITS INEDITS CONDUIT A DEVOILER LES MOTIVATIONS DE (...)
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  31. Concordance of Merleau-Ponty's Phenomenology of Perception.David Morris, Andrew Robinson & Catherine Duchastel - manuscript
    This is a concordance of page numbers in the following editions of Merleau-Ponty's Phenomenology of Perception: English editions prior to the Routledge Classics 2002; Routledge Classics edition, with the new pagination; the French edition from Gallimard, prior to 2005; the 2e edition from Gallimard, 2005, with new pagination.
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  32. Phenomenology of the Essence and Appearance in Merleau Ponty.Rudolph Bauer - 2012 - Transmission 6.
    This paper focuses on the phenomenology of essence and appearance in Merleau Ponty.
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  33.  96
    Merleau Ponty: Subjectivity as The Field of Being Within Beings.Rudolph Bauer - 2012 - Transmission 4.
    This paper relates Merleau Ponty's understanding of primordial subjectivity and the field of Being within beings.
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  34.  27
    Deleuze y Merleau-Ponty. La carne del Mundo.Gonzalo Montenegro - 2010 - Polisemia (ISSN 1900-4648):45-55.
    Despite the distance between the philosophies of Merleau-Ponty and of Deleuze, it is possible to discover not only analogue complicity with regard to thecriticism addressed to Husserl. In the aesthetic, for example, we note that the last thoughtsof Merleau-Ponty, present mainly in The visible and the invisible, are a constant referencefor the works that Deleuze dedicates to the painter Francis Bacon. In the present researchwe expect to define the passages on account of the reading of Husserl, and to (...)
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  35.  45
    Alterity in Merleau-Ponty’s Prose of the World.Bryan Lueck - 2012 - Epoché: A Journal for the History of Philosophy 16 (2):425-442.
    I argue in this paper that Maurice Merleau-Ponty provides a compelling account of alterity in The Prose of the World. I begin by tracing this account of alterity back to its roots in Phenomenology of Perception. I then show how the dynamic of expression articulated in The Prose of the World overcomes the limitations of the account given in the earlier work. After addressing an objection to the effect that the account given in The Prose of the World fails (...)
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  36.  30
    The Aesthetico-Political. The Question of Democracy in Merleau-Ponty, Arendt, and Rancière.Martin Plot - 2014 - New York, NY, USA: Bloomsbury Academic.
    This study uses new arguments to reinvestigate the relation between aesthetics and politics in the contemporary debates on democratic theory and radical democracy. -/- First, Carl Schmitt and Claude Lefort help delineate the contours of an aesthetico-political understanding of democracy, which is developed further by studying Merleau-Ponty, Rancière, and Arendt. -/- The ideas of Merleau-Ponty serve to establish a general "ontological" framework that aims to contest the dominant currents in contemporary democratic theory. It is argued that Merleau-Ponty, (...)
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  37.  12
    "Gilbert Ryle and Maurice Merleau-Ponty’s Critique of Descartes".Gabrielle Jackson - 2010 - In Kascha Semonovitch and Neal DeRoo (ed.), Merleau-Ponty at the Limits of Art, Religion and Perception. New York: continuum. pp. 63-78.
    Gilbert Ryle and Maurice Merleau-Ponty each attempted to articulate a non-mechanistic concept of the body by stressing the importance of skill: skillful behavior constituting cognition in Ryle’s work, and the skill body constituting perception in Merleau-Ponty’s work. In this chapter, I turn to their cautions and insights. By drawing out the relation between these two seemingly unrelated theorists, I hope to show that together Ryle and Merleau-Ponty have much to offer philosophy today.
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  38. The Concept of ‘Body Schema’ in Merleau-Ponty’s Account of Embodied Subjectivity.Jan Halák - 2018 - In Bernard Andrieu, Jim Parry, Alessandro Porrovecchio & Olivier Sirost (eds.), Body Ecology and Emersive Leisure. Londýn, Velká Británie: Routledge. pp. 37-50.
    In his 1953 lectures at the College de France, Merleau-Ponty dedicated much effort to further developing his idea of embodied subject and interpreted fresh sources that he did not use in Phenomenology of Perception. Notably, he studied more in depth the neurological notion of "body schema". According to Merleau-Ponty, the body schema is a practical diagram of our relationships to the world, an action-based norm with reference to which things make sense. Merleau-Ponty more precisely tried to describe (...)
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  39. Merleau-Ponty’s Dialogue with Descartes: The Living Body and its Position in Metaphysics.Sara Heinämaa - 2003 - In Dan Zahavi, Sara Heinämaa & Hans Ruin (eds.), Metaphysics, Facticity, Interpretation: Phenomenology in the Nordic Countries. Kluwer Academic Publishers. pp. 23-48.
