Poetry

Edited by Karen Simecek (University of Warwick)
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  1. added 2019-07-07
    The History and Philosophy of the Postwar American Counterculture: Anarchy, the Beats and the Psychedelic Transformation of Consciousness.Ed D'Angelo - manuscript
    This is a greatly expanded version of my article "Anarchism and the Beats," which was published in the book, The Philosophy of the Beats, by the University Press of Kentucky in 2012. It is both an historical and a philosophical analysis of the postwar American counterculture. It charts the historical origins of the postwar American counterculture from the anarchists and romantic poets of the early nineteenth century to a complex network of beat poets and pacifist anarchists in the early decades (...)
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  2. added 2019-07-04
    Стосунки з Богом у поезії Миколи Вінграновського.Svitlana Bohdan - 2018 - NaUKMA Researh Papers. Literary Studies 1:44-48.
    Статтю присвячено сакральним мотивам у поезії М. Вінграновського. Розглянуто правопис слова «Бог» у ранніх і пізніших поезіях автора, вказано на тексти з релігійною образністю і тематикою (зокрема проаналізовано неопубліковані рукописи). Наведено свідчення сучасників поета про його стосунки з Богом. Зроблено спробу показати, що засвідчена заангажованість М. Вінграновського в релігійний дискурс дає підстави розгортати інтерпретацію його поезій також і в межах цього дискурсу, зокрема – в аспекті поєднання однини і множини на мовному рівні, а також в аспекті відчуття загальної всеєдності як (...)
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  3. added 2019-07-04
    Бароковий код у поезії Олега Лишеги.Daryna Voronovska - 2018 - NaUKMA Researh Papers. Literary Studies 1:58-61.
    У статті вперше здійснено інтерпретацію поетичних текстів Олега Лишеги шляхом звернення до концепції барокового коду. Проаналізовані таким чином, зокрема, «пісня 822», «Півень», «Шовковиця», «Ворон», «Пацюк» і «пісня 3». Саме крізь призму барокового коду варто розглядати ці поезії, оскільки головні світоглядні риси бароко здатні пояснити ті чи ті образи або ситуації, які читач знаходить у текстах. Варто також наголосити на непересічності образу Григорія Сковороди у творчості Олега Лишеги, адже у поезіях «Великого мосту» можна неодноразово знайти чи то сковородинські образи/символи, чи то (...)
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  4. added 2019-07-02
    The Princeton Handbook of World Poetries. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (7):573.
    Roland Greene and Stephen Cushman have revived the 1950s' edition of this book. & it is worth reading even by philosophers for in the final analysis, from Plato to Blanchot to Jean-Luc Marion are all poets. Where does poetry end and philosophy begin!!??
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  5. added 2019-01-23
    Persian Poetic Wisdom and the Epistemology of ‘Knowledge by Presence'.Hossein Ziai - 2009, - In Amiya Dev (ed.), Science, Literature, and Aesthetics,. New Delhi: pp. 433-452.
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  6. added 2019-01-22
    Aesthetic Worlds: Rimbaud, Williams and Baroque Form.William Melaney - 2000 - Analecta Husserliana 69:149-158.
    The sense of form that provides the modern poet with a unique experience of the literary object has been crucial to various attempts to compare poetry to other cultural activities. In maintaining similar conceptions of the relationship between poetry and painting, Arthur Rimbaud and W. C. Williams establish a common basis for interpreting their creative work. And yet their poetry is more crucially concerned with the sudden emergence of visible "worlds" containing verbal objects that integrate a new kind of literary (...)
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  7. added 2018-12-11
    Antonin Artaud e la scrittura del reale. Glossolalie e disegni per un linguaggio analfabetico.Fabio Vergine - 2018 - Elephant and Castle. Laboratorio Dell'immaginario 1 (18).
    During the last ten years of his life, Antonin Artaud shows more and more intensively a multi-faceted and caustic refusal for traditional literature and the ordinary practice of writing. But above all, he shows a stylistic impatience for the alphabetic use of the word and the language. By the intention of creating an inhuman language, which could be understood also by the illiterate people, Artaud wants to undermine the significant use of the word, so that he can achieve a non-representative (...)
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  8. added 2018-10-16
    Être bourré, o del corpo senza corpo. [REVIEW]Fabio Vergine - 2015 - Doppiozero 1.
    Recensione di J. L. NANCY, T. TUPPINI, Être bourré, o del corpo senza corpo, Mimesis, Milano-Udine2014.
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  9. added 2018-08-21
    "Who Has Not Wak'd": Mary Robinson and Cartesian Poetry.Phillip Barron - 2017 - Philosophy and Literature 41 (2):392-399.
