Results for 'Modernism'

98 found
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  1.  66
    Elective Modernism and the Politics of (Bio) Ethical Expertise.Nathan Emmerich - 2018 - In Hauke Riesch, Nathan Emmerich & Steven Wainwright (eds.), Philosophies and Sociologies of Bioethics. Dordrecht, Netherlands: pp. 23-40.
    In this essay I consider whether the political perspective of third wave science studies – ‘elective modernism’ – offers a suitable framework for understanding the policy-making contributions that (bio)ethical experts might make. The question arises as a consequence of the fact that I have taken inspiration from the third wave in order to develop an account of (bio)ethical expertise. I offer a précis of this work and a brief summary of elective modernism before considering their relation. The view (...)
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  2.  70
    Strategic Afro-Modernism, Dynamic Hybridity, and Bebop's Socio-Political Significance.Cynthia R. Nielsen - 2013 - In Mathieu Deflem (ed.), Music and Law: Sociology of Crime, Law and Deviance, Volume 18. Bingley, UK: Emerald Books. pp. 129-148.
    In this chapter, I argue that one can articulate a historically attuned and analytically rich model for understanding jazz in its various inflections. That is, on the one hand, such a model permits us to affirm jazz as a historically conditioned, dynamic hybridity. On the other hand, to acknowledge jazz’s open and multiple character in no way negates our ability to identify discernible features of various styles and aesthetic traditions. Additionally, my model affirms the sociopolitical, legal (Jim Crow and copyright (...)
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  3.  50
    Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought. [REVIEW]Laura Matthews - 2018 - Metapsychology Online Reviews 22 (19).
    Madness and Modernism is undoubtedly one of the most profound and perspicacious treatments of an illness that is utterly baffling to most laypersons and academics alike. Sass artfully brings together two obscure, complex, and unnerving realms -- the schizophrenic and the modern and postmodern aesthetic -- into mutual enlightenment. The comparisons between schizophrenic symptoms such as loss of ego boundaries, perspectival switching, and world catastrophe with modern literature and art is so adroit that it is almost eerie. The reader (...)
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  4. The Grand Narrative of the Age of Re-Embodiments: Beyond Modernism and Postmodernism.Arran Gare - 2013 - Cosmos and History : The Journal of Natural and Social Philosophy 9 (1):327-357.
    The delusory quest for disembodiment, against which the quest for re-embodiment is reacting, is characteristic of macroparasites who live off the work, products and lives of others. The quest for disembodiment that characterizes modernism and postmodernism, it is argued, echoes in a more extreme form the delusions on which medieval civilization was based where the military aristocracy and the clergy, defining themselves through the ideal forms of Neo-Platonic Christianity, despised nature, the peasantry and in the case of the clergy, (...)
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  5. Ranciere's Aesthetic Revolution and Its Modernist Residues.Jakub Stejskal - 2012 - Filozofski Vestnik 33 (3):39 - +.
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  6.  8
    Review of Margrit Shildrick, Leaky Bodies and Boundaries: Feminism, Post-Modernism and (Bio)Ethicsd. [REVIEW]Donna Dickenson - 1998 - Journal of Medical Ethics 24 (3):212-213.
    Review of Margrit Shildrick, Leaky Bodies and Boundaries.
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  7. Merleau-Ponty and Modernist Sacrificial Poetics: A Response to Richard Kearney.Joseph S. O'Leary - 2010 - In Kascha Semonovitch Neal DeRoo (ed.), Merleau-Ponty at the Limits of Art, Religion, and Perception. Continuum. pp. 167.
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  8. Modernity's Self-Justification: The Thought of Robert B. PippinIdealism as Modernism: Hegelian Variations.David Kolb - 1999 - The Owl of Minerva 30 (2):253-275.
    A discussion and critique of Robert Pippin's interpretation of modernity.
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  9. Ancient Logic and its Modern Interpretations Proceedings of the Buffalo Symposium on Modernist Interpretations of Ancient Logic, 21 and 22 April, 1972. [REVIEW]John Corcoran (ed.) - 1974 - Reidel.
