Abstract

The purpose of this essay is to point out the diversity in post-Proppian plot analysis—and, more specifically, to argue that within it one can discern two fundamentally different conceptions of narrative structure. These are not merely different theoretical grids superimposed upon the same phenomena, but represent, in fact, two objectively different types of narrative structure. These two types will be referred to as dramatic structure and instrumental structure, and they may be succinctly characterized by the antonyms 'play' and 'work' respectively. It will be argued that there is a basis in Propp for both conceptions of narrative structure and that Bremond and Greimas, in their efforts to 'generalize' Propp, have each only isolated one of two tendencies coexisting in his analytic approach. Our point of departure will be Propp's concept of the basic unit of plot structure, which he terms the function. This is a complex term. Two senses are distinguished, biological and mathematical-logical.