    A close reading of Mary Robinson’s late-eighteenth-century poem “London’s Summer Morning,” which captures all the noises and smells of a busy London street, is not enough to convince the reader that it isn’t all a dream. But whose dream? René Descartes and Wallace Stevens suggest that it may not matter.
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  10. added 2018-08-17
    The Importance of Poetry, Hip-Hop, and Philosophy for an Enlisted Aviator in the USAF (2000-2004) Flying in Support of Operation Enduring Freedom and Operation Iraqi Freedom.Adam M. Croom - 2015 - Journal of Poetry Therapy 28:73-97.
    This special issue of Journal of Poetry Therapy focuses on the use of poetry and other forms of expressive writing to explore the transformative experiences of military veterans, and so in this article I discuss how the use of poetry, hip-hop, and philosophy positively influenced my life while I was serving in the United States Air Force (USAF) from 2000 through 2004. This article briefly reviews my reasons for enlisting and discusses the importance that poetry, hip-hop, and philosophy had for (...)
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  11. added 2018-08-17
    Ion: Plato’s Defense of Poetry.Gene Fendt - 1997 - International Studies in Philosophy 29 (4):23-50.
    This reading of Plato's Ion shows that the philosophic action mimed and engendered by the dialogue thoroughly reverses its (and Plato's) often supposed philosophical point, revealing that poetry is just as defensible as philosophy, and only in the same way. It is by Plato's indirections we find true directions out: the war between philosophy and poetry is a hoax on Plato's part, and a mistake on the part of his literalist readers. The dilemma around which the dialogue moves is false, (...)
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  12. added 2018-06-14
    Poetic Opacity: How to Paint Things with Words.Jesse J. Prinz & Eric Mandelbaum - 2015 - In John Gibson (ed.), The Philosophy of Poetry. Oxford University Press. pp. 63-87.
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  13. added 2018-06-08
    Poetry and Ethics: Inventing Possibilities in Which We Are Moved to Action and How We Live Together.Obiora Ike, Andrea Grieder & Ignace Haaz (eds.) - 2018 - Geneva, Switzerland: Globethics Publications.
    This book on the topic of ethics and poetry consists of contributions from different continents on the subject of applied ethics related to poetry. It should gather a favourable reception from philosophers, ethicists, theologians and anthropologists from Africa, Asia, Europe and Latin America and allows for a comparison of the healing power of words from various religious, spiritual and philosophical traditions. The first part of this book presents original poems that express ethical emotions and aphorism related to a philosophical questioning (...)
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  14. added 2018-01-19
    Multilevel Poetry Translation as a Problem-Solving Task.Pedro Ata & Joao Queiroz - 2016 - Cognitive Semiotics 9 (2):139-147.
    Poems are treated by translators as hierarchical multilevel systems. Here we propose the notion of “multilevel poetry translation” to characterize such cases of poetry translation in terms of selection and rebuilding of a multilevel system of constraints across languages. Different levels of a poem correspond to different sets of components that asymmetrically constrain each other (e. g., grammar, lexicon, syntactic construction, prosody, rhythm, typography, etc.). This perspective allows a poem to be approached as a thinking-tool: an “experimental lab” which submits (...)
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  15. added 2017-08-04
    Zwischen Jugendbewegung und literarischer Avantgarde. Das Leben von Christoph Friedrich Heinle 1894−1914.Johannes Steizinger - 2016 - In Christoph Friedrich Heinle: Lyrik und Prosa. Berlin, Germany: Kulturverlag Kadmos. pp. 149-183.
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  16. added 2017-03-20
    Writing Knowledge in the Soul: Orality, Literacy, and Plato’s Critique of Poetry.Lawrence J. Hatab - 2007 - Epoché: A Journal for the History of Philosophy 11 (2):319-332.
    In this essay I take up Plato’s critique of poetry, which has little to do with epistemology and representational imitation, but rather the powerful effects that poeticperformances can have on audiences, enthralling them with vivid image-worlds and blocking the powers of critical reflection. By focusing on the perceived psychological dangers of poetry in performance and reception, I want to suggest that Plato’s critique was caught up in the larger story of momentous shifts in the Greek world, turning on the rise (...)
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  17. added 2017-02-13
    Inimitability Versus Translatability: The Structure of Literary Meaning in Arabo-Persian Poetics.Rebecca Gould - 2013 - The Translator 19 (1):81-104.