    Articles by Ian Mueller, Ronald Zirin, Norman Kretzmann, John Corcoran, John Mulhern, Mary Mulhern,Josiah Gould, and others. Topics: Aristotle's Syllogistic, Stoic Logic, Modern Research in Ancient Logic.
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  10.  65
    Post-Modernism the New Classicism in Art and Architecture.Charles Jencks - 1987
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  11.  30
    An Inquiry on the Existence of Capitalism in Ancient Greece.Alper Bilgehan Yardımcı - 2019 - Beytulhikme An International Journal of Philosophy 9 (2):453-464.
    In this article, it is claimed that it is not possible to find a modern capitalist order in Ancient Greece. This claim is supported by the economic activities and historical findings of the ancient period and it is also shaped by reference to the 'primitivist-modernist debate'. In this context, firstly, Mosses I. Finley's primitivist views that claim capitalism cannot be possible in ancient Greece will be explained by taking into consideration the accounting system, commercial activity, social status, labor usages, and (...)
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  12. Rorty, Religion, and Humanism.Serge Grigoriev - 2011 - International Journal for Philosophy of Religion 70 (3):187-201.
    This article offers a review of Richard Rorty’s attempts to come to terms with the role of religion in our public and intellectual life by tracing the key developments in his position, partially in response to the ubiquitous criticisms of his distinction between private and public projects. Since Rorty rejects the possibility of dismissing religion on purely epistemic grounds, he is determined to treat it, instead, as a matter of politics. My suggestion is that, in this respect, Rorty’s position is (...)
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  13.  69
    Modern Versus Postmodern Architecture.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 87 – 105.
    A discussion of "postmodern" architecture in the sense in which the term was used in the late 1980s, namely, the introduction of historical substantive content and reference into architecture, disrupting the supposedly ahistorical purity of modernist architecture. Argues that postmodern use of history is really another version of the modern distance from history.
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  14.  14
    Interstitial Soundings: Philosophical Reflections on Improvisation, Practice, and Self-Making.Cynthia R. Nielsen - 2015
    In Interstitial Soundings, Cynthia R. Nielsen brings music and philosophy into a fruitful and mutually illuminating dialogue. Topics discussed include the following: music's dynamic ontology, performers and improvisers as co-composers, the communal character of music, jazz as hybrid and socially constructed, the sociopolitical import of bebop, Afro-modernism and its strategic deployments, jazz and racialized practices, continuities between Michel Foucault's discussion of self-making and creating one's musical voice, Alasdair MacIntyre on practice, and how one might harmonize MacIntyre's notion of virtue (...)
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  15. Our Toil Respite Only: Woolf, Diamond and the Difficulty of Reality.Karen Zumhagen-Yekplé - 2015 - MLN 130 (5):1-28.
    In this essay, I read Woolf’s To the Lighthouse together with philosopher Cora Diamond’s writing on literature and moral life, writing marked by her inheritance from Wittgenstein. I first attend to Woolf’s commitment (one she shares with Wittgenstein) to grappling with what I take to be signature issues of modernism: question, quest, and a longing for vision or revised understanding as a way of confronting the difficulty of reality. I then probe Woolf’s engagement with these issues by reading her (...)
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  16.  23
    Review of An Essay on Man. [REVIEW]-Chatterjee Subhasis, Chattopadhyay - 2017 - Prabuddha Bharata or Awakened India 122 (10):715-17.
    Alexander Pope's An Essay on Man is part of a long tradition of meditating on the human person. In this review the antecedents of Modernism are revised and the Pope's Essay is reinstated as a tour de force which is all the more pertinent today.
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  17.  29
    Meaning, Experience, and the Modern Self: The Phenomenology of Spontaneous Sense in Woolf’s Mrs. Dalloway.Jacob Rump - 2018 - Metodo 6 (1):317-355.
    By portraying meaning as a phenomenon that eludes complete expression and arises spontaneously in our everyday embodied interactions with others and objects in the world, as well as in our own unconscious registering of those interactions, Woolf’s Mrs. Dalloway is uniquely insightful concerning both the presence of meaning in modern life and the modern conception of the self--phenomena marked by a certain ineradicable tension between that which is constituted by us and that which is given from outside us. This paper (...)
