Abstract

From the late nineteenth to early twentieth century, the architectural history of Iran became closely linked with oil, which introduced new technologies, actors, and spaces. A key event occurred in 1901 when English businessman William D’Arcy secured exclusive rights from the Iranian monarchy, to explore, extract, and export oil.1 By 1914, D’Arcy sold a major share to the British government, ushering in a new era of British colonial influence in Iran.2 To establish their presence and efficiently exploit Iranian oil, the British built ‘modern’ company towns, including Bawardeh in Abadan, designed by architect James M. Wilson and based on the Garden City concept. According to architectural historian Mark Crinson, this design aimed to address racial segregation issues but was rooted in colonial assumptions that European lifestyles were superior and only Iranians educated abroad were ‘civilised’ enough to live there.3 These assumptions significantly impacted domestic life in these houses. Part of my paper aims to explore these impacts.