    Building on the multivalent meanings of the Arabo- Persian tarjama (‘to interpret’, ‘to translate’, ‘to narrate’), this essay argues for the relevance of Qur’ānic inimitability (i'jāz) to contemporary translation theory. I examine how the translation of Arabic rhetorical theory ('ilm al-balāgha) into Persian inaugurated new trends within the study of literary meaning. Finally, I show how Islamic aesthetics conceptualizes the translatability of literary texts along lines kindred to Walter Benjamin. -/- .
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  18. added 2017-02-12
    Reflexion of English Morals in the Literature of the 19th Century (Charles Dickens and His Contemporaries).V. Gluchman - 2006 - Filozofia 61 (5):403-423.
    Autor prostredníctvom skúmania literárnych diel Charlesa Dickensa, Williama Makepeaca Thackeryho, George Eliotovej a Thomasa Hardyho vytvára mozaiku viktoriánskej morálky Anglicka 19. storočia. Dospel k záveru, že uvedená doba vôbec nebola taká puritánska, ako si ju zvykneme predstavovať a morálne problémy, ktoré ľudstvo rieši v priebehu svojho vývoja sú vo svojej podstate univerzálne, hoci nie totožné. Líšia sa vo svojich individuálnych podobách, v akých sa s nimi stretávame v jednotlivých obdobiach dejín ľudstva.
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  19. added 2017-02-07
    A History of English Literature.Fee-Alexandra Haase - manuscript
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  20. added 2017-02-07
    “It Doesn’T... Matter Where You Begin”: Pound and Santayana on Education.Martin Coleman - 2010 - Journal of Aesthetic Education 44 (4):1-17.
    American poet Ezra Pound wrote a letter on February 6, 1940, inviting American philosopher George Santayana to join poet T. S. Eliot and himself in writing “a volume . . . on the Ideal University, or The Proper Curriculum, or how it would be possible to educate and/or (mostly or) civilize the university student.” Santayana declined the invitation and claimed to have no ideas on the subject of education. Participation would have been morally impossible, he wrote, because unlike Pound and (...)
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  21. added 2017-01-28
    On Poetry and Authentic Philosophical Reflection:The American Philosophy of Octavio Paz: Sobre Poesia E Autêntica Reflexão Filosófica: A Filosofia Americana de Octavio Paz.Daniel Campos - 2007 - Cognitio 8 (2).
    Octavio Paz conceives of authentic philosophical reflection as ‘thinking a la intemperie’. This conception involves his idea that our contemporary historical and philosophical situation is one of intemperie espiritual. Based on the dual sense of the term intemperie for Paz, I propose that ‘thinking a la intemperie’ means: (i) Exposing our beliefs to the weathering effects of our vital, concrete experience; and (ii) apprehending reality in communion with others through poetic experience of the ever-flowing present. That is, authentic philosophical reflection (...)
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  22. added 2017-01-21
    Poetics of Sentimentality.Rick Anthony Furtak - 2002 - Philosophy and Literature 26 (1):207-215.
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  23. added 2017-01-20
    On the Uses and Advantages of Poetry for Life. Reading Between Heidegger and Eliot.Dominic Heath Griffiths - 2006 - Dissertation, University of Pretoria
    This dissertation addresses the ontological significance of poetry in the thought of Martin Heidegger. It gives an account of both his earlier and later thinking. The central argument of the dissertation is that poetry, as conceptualised by Heidegger, is beneficial and necessary for the living of an authentic life. The poetry of T. S Eliot features as a sustaining voice throughout the dissertation to validate Heidegger's ideas and also to demonstrate some interesting similarities in their ideas. Chapter one demonstrates how (...)
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  24. added 2017-01-14
    What Makes a Poem Philosophical?John Gibson - 2018 - In Karen Zumhagen-Yekplé & Michael LeMahieu (eds.), Wittgenstein and Modernism. Chicago, IL, USA: University of Chicago Press. pp. 130-152.
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  25. added 2016-12-13
    The Descent of Winter: William Carlos Williams Under the Influence of Paris.Phillip Barron - 2016 - S.Ph. Essays and Explorations 1 (2).
    The influence of surrealism and Philippe Soupault on William Carlos Williams' poetry.
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  26. added 2016-10-24
    A Puzzle of Poetic Expression.John Gibson - 2016 - The Philosophers' Magazine 74 (3):56-62.
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  27. added 2016-09-01
    Vedanta and Cosmopolitanism in Contemporary Indian Poetry.Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (September):648-55.
    Bashabi Fraser is known the world over as a Scottish-Bengali aka diasporic writer. Further she has also been slotted as a feminist scholar with a huge corpus on Tagore. This essay proves the fallacy of such pigeon-holeing of Fraser and shows that she is as mainstream as Yeats and even before that, like unto Blake. The essay also makes a point for rejecting every other mode of poetry except the Romantic mode. It established the Vedantic nature of the poetic genius. (...)