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  18. Wittgenstein on Mahler.Eran Guter - 2013 - In Danièle Moyal-Sharrock, Volker A. Munz & Annalisa Coliva (eds.), Mind, Language and Action: Contributions to the 36th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.
    In this paper I explain Wittgenstein’s ambivalent remarks on the music of Gustav Mahler in their proper musico-philosophical context. I argue that these remarks are connected to Wittgenstein’s hybrid conception of musical decline and to his tripartite scheme of modern music. I also argue that Mahler’s conundrum was indicative of Wittgenstein’s grappling with his own predicament as a philosopher, and that this gives concrete sense to Wittgenstein’s admission that music was so important to him that without it he was sure (...)
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  19.  19
    Before Beyond Function.David Kolb - manuscript
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  20. The Good, the Bad, and the Vacuous: Wittgenstein on Modern and Future Musics.Eran Guter - 2015 - Journal of Aesthetics and Art Criticism 73 (4):425-439.
    This article explains Wittgenstein's distinction between good, bad, and vacuous modern music which he introduced in a diary entry from January 27, 1931. I situate Wittgenstein's discussion in the context of Oswald Spengler's ideas concerning the decline of Western culture, which informed Wittgenstein's philosophical progress during his middle period, and I argue that the music theory of Heinrich Schenker, and Wittgenstein's critique thereof, served as an immediate link between Spengler's cultural pessimism and Wittgenstein's threefold distinction. I conclude that Wittgenstein's distinction (...)
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  21. Wittgenstein, Modern Music, and the Myth of Progress.Eran Guter - 2017 - In Ilkka Niiniluoto & Thomas Wallgren (eds.), On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica vol. 93. Helsinki: Societas Philosophica Fennica. pp. 181-199.
    Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to his times makes him unique among the great philosophers, that the philosophical problems which Wittgenstein was struggling, indeed his view of the nature of philosophy, were somehow connected with features of our culture or civilization. -/- In this paper I draw inspiration (...)
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  22.  27
    “A Small, Shabby Crystal, yet a Crystal”: A Life of Music in Wittgenstein’s Denkbewegungen.Eran Guter - forthcoming - In B. Sieradzka-Baziur, I. Somavilla & C. Hamphries (eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives. Innsbruck, Austria: StudienVerlag.
    Ludwig Wittgenstein's life and writings attest the extraordinary importance that the art of music had for him. It would be fair to say even that among the great philosophers of the twentieth century he was one of the most musically sensitive. Wittgenstein’s Denkbewegungen contains some of his most unique remarks on music, which bear witness not only to the level of his engagement in thinking about music, but also to the intimate connection in his mind between musical acculturation, the perils (...)
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  23.  86
    Posthumanism: A Fickle Philosophy?Steven Umbrello - 2018 - Con Texte 2 (1):28-32.
    Defining posthumanism as a single, well-oriented philosophy is a difficult if not impossible endeavour. Part of the reason for this difficulty is accounted by posthumanism’s illusive origins and its perpetually changing hermeneutics. This short paper gives a brief account of the ecological trend in contemporary posthumanism and provides a short prescription for the future of posthumanist literature and potential research avenues.
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  24. Incandescence, Melancholy, and Feminist Bad Vibes.Robin James - forthcoming - Differences 25 (2).
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  25. Why is the Amphibian Status of the Human Unavoidable? Some Remarks on Robert Pippin's "After the Beautiful".Italo Testa - 2015 - Lebenswelt: Aesthetics and Philosophy of Experience 7:21-27.
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  26.  43
    Aesthetic Worlds: Rimbaud, Williams and Baroque Form.William Melaney - 2000 - Analecta Husserliana 69:149-158.
    The sense of form that provides the modern poet with a unique experience of the literary object has been crucial to various attempts to compare poetry to other cultural activities. In maintaining similar conceptions of the relationship between poetry and painting, Arthur Rimbaud and W. C. Williams establish a common basis for interpreting their creative work. And yet their poetry is more crucially concerned with the sudden emergence of visible "worlds" containing verbal objects that integrate a new kind of literary (...)
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  27. La Deshumanización Del Arte.José Ortega Y. Gasset - 2007 - Espasa.