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  40. Merleau-Ponty.Joel Krueger - forthcoming - In Thomas Szanto & Hilge Landweer (eds.), The Routledge Handbook of Phenomenology of Emotions. Routledge.
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  41.  76
    Merleau-Ponty and the Foundations of Psychopathology.Anthony Vincent Fernandez - forthcoming - In Robyn Bluhm & Serife Tekin (eds.), The Bloomsbury Companion to Philosophy of Psychiatry. Bloomsbury.
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  42. Book Review of Dorothea Olkowski and Gail Weiss’s Feminist Interpretations of Maurice Merleau-Ponty[REVIEW]Emily S. Lee - 2008 - American Philosophical Association Newsletter on Feminism and Philosophy 7 (2):24--26.
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  43. Merleau-Ponty: A Phenomenological Philosophy of Mind and Body.Sara Heinämaa - 2013 - In Andrew Bailey (ed.), Philosophy of Mind: The Key Thinkers. Continuum. pp. 59-83.
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  44.  82
    Merleau-Ponty in Dialogue with the Cognitive Sciences in Light of Recent Imitation Research.Beata Stawarska - 2003 - Philosophy Today (5):89-99.
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  45. Maurice Merleau-Ponty on Violence and Marxism.Mihnea Chiujdea - 2013 - Opticon1826 15 (7):01-15.
    This article aims to examine the main tenets of Merleau-Ponty’s political thought. To this end, his early Marxism and his later support for Liberalism are contextualised within Merleau-Ponty’s philosophical work, put into relation and both criticised. The focus of the discussion is shifted onto the role and locus of the political thinker in order to evaluate the scope of a political project such as Marxism might have. It is divided into three sections. The first explores the themes of (...)
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  46.  95
    Merleau-Ponty on Embodied Subjectivity From the Perspective of Subject-Object Circularity.Jan Halák - 2016 - Acta Universtitatis Carolinae Kinanthropologica 52 (2):26-40.
    The phenomenological point of view of the body is usually appreciated for having introduced the notion of the ‘lived’ body. We cannot merely analyze and explain the body as one of the elements of the world of objects. We must also describe it, for example, as the center of our perspective on the world, the place where our sensing is ‘localized’, the agens which directly executes our intentions. However, in Husserl, the idea of the body as lived primarily complements his (...)
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  47.  23
    "Perception Is Already Expression." Merleau-Ponty's First Collège de France Lectures.Jan Halák - 2017 - Reflexe: Filosoficky Casopis 1 (52):111-135.
    In his initial lecture course at the Collège de France, Merleau-Ponty attempted to develop a new analysis of rational thought in order to clarify its link with corporeal-perceptive life. The formulation of thought in language as the most elaborate human activity of expression explicitly takes over what we already observe in perception as the implicit and mutual reference between the perceiving subject and that which is perceived.The article reconstructs Merleau-Ponty’s argumentation, based on his preparatory notes for the lectures, (...)
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  48.  70
    Merleau-Ponty’s conception of the body as a field of structuralisation and its ontological significance.Jan Halák - 2015 - Filosoficky Casopis 63 (2):175-196.
    Merleau-Ponty’s analyses of the pathology of perception show “objective” and “subjective” events have sense for the living body only in relation to its whole equilibrium, that is, to how it organises itself overall and how it thus “meets” those events. If we apply this conception to Husserl’s example of two mutually-touching hands of one body we must then state not that we perceive here a coincidence of certain subjective sensations with certain objective qualities, but rather that my body, in (...)
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  49.  67
    “Applying Merleau-Ponty’s Account of Perceptual Practices to Teaching on Disability”.Christine Wieseler - 2013 - Florida Philosophical Review, (1):14-28.
    This paper provides suggestions for educators who have a desire to learn about or are already committed to challenging ableism and disablism. As philosophy teachers, we have the opportunity to facilitate student reflection regarding disability, which puts students in a position to make decisions about whether to retain their habitual ways of comporting themselves toward disabled people or to begin the process of forming new perceptual practices. I contend that existential phenomenology, as formulated by Maurice Merleau-Ponty and Linda Martín (...)
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  50.  25
    Merleau-Ponty’s ontological interpretation of Husserl’s conception of the body as a “double unity”.Jan Halák - 2014 - Filosoficky Casopis 62 (3):339-354.
    Merleau-Ponty holds that Husserl’s descriptions of the body go beyond the conceptual framework of subject-object ontology to which his philosophy is usually thought to conform. Merleau-Ponty says of his own philosophy that it is founded on the circularity in the body; that is, on the fact that from the ontological point of view, perception and availability to be perceived, are one and the same in the body. The inseparability of these two aspects of the body he calls "flesh" (...)
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