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  28. added 2016-08-03
    The Question of Poetic Meaning.John Gibson - 2011 - Nonsite (4).
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  29. added 2016-03-21
    The Transitional Breakdown of the Word: Heidegger and Stefan George's Encounter with Language.Jussi Backman - 2011 - Gatherings: The Heidegger Circle Annual 1:54-64.
    The paper studies Heidegger's reading of the poet Stefan George (1868-1933), particularly of his poem "Das Wort" (1928), in the context of Heidegger's narrative of the history of metaphysics. Heidegger reads George's poem as expressing certain experiences with language: first, the constitutive role of language, of naming and discursive determination, in granting things stable identities; second, the unnameable and indeterminable character of language itself as a constitutive process and the concomitant insight into the human being's dependency on language and her (...)
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  30. added 2015-10-12
    Συμφραστικός πίνακας λέξεων στο ποιητικό έργο του Γιώργου Σεφέρη [Concordance to the poems of Georgios Seferis].I. N. Kazazis, Vincent C. Müller & Evina Sistakou (eds.) - 2003 - Centre for the Greek Language.
    Concordance of the poetic works of Giorgos Seferis which presents all the principal “words” of the texts in an alphabetical list, stating how often each word occurs, giving a precise location and a relevant piece of text for each occurrence. We found ca. 9500 different Greek words in 39000 different occurrences, so our concordance has 50.000 lines of text. The technical procedure required four main steps: text entry and tagging, production of the concordance, correction of the contexts, formatting for print.
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  31. added 2015-08-25
    Poetiche E Genealogie Claudel, Val'ery, Nietzsche.Filippo Fimiani (ed.) - 2000 - Liguori.
    What is at stake in this counterintuitive reappraisal of such different authors as Claudel, Valéry and Nietzsche is not a poietics of artistic techniques and processes but their style of sensorial and sensitive subjectivation as such. The aim is not a comparative philosophy of art but a genealogy of aesthetic experience. The three authors here considered differ widely in terms of their worldviews and cultural backgrounds. However, they share a similar radical critical view of the Modern and its idols—the cartesian (...)
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  32. added 2015-06-13
    Introduction: The Place of Poetry in Contemporary Aesthetics.John Gibson - 2015 - In The Philosophy of Poetry. Oxford University Press. pp. 1-16.
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  33. added 2015-03-19
    Looking Into the Heart of Light: Considering the Poetic Event in the Work of T.S. Eliot and Martin Heidegger.Dominic Griffiths - 2014 - Philosophy and Literature 38 (2):350-367.
    No one is quite sure what happened to T.S. Eliot in that rose-garden. What we do know is that it formed the basis for Four Quartets, arguably the greatest English poem written in the twentieth century. Luckily it turns out that Martin Heidegger, when not pondering the meaning of being, spent a great deal of time thinking and writing about the kind of event that Eliot experienced. This essay explores how Heidegger developed the concept of Ereignis, “event” which, in the (...)
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  34. added 2015-03-19
    History Plays as History.Tom Stern - 2012 - Philosophy and Literature 36 (2):285-300.
    Now that she is old enough to be taken to boring, so-called “cultural” events by her aging, academic relatives, we have just taken Anya to see a performance of Julius Caesar. When it’s over, we discuss the acting, the poetry, the famous lines. At some point, Anya asks: “I wonder if it happened like that?” Anya has not radically misunderstood what we just watched; she did not, for example, rush down and yell at Caesar that he’d better read that scroll. (...)
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  35. added 2015-01-28
    Kierkegaard's Concepts: Psychological Experiment.Martijn Boven - 2015 - In Jon Stewart, Steven M. Emmanuel & William McDonald (eds.), Volume 15, Tome V. Kierkegaard's Concepts: Objectivity to Sacrifice. Ashgate. pp. 159-165.
    For Kierkegaard the ‘psychological experiment’ is a literary strategy. It enables him to dramatize an existential conflict in an experimental mode. Kierkegaard’s aim is to study the source of movement that animates the existing individual (this is the psychological part). However, he is not interested in the representation of historical individuals in actual situations, but in the construction of fictional characters that are placed in hypothetical situations; this allows him to set the categories in motion “in order to observe completely (...)
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  36. added 2014-06-01
    Wat vastgelegd is, misleidt ons: de Cahiers van Paul Valéry.Martijn Boven - 2008 - Deus Ex Machina 127:5-6.