    Ligado directamente a la dinámica de los movimientos renovadores del arte que surgieron en la España de los años veinte, el texto de Ortega y Gasset ofrece unas perspectivas más amplias y entronca con la renovación de la estética y la historia del arte que había iniciado la tradición teórica e historiográfica alemana a finales del siglo XIX. Ofrecemos, además otros escritos que, como «¿Una exposición Zuloaga?», «La Gioconda», «Diálogo sobre el arte nuevo», «Ensayo de estética a manera de prólogo» (...)
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  28. Why Art Became Ugly.Stephen R. C. Hicks - 2004 - Navigator 6 (10).
    For a long time critics of modern and postmodern art have relied on the "Isn't that disgusting" strategy. By that I mean the strategy of pointing out that given works of art are ugly, trivial, or in bad taste, that "a five-year-old could have made them," and so on. And they have mostly left it at that. The points have often been true, but they have also been tiresome and unconvincing—and the art world has been entirely unmoved. -/- Of course, (...)
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  29. Einstein's Quandary, Socrates' Irony, and Jesus' Laughter: A 'Post-Modern' Meditation on Faith, Reason, Love, and the Paradox of the One and the Many.Richard Oxenberg - manuscript
    The paradox of 'the One and the Many' might, more generally, be understood as the paradox of relationship. In order for there to be relationship there must be at least two parties in relation. The relation must, at once, hold the parties apart (otherwise they would collapse into unity) while holding them together (otherwise relationship itself would cease). It must do so, further, without itself becoming a third party which would then, itself, need to be related. This paper considers this (...)
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  30.  72
    Modernity, Post-Modernity and Proto-Historicism: Reorienting Humanity Through a New Sense of Narrative Emplotment.Andrew Kirkpatrick - 2014 - Cosmos and History 10 (2):22-77.
    As a grand narrative of progress, the utopian project of modernity is primarily concerned with notions of rationalism, universalism, and the development of a metalanguage. The triumph of the Moderate Enlightenment has seen logics of domination, accumulation and individualism incorporated into the project of modernity, with these logics giving rise to globalised capitalism as the metalanguage of modernity and neoliberal economics as the grand narrative of rational progress. The project of modernity is all but complete, requiring only the formality of (...)
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  31. Archives and the Event of God: The Impact of Michel Foucault on Philosophical Theology David Galston Montreal: McGill-Queen’s University Press, 2011, 166 Pp., $ 75.00 Cloth. [REVIEW]Mehmet Karabela - 2012 - Dialogue 51 (1):173-176.
    Book Reviews Mehmet Karabela, Dialogue: Canadian Philosophical Review/Revue canadienne de philosophie, FirstView Article.
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  32.  24
    Where Do the Architects Live?David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 106 – 115.
    discussion of the extent to which architects can float about history and the inevitable finitude of architectural possibilities from any historical standpoint.
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  33.  55
    Semiotic Mythologies.William D. Melaney - 1995 - Semiotics:31-40.
    The purpose of this paper is to demonstrate that the novels of Jean Rhys embody a significant use of myths, which can be interpreted in terms of the postcolonial as a historical category. The paper does not argue that Rhys was invariably a postcolonial writer but that the postcolonial as a category casts light on her work as a novelist. In addition to employing semiotics and postcolonial theory, this paper also enlists Homi Bhabha's appropriation of Lacan as a tool in (...)
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  34.  39
    "In Search of James Joyce's 'Ulysses'".William D. Melaney - 1993 - Semiotics:391-399.
    This paper examines how semiotics, in conjunction with hermeneutics, can illuminate the structure of James Joyce's 'Ulysses' as a literary text. The paper begins with an account of two poet-critics who examined Joyce's novel in terms of classical myths and literary precedents. A crucial turning-point in the essay occurs when Jean Michel Rabate's Lacanian reading of the novel is introduced to clarify Joyce's use of the "signifier of absence" to clarify the meaning of paternity in the novel. The function of (...)
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  35.  39
    Nineteen Fifty Eight: Information Technology and the Reconceptualization of Creativity.Christopher Mole - 2011 - The Cambridge Quarterly 40 (4):301-327.
