Core Aspects of Dance: Aristotle on Positure

Download Edit this record How to cite View on PhilPapers
Abstract
[First paragraph]: This article is part of a larger project in which I suggest a historically informed philosophy of dance, called “figuration,” consisting of new interpretations of canonical philosophers. Figuration consists of two major parts, comprising (a) four basic concepts, or “moves”—namely, “positure,” “gesture,” “grace,” and “resilience”—and (b) seven types, or “families” of dance—namely, “concert,” “folk,” “societal,” “agonistic,” “animal,” “astronomical,” and “discursive.” This article is devoted to the first of these four moves, as illustrated by both its importance for Aristotle and also its applicability to these seven families of dance. One goal of figuration as a whole, and the central goal of this excerpt from that larger project, is to model and justify a dancing aesthetic education pursuant to psychological and political flourishing.
Categories
PhilPapers/Archive ID
HALCAO
Upload history
Archival date: 2019-09-25
View other versions
Added to PP index
2019-03-01

Total views
43 ( #44,390 of 51,275 )

Recent downloads (6 months)
10 ( #39,853 of 51,275 )

How can I increase my downloads?

Downloads since first upload
This graph includes both downloads from PhilArchive and clicks on external links on PhilPapers.