    Paul Valéry is de dichter die zwijgt; de denker die weigert filosoof te zijn; de schrijver die de taal in staat van beschuldiging stelt; de expert die volhoudt een amateur te zijn; de mysticus die zijn heil zoekt bij de wiskunde; de stamelaar die aan een kwaal van precisie lijdt; de Narcissus die misschien toch liever Orpheus had willen zijn. Hij is de chroniqueur van het denken en de meester van de tegenspraak. Ik probeer me hem voor te stellen. Het (...)
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  37. added 2014-04-01
    The Reception of Classical Persian Poetry in Anglophone World: Problems and Solutions.Adineh Khojastehpour & Mirzababazadeh Behnam - 2014 - SOCRATES 2 (1):39-49.
    The impact of Persian literature on world culture and literature is undeniable. Persian poets such as Firdowsi, Sa’di, Hafiz, Rumi and Khayyam who deal with universal themes beyond a particular place and time are among the most widely-known literary figures of the world; their works are translated into different languages. Despite the fact that there are different translations of Persian literature in English, it is still not clear whether Persian literature has gained its appropriate place in the world. We study (...)
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  38. added 2013-12-09
    A critical analysis of Persian Poetry of Shah Turab Ali Qalandar.Zunnoorain Haider Alavi - 2013 - SOCRATES 1 (1):106-121.
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  39. added 2013-09-16
    The Poet as ‘Worldmaker’: T.S. Eliot and the Religious Imagination.Dominic Griffiths - 2015 - In Francesca Knox & David Lonsdale (eds.), The Power of the Word: Poetry and the Religious Imagination. Ashgate. pp. 161-175.
    Martin Heidegger defines the world as ‘the ever non-objective to which we are subject as long as the paths of birth and death . . . keep us transported into Being’. He writes that the world is ‘not the mere collection of the countable or uncountable, familiar and unfamiliar things that are at hand . . . The world worlds’. Being able to fully and richly express how the world worlds is the task of the artist, whose artwork is the (...)
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  40. added 2013-01-09
    The Performative Limits of Poetry.Christopher Mole - 2013 - British Journal of Aesthetics 53 (1):55-70.
    J. L. Austin showed that performative speech acts can fail in various ways, and that the ways in which they fail can often be revealing, but he was not concerned with understanding performative failures that occur in the context of poetry. Geoffrey Hill suggests, in both his poetry and his prose writings, that these failures are more interesting than Austin realized. This article corrects Maximilian de Gaynesford’s misunderstanding of Hill’s treatment of this point. It then explains the way in which (...)
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  41. added 2012-12-26
    Beşir Fuad and His Opponents: The Form of a Debate Over Literature and Truth in Nineteenth-Century Istanbul.Mehmet Karabela - 2011 - Journal of Turkish Literature 8 (1):96-106.
    One and a half months after Victor Hugo died in 1885, Beşir Fuad published a biography of him, in which Fuad defended Emile Zola’s naturalism and realism against Hugo’s romanticism. This resulted in the most important dispute in nineteenth-century Turkish literary history, the hakikiyyûn and hayâliyyûn debate, with the former represented by Beşir Fuad and the latter represented by Menemenlizâde Mehmet Tahir. This article focuses on the form of this debate rather than its content, and this focus reveals how the (...)
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  42. added 2012-11-14
    Poetry's Secret Truth.Mark F. Sharlow - manuscript
    Poetry, it is said, can reveal truth. Yet despite the best efforts of philosophers and poets to describe this truth, very few understand what kinds of truth poetry can convey.* One fact seems clear: only a few of the truths of poetry can be captured equally well in prose. Poetry also conveys truths of a different kind — truths that seem to exist on a level entirely different level from that of ordinary, factual truth. Some poems try to teach moral (...)
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  43. added 2011-02-16
    The Poetic Experience of the World.Mathew Abbott - 2010 - International Journal of Philosophical Studies 18 (4):493-516.
    In this article I develop Heidegger's phenomenology of poetry, showing that it may provide grounds for rejecting claims that he lapses into linguistic idealism. Proceeding via an analysis of the three concepts of language operative in the philosopher's work, I demonstrate how poetic language challenges language's designative and world-disclosive functions. The experience with poetic language, which disrupts Dasein's absorption by emerging out of equipmentality in the mode of the broken tool, brings Dasein to wonder at the world's existence in such (...)
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  44. added 2010-01-13
    German Poetry and Philosophy.Fee Haase - manuscript
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  45. added 2009-05-24
    Plato: Poet: Lysis: Poem.Ginger Osborn - 1995 - Dissertation, Vanderbilt University
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