    Nineteen fifty-eight was an extraordinary year for cultural innovation, especially in English literature. It was also a year in which several boldly revisionary positions were first articulated in analytic philosophy. And it was a crucial year for the establishment of structural linguistics, of structuralist anthropology, and of cognitive psychology. Taken together these developments had a radical effect on our conceptions of individual creativity and of the inheritance of tradition. The present essay attempts to illuminate the relationships among these developments, and (...)
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  36.  31
    Old Wine in New Bottles: Exploring Pragmatism as a Philosophical Framework for the Discipline of Coaching.Tatiana Bachkirova & Simon Borrington - forthcoming - Academy of Management Learning and Education.
    The practice and industry of organizational coaching are now well established, but how it is understood theoretically continues to lag behind. In this paper we analyze possible reasons for this state of affairs and argue that the development of coaching as an academic discipline will benefit from adopting philosophical pragmatism as an overarching theoretical framework. This move will enable coaching academics to utilize the contributions to knowledge that different paradigms generate. Positioning pragmatism as a theory of action we argue that (...)
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  37. How to Understand Modern Contemporary Art, Enjoy It, and Not Be Fooled.Jakob Zaaiman - 2016 - Alldaynight.Info.
    Modern contemporary art remains a mystery because most people – including art critics and even artists themselves – are unable to see beyond the imprisoning confines of classical fine art. Everything is judged in terms of beauty and technical skill, when it should be viewed from a quite different perspective, namely that of the imaginative world that the modern artwork is a part of. Successful and authentic modern art is about creating worlds of the imagination - like a film, or (...)
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  38.  37
    Resisting Hegemony Through Noise.Casey Robertson - 2019 - Assuming Gender 8 (7.1):50-73.
    This essay examines the cultural phenomena of noise in its perceived social constructions and demonstrates its emergence as a form of resistance against prevailing dominant hegemonic codes of culture. In particular, the paper explores the ability of noise to be enacted as a tool to escape the shackles of heteronormative constructions of sexuality and gender in the cultural landscape of the United States. Examined to support this argument are the contrasting works of two American artists: John Cage and Emilie Autumn. (...)
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  39. Does the New Classicism Need Evolutionary Theory?Ray Scott Percival - 2016 - In Elizabeth Millán (ed.), After the Avant-Gardes: Reflections on the Future of the Fine Arts. Chicago: Open Court Publishers. pp. 109-126.
    In what way might the new classicism gain support from evolutionary theory? My rough answer is that evolutionary theory can help defend a return to more classical artistic standards and also explain why classical standards are not simply imposed by social conditioning or by powerful elites, but arise naturally from something more fundamental in the human constitution. Classical standards and themes are an expression of our evolutionary history. The mind can be seen as a biological organ or function, produced by (...)
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  40. Review of the New Princeton Edition of Erasmus's The Praise of Folly. [REVIEW]Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (4):429-431.
    This is a review of Erasmus and during the process of the review, the reviewer rethinks the Renaissance, theology and comments on the rise of the ISIS in the Islamic Levant.
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  41. The Self and Its World: Husserlian Contributions to a Metaphysics of Einstein’s Theory of Relativity and Heisenberg’s Indeterminacy Principle in Quantum Physics.Maria Eliza Cruz - manuscript
    This paper centers on the implicit metaphysics beyond the Theory of Relativity and the Principle of Indeterminacy – two revolutionary theories that have changed 20th Century Physics – using the perspective of Husserlian Transcedental Phenomenology. Albert Einstein (1879-1955) and Werner Heisenberg (1901-1976) abolished the theoretical framework of Classical (Galilean- Newtonian) physics that has been complemented, strengthened by Cartesian metaphysics. Rene Descartes (1596- 1850) introduced a separation between subject and object (as two different and self- enclosed substances) while Galileo and Newton (...)
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  42.  43
    Lived Religion in a Plural Society: A Resource or Liability.Ashok Kaul & Chitaranjan Adhikary - 2014 - Argument: Biannual Philosophical Journal 4 (1):89-102.
    Recently there is a renewed academic interest in religion bringing it back on the global political agenda. Religion in the post modern global order is fast emerging as a new organizing principle in the face of multi-polarity, trans-nationality and sweeping pluralisation of peoples. Contrary to the secularist self believe, the modern has failed to take over the tradition including religion. Rather a logical opposite seems to be happening, questioning the very presumptions of the modernity project. The present paper is a (...)
