Abstract

What is the form of that which can hold, size, and measure what is happening? Are there some gestures that can, in some sense, size what is occurring in absolute fragility? We trace forms that, suddenly, sometimes, can grasp in a vanishing present what cannot be grasped by any other means. Certain art practices can sustain and give shelter, for a while, to an echo of that multiple and unending past. These practices inexist. These inexistences compose artistic configurations, of which the artworks referred to in this book are outstanding examples. The axiomatic declaration of the inexistence of art operates as an act of flight, a subtraction. Undomiciled artistic practices are multiple, infinite, and emancipatory. From these practices, we can find the sub-stance for an infrapolitical anarchitecture that works in constructing a future yet to be imagined. Another world is possible, of course. We must continue to whisper that other worlds are possible because we are already participants in that memory to come. On Gestural Apparatuses works as a mechanism of delay that aims to indicate an operative movement within artistic thinking.