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  43.  53
    Review of the Praise of Folly by Erasmus Translated by Hoyt Hopewell Hudson (Princeton , 2015). [REVIEW]Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (4):429-31.
    This is a review of the 2015 Princeton edition of The Praise of Folly.
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  44.  62
    Witnessability as the Universal Currency of Barter:A Model for the Rehabilitation of Witness Perspective.Marvin E. Kirsh - manuscript
    The production of sound by the machinery of change is a viral element in the problems of civilization. Conceptual historical paradox involving mind and matter as the recurring source of the problems of civilization is elaborated to expose a space reducing friction residing at the border of conceptual and empirical interpretation involving cause and effect rather than physical form. A visually based mathematical-physical form, is elaborated and discussion, based on a philosophy of motion, volume and processes that is indivisible, unmoved (...)
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  45.  34
    Walt Whitman and Modern Music War, Desire, and the Trials of Nationhood.Lawrence Kramer - 2000
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  46. The Morality of Freedom. Joseph Raz.Gerald Dworkin - 1988 - Ethics 98 (4):850-852.
    This thesis examines the relationship between nihilism and postmodernism in relation to the sublime, and is divided into two parts: theory and literature. Beginning with histories of nihilism and the sublime, the Enlightenment is constructed as a conflict between the two. Rather than promote a simple binarism, however, nihilism is constructed as a temporally-displaced form of sublimity that is merely labelled as nihilism because of the dominant ideologies at the time. Postmodernism, as a product of the Enlightenment, is therefore implicitly (...)
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  47. Arthur Danto’s Andy Warhol: The Embodiment of Theory in Art and the Pragmatic Turn.Stephen Snyder - 2010 - Leitmotiv:135-151.
    Arthur Danto’s recent book, Andy Warhol, leads the reader through the story of the iconic American’s artistic life highlighted by a philosophical commentary, a commentary that merges Danto’s aesthetic theory with the artist himself. Inspired by Warhol’s Brillo Box installation, art that in Danto’s eyes was indiscernible from the everyday boxes it represented, Danto developed a theory that is able to differentiate art from non-art by employing the body of conceptual art theory manifest in what he termed the ‘artworld’. The (...)
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  48. The Salem Region: Two Mindsets About Science.John S. Wilkins - 2013 - In Massimo Pigliucci & Maarten Boudry (eds.), Philosophy of Pseudoscience: Reconsidering the Demarcation Problem. University of Chicago Press. pp. 397.
    This chapter distinguishes between two mindsets about science—the deductivist mindset and inductivist mindset—and explores the cognitive styles relating to authority and tradition in both science and pseudoscience. The deductivist tends to see problems as questions to be resolved by deduction from known theory or principle. The inductivist sees problems as questions to be resolved by discovery. Those leaning towards a deductivist mindset may find results that conflict with prior theoretical commitments unacceptable. The deductivist tends to be a cognitive conservative, and (...)
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  49. Gadamer-Habermas Debate and Universality of Hermeneutics.Teodor Negru - 2007 - Cultura 4 (1):113-119.
    The idea this article relies on is that we should rethink cultural distance between modernism and post-modernism. We can no longer support the thesis of a radical break between the two cultural periods since many of the changes that have marked our contemporary world were initiated or at least announced in the modern period. Besides the cultural and epistemic factors, the socioeconomic conditions have also contributed to shape a new sensitivity and a new outlook. One of the major (...)
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  50. Pragmatism for Architects.Tom Spector - 2004 - Contemporary Pragmatism 1 (1):133-149.
    Dewey's pragmatist aesthetics attempts to reconcile the tension between public and private demands on the work of art that has troubled contemporary architecture since the passing of modernism. As a public philosophy of art it holds tremendous promise; but architects will likely find Dewey's characterization of the individual encounter with the work of art less satisfactory. This suggests that Dewey's pragmatism may have over-committed to a singular aesthetic interpretation of the world, lacking the philosophical distance sought by architects. However, (...)
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1 — 50 / 98